Film Review Daily
In Memoriam
Michael Darvell
examines the
lives of the recently deceased, including
Wilford Brimley, Alan Parker, Olivia de Havilland, John Saxon, Annie Ross, Zizi Jeanmaire,
Maurice Roëves, Kelly Preston, Ennio Morricone, Earl Cameron, Carl Reiner, Johnny
Mandel, Louis Mahoney, Julian Curry, Linda Cristal, Joel Schumacher, Ian Holm, Lewis John
Carlino, John Benfield, Vera Lynn, Lennie Niehaus, Larry Kramer, Jon Whiteley, Fred
Willard, Michel Piccoli, Irrfan Khan and Shirley Knight.
INDIA ADAMS (8 March 1927-25 April 2020)
The American singer-actress India Adams, who has died aged 93, held a special place in Hollywood history. She
was one of a small group of artists called ghost singers, voice doubles for actresses who had the looks but not
the singing voices for movies. The most celebrated ‘ghost’ was Marni Nixon who sang for, among others, Marilyn
Monroe, Deborah Kerr, Sophia Loren, Natalie Wood and Audrey Hepburn. Adams famously dubbed Cyd
Charisse in The Band Wagon and Joan Crawford on Torch Song and Johnny Guitar. It was generally never
revealed that famous stars were at times dubbed by others and contracts with gagging orders were issued to
that effect. India Adams was, however, an actress in her own right, appearing in other films including, of late,
Fake and Followed with John Savage. She also worked as a radio singer, recorded albums, played nightclubs and appeared on stage in Can-Can, Brigadoon and Mame. In 1990 she formed a quartet with other ghost singers
Annette Warren, Jo Ann Greer and Betty Wand and they went on tour. India Adams has two sons, Brian and
Zane, from her first husband, advertising executive Jack Stanley. After they divorced she married Quentin Rance.
JULIE ADAMS (17
October 1926-3 February 2019)
The American actress Julie Adams, who has died aged 92, was born in
Iowa, grew up in Arkansas and moved to
California at age nineteen. Dividing her time between secretarial work and acting lessons, she was spotted by
Paramount
Pictures for Red, Hot
and Blue (1949) with 
Betty
Hutton and Victor Mature. For a while she was in B-westerns
for Lippert Productions. As a fairly stunningly beautiful young woman,
Adams secured a seven-year contract with
Universal-International where she worked with Rock Hudson, Tyrone
Power, Glenn Ford and Van Heflin plus James Stewart
(with Hudson and Kennedy) in Anthony Mann’s Bend of the River.
Following more westerns, including The Lawless Breed
and The Man from the
Alamo, she subsequently appeared in Jack Arnold’s 3-D
horror exploitationer Creature
from the Black Lagoon (1954). A change of first name to
Julia made little difference to her career and she survived as
not much more than just eye candy decoration for genre westerns,
comedies and crime dramas in such pictures as The Looters, Six Bridges to
Cross, The Private War of Major Benson and Slaughter on Tenth
Avenue. After that, television came to her
rescue . She retired in 2018 following work on a short
film, The Lucky
Southern Star, based on her own life story. Julie Adams
was briefly married to the writer and producer Leonard Stern in the
early 1950s and then she married the actor Ray Danton in 1955, with
whom she has two sons, Steve and Mitchell. They divorced in 1978 and
Danton died in
1992.
DANNY AIELLO (20 June 1933-12 December 2019)
The Italian-American actor Danny Aiello, who has died aged 86 after a
brief illness, was a brilliant performer who, for many years, was
usually cast as a typically thuggish gangster in many Hollywood films.
Born into a New York family, his father was a labourer and his mother a
seamstress who mostly raised her large family on her own. Danny worked
early on as a shoeshine boy, a newspaper seller and a bus driver.
Encouraged by his movie heroes Bogart and Cagney, he also went in for
petty crime. On leaving the US Army, he married and settled back in New
York in a slew of menial jobs including work as a bouncer in a comedy
club where he first took to performing but without any training. At the
age of 40 he got his first film role in Bang the Drum Slowly, a
baseball drama with Robert De Niro. 
This led to a part in Coppola’s The
Godfather Part II, and then Martin Ritt’s The Front, with Woody Allen
playing a blacklisted writer in the 1950s. After some TV and stage work
he was in Fingers with Harvey Keitel, Robert Mulligan’s Bloodbrothers
with Paul Sorvino and Richard Gere, James Caan’s Hide in Plain Sight
and Fort Apache, The Bronx with Paul Newman. By 1984 he was appearing
with those other great heavies Robert De Niro, Joe Pesci, James Russo,
Burt Young and William Forsythe in Sergio Leone’s Once Upon a Time in
America. Woody Allen put him in The Purple Rose of Cairo and Radio
Days, but he may be better remembered for playing the Father in
Madonna’s 'Papa Don’t Preach' video, although appearing opposite Cher in
the triple Oscar-winning Moonstruck also helped his public profile. The
January Man was Pat O’Connor’s take on the NYPD with Kevin Kline, but
it was Spike Lee who gave Aiello his first top-billed film part as Sal
the pizzeria owner in Do the Right Thing (1989) for which Aiello was
Oscar-nominated. Then there was Eddie Murphy’s Harlem Nights, Adrian
Lyne’s Jacob’s Ladder, Hudson Hawk with Bruce Willis, he was Jack Ruby,
Lee Harvey Oswald’s assassin, in John Mackenzie’s Ruby, Tony in Luc
Besson’s Leon, and Major Hamilton in Robert Altman’s Prêt-à-Porter as
well as many more films and TV series. He never stopped working and
there are several of his latest films still to be released. Other work
that Aiello engaged in was singing jazz and standard songs on tour and
also recording them. He was a prolific donor to charities including the
Salvation Army, Broadway Cares/Equity Fights AIDS, the Frances Aiello
Day Treatment Centre for the blind and deaf, and Covenant House, a
mobile food and shelter unit for the homeless. Aiello was married to
film producer Sandy Cohen from 1955 until his death. They have four
children, Danny (a stuntman who died of pancreatic cancer in 2010),
Rick, Jamie and Stacy. The title of Danny Aiello’s autobiography (2014)
is I Only Know Who I Am When I Am Somebody Else....
BIBI ANDERSSON (11 November 1935-14 April 2019)
The
Swedish actress Bibi Andersson, who has died aged 83, became known to
the world as one of Ingmar Bergman’s leading ladies. She worked on
stage and on television as well as in films. She began her career
playing small parts and doing commercials until she gained a 
place
at the Royal Dramatic Theatre’s acting school in Stockholm in 1954.
Following a short relationship with Bergman she joined him at the Malmṏ
City Theatre and then appeared in his film Smiles of a Summer Night, which Stephen Sondheim later used as the basis of his musical A Little Night Music. Although she made films with other directors, the very beautiful Andersson did her best work with Bergman, appearing in The
Seventh Seal, Rabies, Wild Strawberries, So Close to Life, The
Magician, The Devil’s Eye, Now About These Women, Persona, The Passion
of Anna, The Touch, Scenes from a Marriage and the TV short Mr Sleeman Is Coming. She also worked with other notable Swedish directors including on Alf Sjṏberg’s Last Pair Out (written by Bergman) and The Island, Stig Olin’s You Are My Adventure, Alf Kjellin’s The Pleasure Garden (also written by Bergman), Vilgot Sjṏman’s The Mistress and My Sister My Love, and Lars-Magnus Lindgren’s Black Palm Trees. Outside of Sweden, Andersson was in Square of Violence with Broderick Crawford, Duel at Diablo with James Garner, Jacques Doniol-Valcroze’s A Question of Rape, John Huston’s The Kremlin Letter with Richard Boone, Story of a Woman with Robert Stack, a TV movie of Arthur Miller’s After the Fall, VortQuality
work in a film that nevertheless fails to hang togetherQuality work in
a film that nevertheless fails to hang togetherex with Rod Taylor, Andrḗ Cayatte’s Question of Love, Anthony Page’s I Never Promised You a Rose Garden, An Enemy of the People with Steve McQueen, Robert Altman’s Quintet with Paul Newman, Airport ’79 with Alain Delon, Exposed with Rudolf Nureyev, Gabriel Axel’s Babette’s Feast and Stephen Poliakoff’s TV movie The Lost Prince. Her last work, in 2010, was a TV series called Arn.
She then retired, following a stroke. Bibi Andersson was married three
times: to the writer-director Kjell Grede, the politician Per
Ahlmark, and Gabriel Mora Baeza. She has one child from her first
marriage.
RENḖ AUBERJONOIS (1 June 1940-8 December 2019)
The
American actor René Auberjonois, who has died from cancer at the age of
79, was never a real household name but he kept busy on stage, in films
and on television for over fifty years, and in the process often turned
quirkiness into an art form. He became famous through his appearances
in the films of Robert Altman, but from the age of sixteen trained and
gained experience in the theatre. His family were near neighbours of
producer-director John Houseman who found him an apprenticeship at his
Shakespeare Theatre in Stratford, Connecticut. Later on he taught under
Houseman at the Juilliard School. 
Theatre
work in Washington, Pittsburgh, Los Angeles, San Francisco and New York
followed and at 28 he played the Fool opposite Lee J. Cobb’s King Lear.
He was in the musicals Coco (winning a Tony Award), Big River and City of Angels and in plays, including Neil Simon’s The Good Doctor. Robert Altman discovered Auberjonois in a flop musical and put him into M*A*S*H as Father Mulcahy, and then in Brewster McCloud, McCabe and Mrs Miller, Images and The Player. He was also in Martin Ritt’s Pete ‘n’ Tillie, Robert Wise’s The Hindenburg, James Frawley’s The Big Bus, John Guillermin’s remake of King Kong, Irvin Kershner’s Eyes of Laura Mars, Alex Cox’s Walker, Police Academy 5, Nigel Finch’s The Lost Language of Cranes, Joel Schumacher’s Batman Forever, Inspector Gadget, Roland Emmerich’s The Patriot, Kelly Reichardt’s Certain Women and Blood Stripe (directed by his son Remy Auberjonois). He was in four films during 2019: The Circuit, Windows on the World, Raising Buchanan and First Cow. His last film, Ralph Soll’s Cortex, is in post-production. René Auberjonois’s career was mainly in television, including Rhoda, Starsky and Hutch, The Rockford Files, The Good Wife and over 170 episodes of Star Trek: Deep Space Nine, as the shape-shifting Odo, his most famous TV part. He also did much voice-over work for animated series including Snorks, Batman: The Animated Series, Pound Puppies, Avatar the Last Airbender and The Smurfs. Auberjonois’ wife was Judith Mahalyi who he married in 1963. They have two children, son Remy and daughter Tessa.
CLAUDINE AUGER (28 April 1941-18 December 2019)
Although the French actress Claudine Auger, who has died aged 78 following a long illness, 
made
just a few English-speaking films, she will always be remembered for
being the first French actress to become a Bond girl. In 1965 she
played Domino in Thunderball with Sean Connery, doing all her own underwater swimming stunts. Director Terence Young also used her in Triple Cross
(1966) with Christopher Plummer and Yul Brynner. In 1958 she had been
crowned Miss France but then went on to study acting at the Paris Drama
Conservatoire. Most of her career was spent in French, Italian and
Spanish films and some television series including some at the BBC. In
her lifetime she clocked up over eighty appearances, working with many
celebrated directors including Jean Cocteau, Marcel Carnḗ, Mario
Monicelli, Jean Girault, Jacques Deray, Pierre Etaix and Ettore Scola.
Her first film was Christine in 1958 with Alain Delon, then she did Testament d’Orphḗe for Cocteau. In 1962 she was in the ‘Envy’ section of the portmanteau film The Seven Deadly Sins directed by Edouard Molinaro, a film that had seven directors. Her first US film was Robert Parrish’s In the French Style (1963) with Jean Seberg. After Triple Cross she acted with Peter Cushing in Black Jack and in 1992 was in Andrew Birkin’s Salt On Our Skin with Greta Scacchi. Her last appearance was in a French TV adaptation of Stendhal’s The Red and the Black
in 1997. Claudine Auger was married twice, first to the writer,
director and editor Pierre Gaspard-Huit for ten years from 1959. She
married the British businessman Peter Brent in 1984 (but he died in
2008). At the age of 49 she gave birth to a daughter, Jessica.
CHARLES
AZNAVOUR
(22 May 1924-
The singer, songwriter and actor
Charles Aznavour, who has
died aged 94, was born Shahnour Vaghinag Aznavourian in 
His
father, a singer in restaurants, encouraged young Charles to
perform. He left school at age nine and was soon appearing in films and
on
stage. He was discovered by Edith Piaf in his early twenties, toured
with her
and started writing songs. He had an attractive tenor voice that could
also go
down to baritone level. He was also a great linguist, speaking and
singing in
French, English, Spanish, Italian, Russian, German and Armenian. Many
famous
singers performed his songs all around the world. He was not so much
the new
Chevalier but more the Sinatra of France. He was still touring and
singing
until a couple of weeks before he died. Apart from his singing career
he was a
force to be reckoned with in the cinema and proved to be an actor of
great
range. He entered films in 1936 and made a few films in the 1940s and
’50s
until Jean Cocteau cast him (uncredited) in Testament
d’Orphée in 1960. François Truffaut gave him two parts in Tirez sur le pianiste. After that
Aznavour appeared in both French and American films, including Georges
Franju’s
La tête contre
les murs, Taxi for
Tobruk, with Hardy Kruger, Christian Marquand’s Candy, Lewis Gilbert’s The
Adventurers, Michael Winner’s The
Games, Peter Collinson’s And Then
There Were None, Douglas Hickox’s Sky
Riders, Volker Schlöndorff’s The
Tin Drum, Chabrol’s The
Twist, etc. In all, Aznavour made nearly eighty appearances
in
films and television series. And of course many of his songs (‘She’,
‘Dance in
the
JOHN BENFIELD (9 November 1951-16 June 2020)
The British actor John Benfield, who has died from cancer at the age of 68, was exceptional at playing heavy character roles on 
both
sides of the law. Born Jonathan Turner in Wanstead, East London, he
worked as an ambulance driver before studying acting at Webber Douglas.
He did some stage work but was mainly on television. His TV debut was
as the Gaoler in The Winter’s Tale in 1981. From there he did It Ain’t Half Hot Mum, The Day of the Triffids, Minder, The Sign of Four, The Beggar’s Opera (another Gaoler), P.D. James’ The Black Tower, and many others including more Shakespeare and, most notably, Lynda La Plante’s Prime Suspect with Helen Mirren. Benfield’s first film was Breakout (1984), then came Whoops Apocalypse, Buster, Ken Loach’s Hidden Agenda, Jim Sheridan’s In the Name of the Father with Daniel Day-Lewis, Hattie Macdonald’s Beautiful Thing, Disney’s 101 Dalmatians, Cousin Bette with Jessica Lange, You’re Dead with John Hurt, 24 Hours in London with Gary Olsen, Lover’s Prayer with Kirsten Dunst, Charlotte Gray with Cate Blanchett, the Wachowskis’ Speed Racer, Woody Allen’s Cassandra’s Dream, Giuseppe Tornatore’s Deception and The Coldest Game (2019) with Bill Pullman. John Benfield was married to Lilian Lees and they have a son, Freddie.
BERNARDO
BERTOLUCCI (16 March 1941-26 November 2018)
The
Italian film director and screenwriter Bernardo Bertolucci, who has
died aged 77 from lung cancer, was originally something of a literary
hero, having written from the age of fifteen. 
He
won several literary awards and had plans to be a poet, like his father
Attilio (who helped Pier Paolo Pasolini publish his first novel). The
connection led to Bernardo working with Pasolini on his first film, Accattone, in 1961.
The following year saw Bertolucci’s dḗbut as a director, La commare secca, a
thriller about a murdered prostitute, with a screenplay by Pasolini. Before the Revolution
followed, along with other films including Partner, based on
Dostoyevsky’s novel The
Double. The
Conformist,
adapted from Alberto Moravia’s novel, gave Bertolucci a worldwide
audience and several awards. Jean-Louis Trintignant played the fascist
killer Marcello. Bertolucci then adapted a Jorge Luis Borges political
story for The Spider’s
Stratagem (1970) and in the same year made Last Tango in Paris,
his most controversial film, with Marlon Brando and Maria Schneider.
Budgeted at $1.25 million, it reaped over $96 million at the box office
and boosted the sales of butter. The director went on to make more
films including 1900,
with Robert De Niro, La
Luna with Jill Clayburgh, Tragedy of a Ridiculous Man
with Ugo Tognazzi and Anouk Aimḗe, and The Last Emperor
with Peter O’Toole, which won nine Oscars. After that the rest of his
output, The Sheltering
Sky, Little Buddha, Stealing Beauty, Besieged and The Dreamers,
did not fare that well at the box-office. However, his work was much
appreciated at film festivals where he won nearly fifty awards and had
over thirty more nominations. His last film was Me and You
in 2012. Bernardo Bertolucci was first married to the Italian actress
Adriana Asti and from 1978 to the screenwriter and director Clare
Peploe. They had no children.
HONOR BLACKMAN (22 August 1925-6 April 2020)
The
English actress Honor Blackman, who has died aged 94 of natural causes,
was a strong-willed and often outspoken woman who became a very popular
actress in the theatre and on film and television. She will be
best-remembered for her role as judo expert Cathy Gale in The Avengers TV series and for Pussy Galore in the third James Bond film, Goldfinger
(1964). Born, one of four children, in Plaistow, East London, to a
civil servant statistician and his wife, Honor first became a civil
servant and then a courier during World War II. Before that her father
had offered her either a bicycle or elocution lessons on her fifteenth
birthday. She chose the latter and gained a place at the Guildhall
School of Speech & Drama. 
Her
diction became her strong point in that she always spoke clearly,
commandingly and had perfect enunciation. She made her professional
debut in the West End in the mid-1940s before being cast (uncredited)
in her first film, Fame Is the Spur
(1947), the Boulting Brothers picture with Michael Redgrave. A contract
with the Rank Organisation followed and she appeared in Daughter of Darkness with Maxwell Reed, A Boy, a Girl and a Bike with John McCallum, The Alien Corn segment of the Somerset Maugham portmanteau film Quartet with Dirk Bogarde, So Long at the Fair, also with Bogarde, and Green Grow the Rushes with Richard Burton. A trip to Hollywood saw her in MGM’s Conspirator with Elizabeth Taylor and Robert Taylor.
Blackman was kept busy during the 1950s in a mixture of films and television including Basil Dearden’s The Rainbow Jacket, Roy Baker’s Titanic film A Night to Remember with Kenneth More, The Square Peg with Norman Wisdom and quite a few B-pictures, too. On TV she was in Danger Man, The Saint and, of course, forty-three episodes of The Avengers. Then came Goldfinger opposite Sean Connery, after which she was in more A-pictures such as The Secret of My Success, Jason and the Argonauts, Life at the Top, Moment to Moment, A Twist of Sand and Shalako, a British ‘Western’ with Connery and Brigitte Bardot, which she counted as the worst experience of her career.
Of her later films, The Virgin and the Gypsy with Franco Nero, Something Big with Dean Martin, To Walk With Lions with Richard Harris, Bridget Jones’s Diary with Renḗe Zellweger, Reuniting the Rubins with Timothy Spall, and I, Anna with Charlotte Rampling were probably the most interesting.
She made a single record of ‘Kinky Boots’ with her Avengers co-star Patrick Macnee and an album of love songs called Everything I’ve Got. After leaving The Avengers in 1964 she wrote Honor Blackman’s Book of Self-Defence,
and in her last years toured her one-woman shows on famous women, both
wayward and dishonourable. Blackman herself was a wayward, no-nonsense
woman with a strong personality – she thought that Margaret Thatcher as
a role-model politician should have employed more women in her cabinet.
She was married first to the businessman Bill Sankey and then to the
actor Maurice Kaufmann. Both marriages ended in divorce and Kaufmann
died in 1997. With Kaufmann she adopted a daughter, Lottie, and a son,
Barnaby. Honor Blackman refused the offer of a CBE in 2002, claiming
she was a Republican.
VERNA
BLOOM (7 August 1938-9 January
2019)
The
American actress Verna Bloom, who has died aged 80 from complications
with dementia, had a fairly short career in movies, just ten titles in
toto, 
but
she also had a career in television and the theatre. She was born to
Russian Jewish parents in Massachusetts, graduated from Boston
University and later studied at the Herbert Berghof Studio for actors
in New York. She worked at the Bar Harbour Theatre in Maine and also
co-founded the Trident Playhouse in Denver. Replacing Glenda Jackson in
the Broadway production of Marat/Sade
led to her first big screen appearance in Medium Cool,
Haskell Wexler’s film about the 1968 Democratic National Convention,
with Robert Forster. Peter Fonda directed her in his Western The Hired Hand and
then Clint Eastwood cast her in his High Plains Drifter
(1973). She appeared with Robert Duvall in Howard Koch’s cop movie Badge 373 and later
on was one of many budding stars in the original National Lampoon's Animal House
directed by John Landis. Other names included Tom Hulce, Kevin Bacon,
John Belushi, Peter Riegert, Karen Allen, Donald Sutherland and John
Vernon. She worked with Eastwood again on Honkytonk Man,
appeared in The Journey
of Natty Gann and Martin Scorsese’s After Hours. She
played Mary, the mother of Jesus, in Scorsese’s The Last Temptation of Christ
(1988), her last film. In between movies, Verna Bloom worked on TV in Bonanza, Kojak, Police Story,
Cagney and Lacey, The Equalizer, Dr Quinn, Medicine Woman
and The West Wing,
among others. She was married twice, first to Richard Collier and then
to the writer Jay Cocks from 1972. They have one child.
MARK BLUM (14 May 1950-26 March 2020)
The
American actor Mark Blum, who has died aged 69 from the Coronavirus,
became an actor almost by chance. Born in Newark, New Jersey, he
attended Columbia High School where he took part in theatre activities
but with the intention of becoming a lawyer. 
Gradually
acting took over and he studied his craft at the Universities of
Pennsylvania and Minnesota. He toured with the National Shakespeare
Company and ultimately reached Broadway in The Cherry Orchard, Arnold Wesker’s version of The Merchant of Venice and, later on, Neil Simon’s Lost in Yonkers, Herb Gardner’s A Thousand Clowns, Reginald Rose’s Twelve Angry Men, Eugene O’Neill’s Mourning Becomes Electra and other plays. His first film was in 1983 but he wasn’t really noticed until he appeared in Desperately Seeking Susan (1985) with Madonna. Blum’s next film was Just Between Friends with Mary Tyler Moore, and then came the huge sleeper hit that was Crocodile Dundee with Paul Hogan, followed by Blind Date with Bruce Willis and Kim Basinger and The Presidio with Sean Connery. He also won the Obie for his part in Albert Innaurato's play, Gus and Al, in which he played Al. A mix of television and undistinguished movies dogged Blum’s career, until films such as I Don’t Know How She Does It with Sarah Jessica Parker and Blumenthal with Brian Cox came along. Otherwise it was more TV, in particular a recurring role in the Amazon Prime series Mozart in the Jungle (2014 to 2018), until his final feature film, Amy Miller Gross’s The Pleasure of Your Presence
with Alicia Silverstone and Tom Everett Scott, which awaits release.
Mark Blum was married to the actress Janet Zarish from 2005.
LUCIA BOSÈ (28 January 1931-23 March 2020)
The
Italian actress Lucia Bosè, who has died aged 89, after contracting the
Coronavirus, started her working life in a Milanese bakery before
winning the Miss Italia beauty contest at the age of 16. Born Lucia
Borloni to parents Domenico and Francesca, she became famous during 
Italy’s period of Neorealism cinema in the 1950s. Her first film was Under the Olive Tree for Giuseppe De Santis, playing opposite Raf Vallone. Then she worked for Michelangelo Antonioni in Chronicle of a Love. More films followed from Mario Soldati, Luciano Emmer and others until Antonioni cast her again in La Signore Senza Camelie.
She worked constantly apart from ten years from the mid-1950s when she
brought up her children. Among her films released worldwide were Juan
Antonio Bardem’s Death of a Cyclist and Luis Buñuel’s That Is the Dawn. In 1960 she was uncredited in Jean Cocteau’s Le Testament d’Orphḗe and later on appeared in the Taviani Brothers’ Under the Sign of Scorpio, played La matrona in Fellini Satyricon and had another uncredited role in The Picasso Summer,
a Ray Bradbury story, with Albert Finney, Yvette Mimieux and Graham
Stark! She played George Sand opposite Christopher Sandford as Chopin
in A Winter in Mallorca, worked with director Mauro Bolognini in Metello, appeared opposite Farley Granger in Something Creeping in the Dark, was directed by Liliana Cavani in The Guest, appeared with Jeanne Moreau in Marguerite Duras’ Nathalie Granger, and was directed by Moreau for Lumiere. She acted with Rod Steiger in The Heroes, played the vampiric Countess Bathory in The Legend of Blood Castle, and worked with Bolognini again in Down the Ancient Stairs. The best of her later films was probably Francesco Rosi’s Chronicle of a Death Foretold
in 1987. She married and divorced the Spanish bullfighter Luis Miguel
Dominguin. They have three children, Miguel, Lucia and Paola.
JOHN BRILEY (25 June 1925-14 December 2019)
The screenplay, theatre and television writer John Briley, who has died aged 94, was 
born
in Kalamazoo, Michigan, USA. He first worked in public relations for
General Motors and then joined the US Air Force, eventually being
posted to Britain at RAF Northolt. It was there that he began his
writing career. After gaining a PhD in Elizabethan drama at the
University of Birmingham, he left the air force and joined MGM Studios
as a staff writer. He wrote the Spike Milligan comedies Invasion Quartet (1961) and Postman’s Knock (1962) and then adapted the John Wyndham sci-fi novel Children of the Damned. This was followed by Hammerhead and Pope Joan with Liv Ullmann. That Lucky Touch starred Roger Moore and Susannah York, while Richard Burton was in The Medusa Touch. Both Eagle’s Wing and Enigma starred Martin Sheen after which came Briley’s most successful screenplay for Richard Attenborough’s Gandhi, for which Briley won an Academy Award. He worked with Attenborough again on Cry Freedom, the Steve Biko story. Before that he wrote Marie for Sissy Spacek and adapted the James Clavell novel Tai-Pan. Following Sandino with Kris Kristofferson he wrote Christopher Columbus: The Discovery for Marlon Brando. His last film was Molokai
in 1999. He had many unproduced film scripts and also wrote for
television and published several novels. John Briley married Dorothy
Louise Reichart in 1950 and they have four children.
WILFORD BRIMLEY (27 September 1934-1 August 2020)
The
American actor-singer Wilford Brimley, who has died from a kidney
condition aged 85, began as an extra in Westerns but quickly became a
character actor in several grade-A pictures. His signature role was
that of a grumpy, whiskery old buzzard, although he always made his
parts likeable. He did stuntwork on Bandolero! (1968), had minor uncredited roles in True Grit and Lawman, 
but then found fame in The Waltons television series (1974-77). His first real film role was in James Bridges’ The China Syndrome with Jane Fonda and Jack Lemmon in 1979. Then he did The Electric Horseman with Fonda and Robert Redford, later appearing with the latter in Brubaker and, even later, in The Natural. Brimley was a senior patrol agent in Borderline with Charles Bronson and an Assistant Attorney General in Absence of Malice with Paul Newman. He was a sheriff in Death Valley, a doctor in The Thing, and a police captain in 10 to Midnight. Other films included High Road to China, Tough Enough, Harry & Son and The Hotel New Hampshire (as Iowa Bob). Cocoon and Cocoon: The Return
gave him a star part along with fellow old timers Don Ameche,
Hume Cronyn, Jack Gilford, Maureen Stapleton and Gwen Verdon. There was
also further television after The Waltons and more films, including The Firm with Tom Cruise, In and Out with Kevin Kline, Did You Hear About the Morgans? with Hugh Grant, and I Believe,
a supernatural religious story, his last film, in 2017. He was also a
fine jazz singer and harmonica player. In 1956 Wilford Brimley married
Lynne Bagley with whom he has sons James, John, William and Lawrence.
Lynne died in 2000 and he married Beverley Berry in 2007. As a longtime
diabetes sufferer, he worked for the American Diabetes Association who
honoured him with a lifetime service award.
TONY BRITTON (9 June 1924-22 December 2019)
The
British actor Tony Britton, who has died aged 95, had a long career in
which he mastered the art of stage acting, along with television
appearances and film work. He was one of those actors who always seemed
to be around, a reliable and very capable performer who could master
serious drama and comedy with equal aplomb. After leaving school he was
determined to become an actor, joining rep companies in Somerset while
also working as an estate agent and at an aircraft factory. During
National Service he formed a theatre group and worked at Manchester’s
Library Theatre as well as in Edinburgh. 
He
made his West End debut in 1952 and then joined the Shakespeare
Memorial Theatre in Stratford-upon-Avon. More West End work followed
and then he entered films, while his television career also took off.
His first film was an uncredited role in Waterfront (1950) with Robert Newton. Then came Cage of Gold with Jean Simmons and Salute the Toff with John Bentley. Then TV took over for most of the 1950s, including the Francis Durbridge serial The Other Man. His next film was Ken Annakin’s comedy Loser Takes All, with a rather lame script by Graham Greene. The Birthday Present (1957) was rather a good drama with Britton as a man who smuggles an expensive watch through customs. Behind the Mask was a hospital drama with Michael Redgrave, and Operation Amsterdam was an OK war film with Peter Finch. Other films included The Heart of a Man with Frankie Vaughan and The Rough and the Smooth with Najda Tiller. The Boulting Brothers made Suspect
with a script by the novelist Nigel Balchin and Britton was in a few
other minor flicks when TV took over again, demonstrating Britton’s
subtle comedy technique in Happy Ever After, Ooh La La!, And Mother Makes Five, Robin’s Nest, Don’t Wait Up, etc. There were other TV series and some more films such as Disney’s Dr
Syn, Alias the Scarecrow, There’s a Girl In My Soup, Sunday Bloody
Sunday, Mr Forbush and the Penguins, The Day of the Jackal, Night Watch with Elizabeth Taylor, The People That Time Forgot with Patrick Wayne, Agatha with Vanessa Redgrave and Ray Cooney’s Run for Your Wife,
Britton’s last film (in 2012). Tony Britton married and divorced Ruth
Hawkins and then married the Danish sculptor Eva Skytte Birkefeldt, who
died in 2008. He is the father of the TV presenter Fern Britton, the
scriptwriter Cherry Britton and the actor Jasper Britton.
EARL CAMERON (8 August 1917-3 July 2020)
The
Bermudan-born actor Earl Cameron, who has died aged 102, came to
Britain during World War II. Working as a kitchen porter at Lyons
Corner House, he bagged a walk-on part in Chu Chin Chow,
followed by small speaking roles. He broadcast from the BBC to Africa
and the Caribbean and toured to many UK theatre reps. His first film was Pool of London
(1951), bold for its day, featuring the relationship between a white
girl and a black sailor (Cameron). He made several more ‘problem’
pictures including Emergency Call, Simba, Safari, Odongo, The Heart Within and, in particular, Sapphire and Flame in the Street, both dealing with racial prejudice. Cameron also appeared in several TV series and his other films of note include Guns at Batasi, Thunderball, Two Gentlemen Sharing, The Revolutionary, A Warm December (directed by and starring Sidney Poitier), The Message, Cuba, The Interpreter, The Queen and Christopher Nolan’s Inception,
his last film, in 2010. Earl Cameron married Audrey Godowski and they
have five children. She died in 1994. He subsequently married his
second wife, Barbara. He was awarded a CBE in 2009 for his services to
drama.
LEWIS JOHN CARLINO (1 January 1932-17 June 2020)
The
American screenwriter-director Lewis John Carlino, who has died aged
88, was born in New York to Italian immigrants, 
but studied film and
drama in Los Angeles. Beginning as a playwright off-Broadway, he soon
crossed over to films. Following some TV episodes he adapted for John
Frankenheimer David Ely’s novel Seconds, about a man faking death to create a new identity. Sadly, he woke up as Rock Hudson! Carlino’s next adaptation was The Fox, a D.H. Lawrence story, but The Brotherhood was an original screenplay about the Mafia with Kirk Douglas, while A Reflection of Fear with Robert Shaw was adapted from Stanton Forbes’ chiller-thriller. The Mechanic was a good action original for Charles Bronson, as was Crazy Joe for Peter Boyle. Yukio Mishima’s The Sailor Who Fell From Grace With the Sea was another adaptation (which Carlino also directed), as were I Never Promised You a Rose Garden (gaining Carlino’s only Oscar-nomination), the Carlino-directed The Great Santini with Robert Duvall and Haunted Summer, about the poets Byron and Shelley. Carlino’s own story, Resurrection, about a woman (Ellen Burstyn) surviving the afterlife, was a film in 1980 (and remade for TV in 1999). Class with Rob Lowe was directed but not written by Carlino. Between films he wrote TV features and created the Doc Elliot
series. He was first married to Natelle Lamkin, with whom he had three
children, and from 1976 to Jill Denise Chadwick until her death in 2015.
DIAHANN CARROLL (17 July 1935-4 October 2019)
From
the age of six, music was an important part of the life of the actress
and singer Diahann Carroll, who has died at the age of 84 from
complications following cancer. Early on she was a member of her Harlem
church choir in New York, then studied voice and piano with an operatic
career in mind, after securing a scholarship to the Metropolitan Opera.
However, as a teenager she won a radio talent competition and later on
began a nightclub act, appearing at the Latin Quarter. At age nineteen
she was on Broadway in the Harold Arlen-Truman Capote show House of Flowers and subsequently Richard Rodgers’ No Strings, from which she sang ‘The Sweetest Sounds’ and won a Tony Award. She was cast in Preminger’s films of Carmen Jones and Porgy and Bess, but between movies appeared on television (Peter Gunn, Naked City, Julia, The Love Boat, etc). Other films Carroll made include Goodbye Again, Paris Blues, Hurry Sundown, The Split and Claudine (as Claudine), after which she took on television in such blockbusters as Dynasty and The Colbys, as well as a TV movie of Maya Angelou’s I Know Why the Caged Bird Sings, a sequel series of Alex Haley’s Roots: The Next Generation and Grey’s Anatomy. Then it was mostly television again apart from Mo’ Better Blues, The Five Heartbeats and Eve’s Bayou with Samuel L. Jackson. Her final film was The Masked Saint
in 2016. She also had a recording career and often guested on TV shows
with Andy Williams, Judy Garland, Danny Kaye and Carol Burnett. Diahann
Carroll was married four times, latterly to the singer Vic Damone but
had also been engaged to both Sidney Poitier and David Frost. She is
the mother of the journalist and screenwriter Suzanne Kay Bamford, from
her first marriage to the record producer Monte Kay. Carroll founded
the charity Celebrity Action Council, working with women in
rehabilitation.
SEYMOUR CASSEL (22 January 1935-7 April 2019)
The American actor Seymour Cassel, who has died from complications following Alzheimer’s 
disease
at the age of 84, studied at the Actors’ Studio and then appeared
in John Cassavetes’ first film, the extraordinary Shadows (1958). He worked many times with Cassavetes, co-starring with him in The Webster Boy and Too Late Blues, as well as on an episode of The Lloyd Bridges Show and the TV movie Nightside. He later appeared in Cassavetes’ The Killing of a Chinese Bookie, Minnie and Moskowitz, Opening Night and Love Streams. Faces
(1968) was his favourite Cassavetes film, on which he was also second
cameraman and for which he was Oscar-nominated. He notched up over 200
film and TV roles including on film Coogan’s
Bluff, The Last Tycoon, Valentino, Convoy, California Dreaming, Tin
Men, Track 29, Dick Tracy, In the Soup, Honeymoon in Vegas, Indecent
Proposal, Hand Gun, It Could Happen to You, Trees Lounge, The Royal
Tenenbaums and many many more. His last film, Time Framed,
has yet to be released. He married actress Elizabeth Deering, who
worked with him on four Cassavetes films. They have two children and
Cassel also has a daughter from a previous relationship. Cassel had a
colourful life, including drink and drugs problems, for which he was
jailed. He was suspended from the Screen Actors Guild for sexual
harassment.
ANNE V.
COATES (
The British film editor Anne V. Coates, who has died at the age of 92, was the niece of film mogul J. Arthur Rank. Her first film job was at Elstree repairing Rank’s early religious films on their return from church screenings. She eventually secured a job at Pinewood, becoming assistant on Powell & Pressburger’s The Red Shoes (1948). After several more films as an assistant editor, she was the (uncredited) assembly cutter on Disney’s The Story of Robin Hood and His Merrie Men in 1952. From then on she was never out of work and edited The Pickwick Papers, The Horse’s Mouth, Tunes of Glory and many other British films. Lawrence of Arabia was her greatest achievement, but she also worked on Becket, Those Magnificent Men in Their Flying Machines, Murder on the Orient Express, The Eagle Has Landed, The Elephant Man, Greystoke, Chaplin, Erin Brockovich and very many others, notching up over fifty titles. She was working right up to the end of her life, on Fifty Shades of Grey and A Dolphin in Our Lake, which is in pre-production. Anne V. Coates was married to the film director Douglas Hickox and they have three children.
LARRY COHEN (15 July 1936-23 March 2019)
The
American screenwriter, producer and director Larry Cohen, who has died
aged 82, began his career in television but graduated to films, in
particular low-budget horror, sci-fi and exploitation. 
As a writer, his output was prolific on TV beginning in 1958 in such series as Kraft Theatre, Surfside 6, Sam Benedict, The Doctors and the Nurses, The Fugitive, The Defenders, Custer, The Invaders and Columbo, alongside many others. His first feature film as a writer was Return of the Seven, director Burt Kennedy’s 1966 sequel to The Magnificent Seven. I Deal in Danger, Daddy’s Gone A-Hunting and El Condor
followed, but from 1972 Cohen started directing and producing his own
screenplays, beginning with Blaxploitation titles such as Dial Rat (aka Bone), The Godfather of Harlem and Hell Up In Harlem and then the film he became most noted for – It’s Alive, the story of a baby turned monster. He went on to direct The Private Files of J. Edgar Hoover, a very sobering drama-doc with Broderick Crawford. It Lives Again followed along with Full Moon High, Blind Alley, Q: The Winged Serpent, It’s Alive III, A Return to Salem’s Lot, The Stuff, Wicked Stepmother (Bette Davis's last film), The Ambulance and Original Gangstas, the last feature directed by Cohen in 1996. After that he continued writing for films including Phone Booth, Captivity, a remake of It’s Alive and Messages Deleted,
his last script (in 2010). Larry Cohen was married twice, first to the
actress and producer Janelle Webb who had five children, and then to
the actress Cynthia Costas. Both wives appeared in Cohen’s 1990 film The Ambulance.
LYNN COHEN (10 August 1933-14 February 2020)
Television viewers and filmgoers may well remember the American actress Lynn
Cohen from her roles as the appalling Ukrainian housekeeper Magda in Sex and the City on TV (and in the
cinema), and as Mags Flanagan in The Hunger Games: Catching Fire. However,
the actress, who has died aged 86, appeared widely on television and in films
as well as doing much theatre work, including Peter Hall’s production of Tennessee
Williams’ Orpheus Descending with
Vanessa Redgrave, and Chekhov’s Ivanov.
Born Lynn Harriette
Kay in Kansas City, Cohen studied acting at the Michael Howard Studios in New
York City where she began playing in off-Broadway productions from the 1970s
but, apart from a small role in Without a
Trace (1983), her first major film appearance was in Woody Allen’s 1993
comedy Manhattan Murder Mystery. This
was followed by her playing Maman in Louis Malle’s Vanya on 42nd Street, Mary Harron’s I Shot Andy Warhol, Nicole Holofcener’s Walking and Talking and Sharon Pollack’s Everything Relative. Morgan J. Freeman directed her in Hurricane Streets, 
and then she was back
with Woody Allen for Deconstructing Harry.
Often called on to play mothers, she was the mother in Andrea Clark’s My Divorce and played more mothers in Dani
Levi and Maria Schrader’s The Giraffe,
Tim Robbins’ Cradle Will Rock, Ethan
Hawke’s The Hottest State and later
on she was Philip Seymour Hoffman’s mother in Synecdoche, New York. She played Grandmom in Enid Zentells’ Evergreen (2004) and another grandmother
in Julie Taymor’s Across the Universe
(2007). She also played Golda Meir, the Prime
Minister of Israel, in Steven Spielberg’s Munich.
Other films in the 2000s included Invincible with Mark Wahlberg, Delirious with Steve Buscemi, Helen Hunt’s Then She Found Me with Colin Firth and Bette Midler, Deception with Hugh Jackman, Eagle Eye with Shia LaBeouf, Staten Island with Ethan Hawke, Everybody’s Fine with Robert De Niro, and The Extra Man with Kevin Kline. Among many other films Lynn Cohen was the star of The Romance of Loneliness, and she obviously made a great impression as Mags in The Hunger Games: Catching Fire in 2013. She then made another score of features over the next seven years before her death. In between her film career were TV shows such as NYPD Blue, Law and Order, Nurse Jackie, Damages, and others including, of course, thirteen episodes of Sex and the City plus the two feature films. Lynn Cohen made many short films in her time (there are still three in the can), while two more features, The Riverside Bench and Six Dinner Parties are in post-production. Lynn Cohen married Gilbert Frazen in 1957, but they divorced in 1963, having had one child. Her second husband, Ronald Cohen, survives her.
VALENTINA CORTESE (1 January 1923-10 July 2019)
The
Italian actress Valentina Cortese, who has died aged 96, had to wait
till after World War II before she became recognised as an actress of
renown. After studying at the National Academy of Dramatic Arts in
Rome, from 1941 she began to appear in Italian films including The Hero of Venice, First Love and Girl of the Golden West. Her first big break came in 1946 and Rome Open City,
an early neorealist film from Marcello Pagliero in which Cortese played
a working girl forced to prostitute herself to earn a living.
Among her other films was an Italian version of Les Misḗrables, and then in 1948 came The Glass Mountain,
Henry Cass’s British film shot in Italy, which dealt with a British Air
Force pilot (Michael Denison) shot down in Italy but rescued by a local
girl (Cortese) with whom he falls in love. The romantic theme of the
film and Nino Rota’s legendary score ensured its 
box-office success.
Black Magic with Orson Welles followed and then Hollywood beckoned as director Jules Dassin put her in Thieves’ Highway with Richard Conte and Lee J. Cobb. In the USA, Cortese made East of the Rising Sun (aka Malaya), Shadow of the Eagle and The House on Telegraph Hill
in which Robert Wise cast her as a concentration camp survivor opposite
her future husband Richard Basehart. She then made Thorold Dickinson’s
thriller Secret People in 1952, after which she resumed her career in Italy. Joseph L. Mankiewicz directed her in The Barefoot Contessa with Humphrey Bogart, and she worked with Michelangelo Antonioni on Le Amiche. Mostly working in Italian films or others set in Italy, she was in Square of Violence with Broderick Crawford, Barabbas and The Visit, both with Anthony Quinn, Fellini’s Juliet of the Spirits, Robert Aldrich’s The Legend of Lylah Clare, Maximilian Schell’s First Love, Franco Zeffirelli’s Brother Sun, Sister Moon, Joseph Losey’s The Assassination of Trotsky, François Truffaut’s Day for Night, James Goldstone’s When Time Ran Out... with Paul Newman and Terry Gilliam’s The Adventures of Baron Munchausen.
She
also worked in theatre in Italy, playing in Shakespeare, Chekhov,
Brecht, Pirandello, Schiller and even Pinter. Her last film was
Zeffirelli’s Sparrow in 1993. She also played Herodias in his TV series Jesus of Nazareth. Nominated for an Academy Award for Day for Night,
Cortese lost out to Ingrid Bergman but she did win a Bafta, the
National Society of Film Critics’ Award and the New York Film Critics’
Circle Award. She received the Milano International Film Festival
Lifetime Achievement Award and was made Commander of the Order of Arts
and Letters, France. Valentina Cortese married and divorced the actor
Richard Basehart, who died in 1984. They had a son, Jackie, who died in
2015.
LINDA CRISTAL (23 February 1931-27 June 2020)
The
Argentinian actress Linda Cristal, who has died aged 89, was born Marta
Victoria Moya Peggo Burges. She studied voice and piano and was
discovered by a producer holidaying in Mexico. Under her new name, she
made films in Mexico until her US debut in Comanche (1951) with Dana Andrews. After decorating various films, including The Fiend Who Walked the West, Strictly for Pleasure and Cry Tough, she made The Alamo (1960) with John Wayne and John Ford’s Two Rode Together. Real fame arrived with the part of Victoria Cannon in nearly 100 episodes of The High Chaparral (below) from 1967 to 1971. After that it was more TV and the odd film until a stint in General Hospital
in 1988. Meanwhile, she became very rich in real estate and
import/export. Her first marriage was annulled after five days, her
second ended in divorce, as did her third to the actor Yale Wexler,
with whom she has two children.
FRANCES CUKA (21 August 1936-16 February 2020)
Although
never a household name, the actress Frances Cuka, who has died aged 83
following a stroke and cancer, will always be remembered for creating
one of the iconic stage roles in the history of the British theatre. As
Jo in Shelagh Delaney’s groundbreaking 1958 play A Taste of Honey for 
Joan
Littlewood’s Theatre Workshop at Stratford East, she portrayed a
teenager who becomes pregnant by a black sailor but is then cared for
by a gay boyfriend, a scenario that the middle-class theatre-going
public had never encountered before. Sadly Cuka did not get the film
role, which went to Rita Tushingham, but she did get to play Jo on
Broadway. Born in London to a family of Czech extraction, Frances Cuka
was educated in Brighton and studied acting at the Guildhall School.
She made her stage debut in Warrington and various other rep theatres.
After Stratford East, she worked at the Royal Court in London and also
for the RSC at Stratford-upon-Avon and at the Aldwych. Her first film
was Over the Odds in 1961 and she went on to appear in Scrooge (as Mrs Cratchit) with Albert Finney, Henry VIII and His Six Wives (as Catherine of Aragon), Hide and Seek for the Children’s Film Foundation, The Watcher in the Woods with Bette Davis, Bob Rafelson’s Mountains of the Moon, Afraid of the Dark with James Fox, Snow White: A Tale of Terror with Sigourney Weaver, François Ozon’s Swimming Pool with Charlotte Rampling, Roman Polanski’s Oliver Twist (as Mrs Bedwin), and Closer to the Moon with Vera Farmiga. Frances Cuka appeared in many television series and TV movies such as Henry IV Part II (as Doll Tearsheet), Minder, Trial & Retribution, The Bill and Holby City, among others. She was originally cast as Peggy Mitchell in EastEnders but the part eventually went to Jo Warne and ultimately Barbara Windsor. Her last TV appearances were in the Channel 4 sitcom Friday Night Dinner,
playing, hilariously, the Jewish grandma Nelly Buller and showing her
great talent for comedy. Frances Cuka was a fine but perhaps underrated
actress of great versatility. She remained unmarried, despite having
two long-running partnerships.
JULIAN CURRY (8 December 1937-27 June 2020)
The actor Julian Curry, who has died aged 82, 
was well-known for his work on
television, stage and film. He was a member of the RSC, the National, The
Old Vic and Prospect theatre companies. On television he is particularly remembered
for playing the rather prissy barrister Claude Erskine-Browne in John Mortimer’s
Rumpole of the Bailey. His first film was Smashing
Time in 1967. After twelve years of TV he played Mr Smith in The Brontë Sisters then Escape to
Victory, The Missionary, Hollywood Monster, Loch Ness, Seven Days to Live and Sky Captain and the World of Tomorrow,
his last film in 2004. A wine expert, Curry toured the world in his one-man
show and wrote books on Shakespeare, interviewing
famous actors on their roles. He married the actress Shelia Reid, then Josephine
Edmunds, with whom he has two sons, Finn and Patrick, and finally the actress and
writer Mary Chater.
ALLEN DAVIAU (14 June 1942-15 April 2020)
The
American cinematographer Allen Daviau, who has died aged 77 from
complications with Covid-19, was a celebrated figure in the film world,
having worked with Steven Spielberg, John Schlesinger, Barry Levinson
and Albert Brooks, among others. 
His early career comprised thousands of commercials, documentaries and special effects work, the last for Roger Corman’s The Trip in 1967. The following year saw him working with Spielberg on his short Amblin’. Daviau had already worked with Spielberg as camera operator on another short, Slipstream, which then led to Close Encounters of the Third Kind, Indiana Jones and the Temple of Doom and, more importantly, E.T., on which Daviau was Director of Photography. He was nominated for an Academy Award and the film won six Oscars.
Daviau also worked with Spielberg on The Color Purple, Empire of the Sun, and segments of Twilight Zone: The Movie and Amazing Stories. For Barry Levinson he did Avalon and Bugsy, and for John Schlesinger The Falcon and the Snowman. Other films on Daviau’s cv include William Dear’s Bigfoot and the Hendersons, Albert Brooks’ Defending Your Life with Meryl Streep, Peter Weir’s Fearless with Jeff Bridges, Frank Marshall’s Congo, Rand Ravich’s The Astronaut’s Wife with Johnny Depp and Stephen Sommers’ Van Helsing
with Hugh Jackman, the last being Daviau’s final feature, in 2004.
After that he made some more shorts until in 2012 he had surgery which
left him in a wheelchair for the rest of his life. He spent his last
years in the Motion Picture & Television Country House and Hospital
in Los Angeles. His other Oscar nominations were for The Color Purple, Empire of the Sun, Avalon and Bugsy. He received Lifetime Achievement awards from both the Art Directors Guild and the American Society of Cinematographers.
DORIS DAY (3 April 1922-13 May 2019)
The
American actress and singer Doris Day, who has died aged 97 from
pneumonia, was one of Hollywood’s true icons. She was born Doris Mary
Ann Kappelhoff to William, a music teacher, and his wife Alma. 
The
parents separated when Doris was still young and so she lived with her
mother and older brother Paul. Wanting to be a professional dancer,
Doris formed a dance act with a friend but a bad car accident scuppered
her potential career so, having a good singing voice, she took music
lessons and was soon touring with bands of the day. She sang with Les
Brown’s Band from the age of seventeen and was discovered by Warner
Bros and given a contract for Romance on the High Seas in 1948. She went on to act and sing in many more Warners musicals including Tea for Two, Lullaby of Broadway, On Moonlight Bay and By the Light of the Silvery Moon. Her big hit was Calamity Jane in 1953 with great songs including the Oscar-winning ‘Secret Love’. She also had dramatic roles in Storm Warning and The Winning Team (both with Ronald Reagan), Love Me or Leave Me with James Cagney, and Hitchcock’s The Man Who Knew Too Much,
with another Academy Award winning song, ‘Que Será Será’ ('Whatever
Will Be Will Be'). Fans will remember Doris for her series of romcoms
with Rock Hudson, Cary Grant, James Garner and Rod Taylor in the 1960s.
She was Oscar-nominated for Pillow Talk
with Rock Hudson but didn’t win and was never nominated again, although
she did win Golden Globes, Laurel Awards and Lifetime Achievement gongs
from the Cecil B. DeMille Award, the American Comedy Awards and the Los
Angeles Film Critics. She was also a popular singer and recording
artist with many albums and hit singles to her name. She married four
times: first to the musician Al Jorden who fathered her only son Terry,
then to another musician, George Weidler, then to the producer Martin
Melcher who left her penniless when he died, and finally to Barry
Comden, a head waiter. With her four husbands and her son gone, she
spent her last years working for her own Doris Day Animal Foundation.
With her passing it seems that something essentially of Hollywood has
now gone. Doris Day represented a time and a way of life in the movies
that are just no longer there.
OLIVIA DE HAVILLAND (1 July 1916-26 July 2020)
The
actress Olivia de Havilland, who has died at the age of 104, was the
last reminder of Hollywood in its heyday. She was born in Tokyo to
British parents, as was her sister Joan Fontaine, but they soon moved
to California and then their parents divorced. In a college play she
was spotted by Max Reinhardt who put her in Warner’s film of A Midsummer Night’s Dream as Hermia, in 1935. She gained a seven-year contract and worked with James Cagney in The Irish In Us, with Fredric March in Anthony Adverse, and made eight films with Errol Flynn including Captain Blood, The Charge of the Light Brigade and The Adventures of Robin Hood. As Melanie Hamilton in Gone With the Wind for MGM she was nominated for an Oscar. Back at Warner’s she did Hold Back the Dawn,
was nominated but lost again. Finding her roles to be less than ideal,
she refused the parts on offer and was placed on suspension. She sued
Warner Bros, won the case and, with actress Bette Davis, changed the
law against illegal studio suspensions. She won her first Oscar for To Each His Own and later films included The Snake Pit (another Oscar nomination) and The Heiress for which she finally won the best actress statuette. In the 1950s she made My Cousin Rachel with Richard Burton, Not As a Stranger with Frank Sinatra, The Proud Rebel with Alan Ladd and Libel with Dirk Bogarde, etc. Then came TV and some popular shockers such as Lady in a Cage, Hush... Hush, Sweet Charlotte and The Swarm.
She retired from films in 1988. Olivia and her sister Joan (who died in
2013) had allegedly never got on: they both denied it. Olivia de
Havilland married the actor-writer Marcus Goodrich and then the writer
Pierre Galante. The marriages both ended in divorce but produced a son,
Benjamin, and a daughter, Gisèle. Olivia de Havilland received the US
National Medal of the Arts, the French Chevalier of the Lḗgion
d’honneur and Oldie of the Year. She was made a Dame of the British
Empire in 2017.
BRIAN DENNEHY (9 July 1938-15 April 2020)
The American actor Brian Dennehy, who has died at age 81 from a cardiac arrest
following sepsis, was a much lauded performer, winning many awards including a
Tony, an Olivier, a Golden Globe and a Screen Actors Guild Award for playing
Willy Loman in Death of a Salesman. A
tall, imposing and charismatic figure, Dennehy found fame and glory on stage,
in films and on television in a wide-ranging acting career of some fifty-five
years. Born in Connecticut he studied at a school on Long Island and
subsequently Columbia University. After national service in the US Marine Corps
he graduated in history in 1965 but started acting in regional theatre, whilst
taking on jobs as a truck driver. 
He worked in theatre in Chicago, notably in
Eugene O’Neill’s The Iceman Cometh,
and in Dublin before reaching New York in 1999 in Brian Friel’s Translations. Other Broadway
performances included Jerome Lawrence and Robert E. Lee’s Inherit the Wind and O’Neill’s Desire
Under the Elms and he also played seasons at Stratford, Ontario. In 2010 he
was inducted into the American Theater Hall of Fame.
From 1977 he appeared in many television series such as Kojak, Police Woman, M*A*S*H,
Lou Grant etc until his first film part in Richard Brooks’ Looking for Mr Goodbar with Diane
Keaton, then Michael Ritchie’s Semi-Tough
with Burt Reynolds, Norman Jewison’s F.I.S.T
with Sylvester Stallone, Colin Higgins’ Foul
Play with Goldie Hawn, Blake Edwards’ 10
with Dudley Moore and Little Miss Marker
with Walter Matthau. In 1981 came Dynasty
on TV and then First Blood, the
initial Rambo film, giving Dennehy his first major cinema role. After that the
movies generally got better and they included Michael Apted’s Gorky Park with William Hurt, Ron
Howard’s Cocoon (and its sequel),
Lawrence Kasdan’s Silverado with
Kevin Kline, Bud Yorkin’s Twice in a Lifetime with Gene Hackman, F/X and its sequel F/X2 with Bryan Brown, and Ivan Reitman’s Legal Eagles starring Robert Redford.
Taking a break from Hollywood, Dennehy went to Italy to play the lead role in
Peter Greenaway’s The Belly of an
Architect, and in Germany he made Klaus Maria Brandauer’s Seven Minutes. He continued working in
the theatre, films and television, including some producing and directing for
TV. Arguably Alan J. Pakula’s Presumed
Innocent with Harrison Ford, Baz Luhrmann’s Romeo + Juliet (as Ted Montague), Spike Lee’s She Hate Me, Jon Avnet’s Righteous
Kill with Robert De Niro and Al Pacino, The
Next Three Days with Russell Crowe, Tom Hines’ Alleged (as Clarence Darrow), Barry Avrich’s Twelfth Night (as Sir Toby Belch), Terrence Malick’s Knight of Cups with Christian Bale and
Cate Blanchett, Michael Mayer’s The
Seagull, Chekhov with Dennehy as Sorin, and Larry Clarke’s 3 Days With Dad with Lesley Ann Warren
are the most interesting among the later films that Dennehy made. Son of the South with Julia Ormond, Long
Day Journey with Danny Glover and The
Adventures of Buddy Thunder with Angela Lansbury are still in production with Driveways just released online.
Brian Dennehy was married first to Judith Scheff and then Jennifer Arnott. He
is father to five children, Elizabeth, Kathleen and Deirdre from his first
marriage, and two adopted daughters, Cormac and Sarah, from his second.
DAVID DENT (5 May 1922-4 April 2020)
Launched
in 1939, Adelphi Films was taken over in 1948 by Arthur Dent who made
it a family company of independent British film producers and
distributors. David Dent, who has died at the age of 97, was the son of
the firm’s founder, Arthur Abrahams. 
He
was born Cecil David Abrahams, but his father changed the family name
to Dent after a village in Yorkshire he particularly liked. David
trained as a lawyer and after the war worked for the barrister and
novelist Henry Cecil. In 1949 he joined Adelphi, producing low-budget
films, distributing them and titles from other sources, running the
company with his brother Stanley (who died in 2012). The firm’s
production arm, Advance Films, made over thirty films during the 1940s
and ’50s, mostly comedies, featuring stars of the day. From 2009 the
British Film Institute has been restoring them for DVD. As a producer
David Dent was responsible for Skimpy in the Navy (1949), with Max Bygraves, Let’s Go Crazy with The Goons, My Death Is a Mockery with Donald Houston, My Wife’s Lodger and Is Your Honeymoon Really Necessary?, both with Diana Dors, The Great Game, a football comedy with James Hayter, Intimate Relations, the first British ‘X’ film, based on Cocteau’s Les Parents Terribles, Don’t Blame the Stork with Ian Hunter, What Every Woman Wants with William Sylvester, The Happiness of Three Women with Petula Clark, You Lucky People! with Tommy Trinder, Fun at St Fanny’s with Fred Emney and Stars in Your Eyes (1956),
a musical with Pat Kirkwood, Bonar Colleano, Nat Jackley and Dorothy
Squires, David Dent’s last film production. One of his best pictures
was The Crowded Day,
depicting life in a department store with Joan Rice and Vera Day. David
Dent was married to the TV producer Josḗ Crayson who died in 2015. They
have a son, Jonathan, and two daughters, Carey and Louise. Adelphi
Films is now managed by Arthur Dent’s granddaughter Kate Lees.
STANLEY DONEN (13 April 1924-21 February 2019)
KIRK DOUGLAS (16 December 1916-5 February 2020)
FREDA DOWIE (22 July 1928-10 August 2019)
The
British character actress Freda Dowie, who has died aged 91, was
brilliant at playing ordinary but not always happy women with sad
lives. She was outstanding as the Mother in Terence Davies’ film Distant Voices, Still Lives (1988) 
which
the director based on his own Liverpool childhood. Dowie’s performance
at the hands of her abusive husband (Pete Postlethwaite) was a moving
portrayal of a brutally wasted life. It won her a nomination in the
European Film Awards. Her long, fifty-year career was full of such real
performances, mostly on television. She was in many TV series,
seemingly born to appear in classic, period dramas such as Doctor Faustus, Antigone, The Bacchae, Maupassant, North and South, Cranford (1972), I, Claudius, The Old Curiosity Shop, The Pickwick Papers, Alice in Wonderland, Middlemarch, and two TV versions of Laurie Lee’s Cider With Rosie. However, she was equally at home with modern drama such as Doomwatch, Crown Court, Angels, Lovejoy, Oranges Are Not the Only Fruit, Our Friends in the North, The Bill, Heartbeat and EastEnders, etc. She had a select roster of feature films including Subterfuge (1968) with Gene Barry and Joan Collins, The Omen (as a nun), Francisco Lara Polop’s The Monk (as another nun), Michael Winterbottom’s Butterfly Kiss and also his Jude, Dan Zeff’s Black Eyes (as Gran), and Jaume Balaguero’s Fragile
(2005) with Calista Flockhart. Freda Dowie was divorced from her first
husband, John Goodrich. From 1970 she was married to the
writer-producer-director David Thompson.
JAMES DRURY (18 April 1924-6 April 2020)
The American actor James Drury, who has died aged 85, will be chiefly remembered for playing the eponymous role of The Virginian on television. The initial series began in 1958 under the title Decision. Then in 1962 NBC toughened up the character and called the series 
The Virginian
and Drury starred in nearly 250 episodes until 1971. Apart from the
weekly episodes there were also occasional TV feature films, the last
one in 2000. Although born in New York, Drury spent much time on the
family ranch in Oregon, riding and learning to be a woodsman with his
grandfather, the inspiration for his characterisation of The Virginian
role. He began acting in school, did some touring and studied drama at
New York University where his father was a professor. Drury graduated
from UCLA in farming but was offered a screen contract with MGM and
made his film debut in Blackboard Jungle in 1955. This was followed by Love Me or Leave Me with Doris Day, The Tender Trap with Frank Sinatra, Diane with Lana Turner, Forbidden Planet with Walter Pidgeon, The Last Wagon with Richard Widmark, Love Me Tender with Elvis Presley, and Bernadine with Pat Boone. Apart from The Virginian,
he also appeared in many other TV series, mainly westerns on account of
his deep voice and macho appearance, and a few more films including Good Day for a Hanging with Fred MacMurray, Pollyanna with Hayley Mills, Ten Who Dared with Brian Keith, Sam Peckinpah’s Ride the High Country with his idols Randolph Scott and Joel McCrea, and Maverick with Mel Gibson. His last film was Hell to Pay in 2005, while his TV movie Billy and the Bandit
awaits release. James Drury was married to Cristall Orton, Phyllis
Mitchell and Carl Ann Head. He is father to four children, including
Timothy Drury, formerly keyboardist for the rock band Whitesnake.
ROBERT EVANS (29 June 1930-26 October 2019)
The
American actor and director Robert Evans, who has died aged 89, first
had some modest success as a player but later became a celebrated
Hollywood film producer. While Evans was at Paramount Pictures, the
studio had such successes as The
Detective, Barefoot in the Park, The Odd Couple, Rosemary’s Baby, The
Italian Job, True Grit, Plaza Suite, Love Story, The Godfather I & II, 
Chinatown, Serpico, Save the Tiger, The Great Gatsby and The Conversation,
etc. Born Robert J. Shapero to the Harlem dentist Archie Shapera and
his wife Florence, Robert Evans started work as a teenager on radio
before his first failed attempt to get into movies. However, several
years on he was discovered by the actress Norma Shearer looking for
someone to play her husband Irving Thalberg in the Lon Chaney biopic Man of a Thousand Faces, starring James Cagney. Then Darryl Zanuck at Fox cast him as a bullfighter in The Son Also Rises. After appearing in The Fiend Who Walked the West with Hugh O’Brian and The Best of Everything
with Suzy Parker, jump several years when Evans joined Paramount as a
producer of the hit films listed above. More successes from Evans
included Marathon Man, Black Sunday and Urban Cowboy. Less profitable were Popeye and The Cotton Club. A sequel to Chinatown, The Two Jakes, took several years to complete, then there was Sliver, Jade, The Phantom, The Saint and a remake of Neil Simon’s The Out-of–Towners
with Steve Martin, none of which were particularly good. After 2000,
Evans worked on TV projects and also wrote a documentary feature called
The Kid Stays in the Picture, based on his own autobiography. His last major film as a producer was How to Lose a Guy in 10 Days in 2003, while his final film as executive producer is The Stranger at the Palazzo d’Oro,
from a novel by Paul Theroux, which is yet to be completed. Robert
Evans was married seven times, to the actresses Sharon Hugueny, Camilla
Sparv, Ali MacGraw (one child, the actor-director Josh Evans), Phyllis
George, Catherine Oxenberg (annulled after twelve days) and Leslie Ann
Woodward. His last wife was Lady Victoria White. All his marriages
ended in divorce.
FENELLA
FIELDING
(
The London-born actress Fenella
Fielding, who has died aged
90 from complications following a stroke, was most famous for her deep
and
seductively sexy voice and the way she swooped up and down her vocal
range,
savouring every syllable and every possible double
entendre. 
The
daughter of Romanian and Lithuanian parents, Fenella began
her career in amateur theatre and cabaret in the early 1950s, becoming
popular
in Peter Cook and Harold Pinter’s
ALBERT
FINNEY (9 May 1936-8 February 2019)
The Salford-born actor Albert Finney, who has died from a chest
infection, aged 82, was a stage performer who graduated to the cinema
and television with great popular success. He studied acting at Rada
and on graduating joined the Royal Shakespeare Company. He had been
directed by Charles Laughton, an actor he admired immensely, in Jane
Arden’s The Party
in 1958. At Stratford the following year, he took over the role of Coriolanus from
Laurence Olivier. Tony Richardson from the Royal Court Theatre in
London cast Finney in his first film, The Entertainer in
1960, which was quickly followed by Karel Reisz’s Saturday Night and Sunday Morning
which started a new trend in realism in British films. He won several
awards for his portrayal of factory worker Arthur Seaton, including a
Bafta for Most Promising Newcomer. The Oscar-winning film of Tom Jones followed,
after Finney had turned down the title role in David Lean’s Lawrence of Arabia.
Other more commercial films followed, including The Victors, Night Must Fall,
Two for the Road and The
Picasso Summer, the last scripted by Ray Bradbury. Then
Finney directed and starred in Charlie
Bubbles with Liza Minnelli from a script by playwright
Shelagh Delaney. Then he played Ebenezer in the musical film of Scrooge, followed
by Gumshoe,
Stephen Frears’s debut as a director in which Finney played a
bingo-caller with fantasies of becoming a private eye. It was produced
by Memorial Enterprises, the company Finney set up with the actor
Michael Medwin, which also produced Charlie Bubbles,
Lindsay Anderson’s if...
and O Lucky Man!
plus other film and theatre productions. Although Finney secured five
Academy Awards nominations, for Tom
Jones, Murder on the Orient Express, The Dresser, Under the Volcano
and Erin Brockovich,
he never won. He turned down offers of both a CBE and a knighthood, as
he disagreed with the UK honours system.
Finney’s film career continued with, among other titles, The Duellists, Wolfen, Loophole,
Annie, Shoot the Moon, Orphans, Miller’s Crossing, The Browning
Version, A Man of No Importance, Traffic, Big Fish, A Good Year,
two Jason Bourne films and Skyfall,
the Bond movie that was Finney’s last film (in 2012). During his
career, he also continued to work on stage for the National Theatre in
plays by Shakespeare, Chekhov, Congreve, Strindberg, Beckett, Marlowe,
John Osborne and Peter Nichols, and starred in Yasmina Reza’s Art, his
final work on stage (in 1997-98). On television he made his mark as
Churchill in Hugh Whitemore’s The
Gathering Storm, winning a Bafta, an Emmy and a Golden
Globe. On TV he later played Pope John Paul II, was in The Endless Game
mini-series, Kingsley Amis’s The
Green Man, and Karaoke
and Cold Lazarus
by Dennis Potter, Nostromo,
A Rather English Marriage and My Uncle Silas by
H.E. Bates. Albert Finney has a son, Simon, a film cameraman, by his
first wife, actress Jane Wenham. He was also married to the actress
Anouk Aimḗe, and he married Pene Delmage in 2006.
PETER FONDA (23 February 1940-16 August 2019)
The
American actor, writer and director Peter Fonda, who has died aged 79
from lung cancer, was the son of actor Henry Fonda and the brother of
Jane Fonda. His first work as an actor was with the Omaha Playhouse,
after which he moved to New York to be an apprentice at the Cecilwood
Theatre. 
He made his professional stage debut on Broadway and then moved to Hollywood. After some TV work, his first film in 1963 was Tammy and the Doctor with Sandra Dee and then he was in Carl Foreman’s epic war film The Victors with Vince Edwards, Albert Finney, George Hamilton and George Peppard. He then worked with Roger Corman on Wild Angels, about biker gangs, and also Corman’s drug-filled The Trip. Other early films with Fonda include Robert Rossen’s Lilith and Easy Rider
which he co-wrote with director and actor Dennis Hopper, and which was
an enormous hit worldwide, grossing some 60 million dollars from a
$400,000 outlay, and which earned Fonda, Hopper and Terry Southern
Academy Award nominations. He was also in Hopper’s The Last Movie
which, with guest appearances by many celebrated stars, was a disaster.
Fonda directed three films himself, the first of which, The Hired Hand, in which he also starred, was very good. He was in Robert Wise’s Two People with Lindsay Wagner, Dirty Mary, Crazy Larry with Susan George, Peter Collinson’s Open Season, Race With the Devil, Val Guest’s The Diamond Mercenaries with Telly Savalas, Jonathan Demme’s Fighting Mad, his own film Wanda Nevada with Brooke Shields, The Cannonball Run with Burt Reynolds, plus many other films that were mostly potboilers. He made The Rose Garden for the Dutch director Fons Rademakers, and Deadfall (1993) for Christopher Coppola. He played both Dracula and Dr Van Helsing in Michael Almereyda’s Nadja, worked with John Carpenter on Escape from L.A., and was nominated for an Oscar as best actor for Ulee’s Gold. He was in Steven Soderbergh’s The Limey with Terence Stamp in 1999 and then continued to act in films and on TV during the 2000 decade including the remake of 3:10 to Yuma. His final three films, The Magic Hours, The Last Full Measure and Skate God
are yet to be released. Peter Fonda was married three times and is
father to two children, the actress Bridget Fonda and the
cinematographer Justin Fonda.
ROBERT FORSTER (13 July 1941-11 October 2019)
The
American actor Robert Forster, who has died aged 78 from brain cancer,
had an up-and-down career with highlights, bad times and missed
opportunities. 
He
had plans to become a lawyer, having studied psychology at university,
but he was sidetracked into being an actor, although while looking for
theatre work he was also teaching to make some money. He appeared in
his local East Rochester theatre in West Side Story and subsequently reached Broadway in 1965 which led to a contract with 20th Century Fox. His first film was John Huston’s Reflections in a Golden Eye, with Elizabeth Taylor and Marlon Brando. Television followed before Robert Mulligan’s The Stalking Moon with Gregory Peck, Justine with Anouk Aimee and Dirk Bogarde, and Haskell Wexler’s Medium Cool in which Forster was the star. Pieces of Dreams, Cover Me Babe and Journey Through Rosebud were less interesting projects until he played the title character of the private eye in the TV series of Banyon. He was in Richard Fleischer’s The Don Is Dead with Anthony Quinn and then a run of routine fare: Stunts, Avalanche, Disney’s The Black Hole, Alligator, Heartbreak High, Vigilante, Walking the Edge and The Delta Force with Chuck Norris. Forster produced, directed and starred in Hollywood Harry, his one and only time as a director. More routine films and TV shows followed until Quentin Tarantino cast him in Jackie Brown
(1997) in which Forster played a good guy after having played many
bad’uns. It was probably his best film. After that he did a TV move of Rear Window and the Gus Van Sant remake of Psycho (as a doctor). The rest of Forster’s career included David Lynch’s TV movie of Mulholland Dr., Me, Myself and Irene with Jim Carrey, a Charlie’s Angels sequel, Firewall with Harrison Ford, Lucky Number Slevin with Josh Hartnett, The Descendants with George Clooney, and a whole slew of television including the 2017 sequel to Twin Peaks. Two of Robert Forster’s last films were El Camino: A Breaking Bad Movie (2019) and What They Had
(2018), in the latter playing the husband of a woman (Blythe Danner)
suffering from Alzheimer's - for which he received some of the best
reviews of his career. Forster was married twice and is father to three
daughters, Elizabeth, Kate and Maeghen from his first marriage. He also
has a son, Robert, from a previous relationship.
DEREK FOWLDS (2 September 1937-17 January 2020)
The
British actor Derek Fowlds, who has died aged 82 from heart failure and
sepsis, will be remembered mainly for his television work, although his
career embraced theatre and films as well. In the late 1960s, he was
the human element in the BBC children’s Basil Brush Show,
constantly being upstaged by the eponymous foxy puppet. In the 1980s he
was Bernard Woolley, private secretary to politician Jim Hacker (Paul
Eddington) often in cahoots with the departmental personal
under-secretary 
Sir Humphrey Appleby (Nigel Hawthorne) in both series of Yes, Minister and later Yes, Prime Minister. From the 1990s onwards Fowlds played policeman Oscar Blaketon in over three hundred episodes of Heartbeat
for Yorkshire Television. Born in Balham, south London, the boy Derek
was educated in Hertfordshire where he began performing, although he
also had aspirations of becoming a footballer. A job with a printing
firm led to amateur dramatics and an eventual place at Rada. At first
he worked in rep and later in London at the Royal Court and Hampstead
until his West End debut in 1971. He had started in television in 1960
and his first film part was an uncredited role in Tony Richardson’s The Loneliness of the Long Distance Runner (1962). Small parts followed in We Joined the Navy, with Kenneth More, Philp Leacock’s Tamahine, Doctor in Distress and Hot Enough for June, both with Dirk Bogarde, East of Sudan with Anthony Quayle, Hotel Paradiso with Alec Guinness, Frankenstein Created Woman with Peter Cushing, and The Smashing Bird I Used to Know with Dennis Waterman. However, most of the time Fowlds was involved in TV series including Z Cars, The Liver Birds and sixty-four episodes with Basil Brush. He played various characters in After That, This, written by Eleanor Bron, John Bird and John Fortune. After that it was mostly television culminating in Yes, Minister, followed by Affairs of the Heart written by the actor Paul Daneman, a futuristic thriller series Rules of Engagement, Chancer with Clive Owen, Firm Friends with Billie Whitelaw and, ultimately, Heartbeat,
in which he demonstrated his versatility as both a dramatic and a comic
actor. His last film appearance was a cameo in Ray Cooney’s Run For Your Wife (2012) and his final TV parts were in Casualty (2013) and Doctors
(2017). Derek Fowlds was first married to Wendy Tory and then to
actress and presenter Lesley Judd. Both marriages ended in divorce. He
has two sons from his first marriage, the cameraman Jamie and actor
Jeremy.
LIZ FRASER
(
Born Elizabeth Joan Winch, the
actress Liz Fraser, who has
died aged 88 from complications following an operation, was never a
star but
always enlivened any production in which she appeared. She had a
natural talent
for playing ordinary women coupled with a real flair for comedy, but
she could
also be a good character actress. 
She
trained at the London School of Dramatic
Art and, following a spell in repertory theatre, took minor film parts
in Touch and Go (1955) with Jack
Hawkins
and The Smallest Show on Earth
(1957).
Television followed (Whacko-O!, The Sky
Larks, Dixon of Dock Green)
and odd
film parts such as Davy, with Harry
Secombe,
RAY GALTON
(
See the obituary below for Alan Simpson, the writing partner of Ray Galton, who died 8 February 2017
BRUNO GANZ (22 March 1941-16 February 2019)
The
Swiss-born actor Bruno Ganz, who has died aged 77 from cancer, was
recognized as one of the best actors working in the German language on
stage, in cinema and on television. His main love was for the theatre
and with Peter Stein he founded the Schaubṻhne ensemble in Berlin in
1970. He worked in cinema from 1960 but was not a great success until Summer Guests
in 1976, but then he went on to work with directors of the New German
Cinema, such as Werner Herzog, Volker Schlṏndorff and Wim Wenders, as
well as Eric Rohmer, Francis Ford Coppola, Franklin J. Schaffner,
Ridley Scott, David Hare and Stephen Daldry, among many others. Jeanne
Moreau directed him in Lumiere in 1976 and he was in Rohmer’s The Marquise of O... in the same year. Wenders cast him in The American Friend, and he was also in Peter Handke’s The Left-Handed Woman and The Absence, Schaffner’s The Boys from Brazil, Herzog’s Nosferatu (as Jonathan Harker), Mauro Bolognini’s The Lady of the Camellias, Schlṏndorff’s Circle of Deceit and Wenders’ Wings of Desire, one of the few films for which UK audiences will remember him in particular. He was also in the sequel Faraway, So Close!
Bruno Ganz (right) with the editor of Film Review Daily
The other outstanding performance given by Ganz was as Adolf Hitler in the Oscar-nominated Downfall,
Oliver Hirschbiegel’s portrayal of the Chancellor’s last days towards
the end of World War II. Ganz, more than any other actor attempting the
part (Alec Guinness, Anthony Hopkins, Frank Finlay, et al), captured
the maniacal hysteria of the man that was totally believable. In a film
career that encompassed nearly sixty years and over 120
performances in cinema and TV alone, Ganz as Hitler will outlive all
his other work. Among the many other films he made were Ridley Scott’s The Counsellor, David Hare’s Strapless, Jonathan Demme’s remake of The Manchurian Candidate, Uli Edel’s The Baader Meinhof Complex, Coppola’s Youth Without Youth, Daldry’s The Reader, Atom Egoyan’s Remember and Unknown, the action thriller with Liam Neeson.
More recently he was in Sally Potter’s The Party and Lars von Trier’s The House That Jack Built (2018). In the same year he also he appeared as Sigmund Freud in The Tobacconist, I, Witness and Terrence Malick’s Radegund,
which is still in post-production. Among the awards he accumulated were
the Austrian Iffland-Ring, a diamond ring given to an actor deemed to
be the best in the German-speaking theatre, an award that is kept until
the recipient dies; the German Order of Merit and the French Lêgion
d’honneur. He also won many individual awards for his stage and film
work. Bruno Ganz married his wife Sabine in 1965 and, although they
later separated, they remained married until his death. They have one
son, Daniel.
ALLEN GARFIELD (22 November 1939-7 April 2020)
The
American actor Allen Garfield, who has died at the age of 80 from
complications with the coronavirus, was a brilliant character actor. He
was the sort of performer that Hollywood has always needed, players who
can create a presence on film, not necessarily a star performance, but
one that can inhabit a supporting role that rings true without
descending into stereotype or caricature. Allen Garfield was one such
actor. He generally played heavies, often villainous or shifty
characters, corrupt salesmen and politicians. Born in Newark, New
Jersey, to Jewish parents, Alice and Philip Goorwitz, Allen became
a sports reporter and a boxer before studying acting at the Beverly
Hills Playhouse. 
He later enrolled at the Actors’ Studio in New York under the tutelage of Lee Strasberg and Elia Kazan.
Allen
Garfield had an extensive stage career before his film appearances took
off in 1968, with a movie of five short stories called Orgy Girls ’69, then Greetings, Brian De Palma’s second feature, and also his Hi, Mom!, both with Robert De Niro. He was in Robert Downey Sr’s Putney Swope, followed by Herbert Ross’s The Owl and the Pussycat
with Barbra Streisand and George Segal. From then on he was a fixture
in many prestigious Hollywood films including Milos Forman’s Taking Off, Woody Allen’s Bananas, John G. Avildsen’s Super Dick (aka Cry Uncle), Don Medford’s The Organization with Sidney Poitier, De Palma’s Get to Know Your Rabbit with Tom Smothers, Michael Ritchie’s The Candidate with Robert Redford, and Howard Zieff’s brilliant chase movie Slither, with James Caan and Sally (“Are you packing heat?”) Kellerman.
These were made in the 1970s when Garfield was also appearing on TV (Bonanza, McCloud, Ironside, Rhoda, Gunsmoke, etc). More good films followed with Francis Ford Coppola’s The Conversation with Gene Hackman, Billy Wilder’s remake of The Front Page, Robert Altman’s Nashville, Sidney J. Furie’s Gable and Lombard, Peter Yates’ Mother, Jugs and Speed, William Friedkin’s The Brink’s Job, Richard Rush’s The Stuntman, Coppola’s One From the Heart, Wim Wenders’ The State of Things and Michael Apted’s Continental Divide.
For a while from the late ’70s Garfield reverted to his birth name of
Goorwitz. Then in the ‘80s he went back to being Garfield for Irreconcilable Differences with Ryan O’Neal, Teachers with Nick Nolte, Coppola’s The Cotton Club, Beverly Hills Cop II, Quentin Tarantino’s My Best Friend’s Birthday, Warren Beatty’s Dick Tracy, Wenders’ Until the End of the World, Donald Cammell’s Wild Side and Roman Polanski’s The Ninth Gate
in 1999 before which he had suffered a stroke. He carried on doing
television as well as films until his last features, namely Frank
Darabont’s The Majestic with Jim Carrey and John Marino’s White Boy in 2002. He had another stroke in 2004 and retired to live in the Motion Picture Home in Los Angeles.
TONY GARNETT (3 April 1936-12 January 2020)
The
British former actor and producer Tony Garnett, who has died at the age
of 83 following a short illness, was one of the most creative and
successful film and TV producers who always sought for the truth about
love, relationships and social politics. He is best-known for the BBC’s
Wednesday Play series, when he worked with director Ken Loach, starting with Cathy Come Home in 1966 and then In Two Minds, the David Mercer screenplay the following year. After that there were The Golden Vision 
and The Big Flame.
All these television films broached social problems such as housing
shortage, manic depression, football mania and redundancy. Garnett
produced ten of the Wednesday Plays and five in the Play for Today
series, working with writers such as Les Blair, Charles Wood, Jim
Allen, Peter Nichols and Nemone Lethbridge, and directors including Roy
Battersby, Roland Joffẻ and Jack Gold. He had been a script editor for
Ken Loach on Up the Junction and for Gareth Davies on the two Dennis Potter Nigel Barton
plays. Before his TV career started, he had studied psychology at
University College, London, and then became an actor, working in rep,
before breaking into TV in 1958. He was in An Age of Kings. Emergency – Ward 10, Z Cars, Compact, Dixon of Dock Green, The Edgar Wallace Mystery Theatre and other series until 1965. He played one of The Boys on trial in Sidney J. Furie’s courtroom drama. Turning producer he co-adapted with Loach and Barry Hines, the latter’s novel Kes, which became a huge hit, winning two Baftas and a nomination for Garnett. After that came the documentary The Body, Loach’s Family Life, Days of Hope, The Price of Coal and Black Jack. He directed his own films Prostitute and Handgun and produced Follow That Bird, a Sesame Street spin-off, Julien Temple’s Earth Girls Are Easy, with Geena Davis, Fat Man and Little Boy (aka Shadow Makers) with Paul Newman, The Turnaround with Clive Owen and Beautiful Thing,
based on Jonathan Harvey’s gay play. He set up his own company, World
Productions, and had great success with many TV series such as Cardiac Arrest, Between the Lines, Ballykissangel, This Life, The Cops and Rough Diamond,
his last work in 2007. Tony Garnett married Topsy Jane Legge in 1963
but they later divorced. They have a son Will. His second marriage to
Alex Ouroussoff, who has a son Michael, also ended in divorce. He is
survived by his partner Victoria Childs.
WILLIAM
GOLDMAN (12 August 1931-16 November 2018)
The
Hollywood screenwriter, novelist and playwright William Goldman, who
has died from colon cancer and pneumonia at the age of 87, began his
working life in advertising 
but
quickly took up writing novels and plays before graduating to scripting
films. His first film, Soldier
in the Rain
(1963) with Steve McQueen, was based on his own novel but not scripted
by him. His first screenplay was adapted from Victor Canning’s novel Masquerade, with
Cliff Robertson. He then wrote The
Moving Target (aka Harper)
for Paul Newman, based on the Ross Macdonald thriller. Goldman adapted
his own novel for No
Way to Treat a Lady, with Rod Steiger, and in 1969 his
original screenplay for Butch
Cassidy and the Sundance Kid, with Newman and Robert
Redford, was an enormous hit, winning him his first Oscar. His
adaptation of The Hot
Rock (aka How
to Steal a Diamond in Four Uneasy Lessons), again with
Redford, followed. He contributed to Papillon with
McQueen, then wrote The
Stepford Wives, The Great Waldo Pepper, All the President’s Men
(second Academy Award), Marathon
Man, A Bridge Too Far, Magic, Heat, with Burt Reynolds, The Princess Bride, Misery
and Absolute Power
among many other screenplays, including Chaplin and Maverick. William
Goldman was also noted for writing two very critically scathing but
highly entertaining books about Hollywood, Adventures in the Screen Trade
and its sequel, Which
Lie Did I Tell? He was married to Ilene Jones for thirty
years from 1961 and they have two daughters, Jenny and Susanna
CLAUDE GORETTA (23 June 1929-20 February 2019)
The
Swiss-born film writer and director Claude Goretta, who has died of
natural causes at the age of 89, admitted that he never studied film
formally but learned the art of the cinema just by watching good films.
He founded the Geneva University film society and was a film reviewer
for Swiss newspapers. With four other directors, Jean-Jacques Lagrange,
Jean-Louis
Roy, Michel Soutter and Alain Tanner, he formed the production company
Groupe 5, in order to get funding from Swiss TV for their own cinema
films. In the 1950s he and Tanner worked at the BFI in London, doing
subtitling and archive work. The BFI Experimental Film Fund then
sponsored their short and wordless documentary Nice Time,
about life around Piccadilly Circus at night. Goretta subsequently
joined Swiss Television and from 1957 made shorts and documentaries.
Much of his work was politically and socially motivated, carrying an
edge not always appreciated by his Swiss compatriots. The first feature
film that he wrote, produced and directed was The Madman (Le fou) in 1970, with François Simon, followed by The Invitation (Academy Award nominated), The Wonderful Crook (with Gérard Depardieu) and then The Lacemaker,
which made his name worldwide. It starred a young Isabelle Huppert as a
reserved girl battling with her emotions. The part won her a Bafta for
most promising newcomer. The Wedding Day was based on a Maupassant novel, La Provinciale had Nathalie Baye as a girl moving to Paris to seek her fortune (and Bruno Ganz along the way) and The Death of Mario Ricci
starred Gian Maria Volontè as a journalist investigating the death of a
labourer working on the Mont Blanc tunnel. In 1985 Goretta adapted
Monteverdi’s opera for his film of Orfeo. Other films that he wrote and directed include If the Sun Never Returns, Enemies of the Mafia and L’ombre,
with Jacques Perrin, which was his last film for the cinema in 1992. He
carried on working on television movies including episodes of Maigret with Bruno Cremer and his final work was on a TV biography of Jean-Paul Sartre in 2006.
STUART GORDON (11 August 1947-24 March 2020)
The
Hollywood writer-director Stuart Gordon, who has died from multiple
organ failure at the age of 72, was always a controversial figure in
the film world and in the theatre too, where he began his career. After
graduating he worked as an apprentice commercial artist before
attending the University of Wisconsin, enrolling in a theatre class.
Aged 21, he directed a psychedelic, 
satirical production of Peter Pan.
Arrested on obscenity charges, he left university to form The Organic
theatre group in Chicago. The company toured and played both on and
off- Broadway, premiering David Mamet’s Sexual Perversity in Chicago. Gordon made his first film in 1985, Re-Animator,
based on a horror story by H.P. Lovecraft. The film was more
horror-comic than horror-drama, about a mad scientist (Jeffrey Combs)
inventing an elixir that brought the dead back to life. Its
over-the-top gore created censorship problems in both the US and the
UK, and cuts had to be made. Still, it won a Critics’ prize at Cannes.
Lovecraft was plundered again for From Beyond, again with actor Combs, followed by Dolls, about haunted toys, and Robot Jox, a sci-fi subject about post World War III superpowers. Surprisingly, he then wrote the story for Disney’s Honey, I Shrunk the Kids and directed a spooked-up remake of The Pit and the Pendulum with Lance Henriksen. Among his other films were Fortress, a sci-fi crime thriller with Christopher Lambert, Space Truckers, about killer robots in space, Dagon, from Lovecraft again, The Wonderful Ice Cream Suit, a Ray Bradbury story about a two-piece with magical properties, King of the Ants, on vengeful insects, and David Mamet’s Edmond with William H. Macy. Gordon’s last feature was Stuck in 2007 for which he also wrote the story. He went back to the theatre and in 2011 directed a musical version of Re-Animator which played Los Angeles, New York and Edinburgh. Gordon also worked in television on E/R with Elliott Gould, the TV series of Honey, I Shrunk the Kids and Masters of Horror,
and contributed other stories and screenplays to films and TV. His
success may have been through his habit of throwing sex and nudity into
his movies. He reckoned that “horror and sex go hand in hand... the two
are life and death.” Stuart Gordon was married to the actress Carolyn
Purdy-Gordon who often appeared in – and disappeared from – his films.
They have three daughters, Jillian, Margaret and Suzanna.
CLINTON GREYN (29 September 1933-19 March 2019)
The Welsh actor Clinton Greyn, who has died aged 85, 
was
mainly a stage actor who also worked in films and
television. His career began in repertory until his West End debut
in 1960 in Durrenmatt’s The Visit,
with Lunt and Fontanne. Following further provincial theatre work, he
arrived in films in an uncredited role in Otto Preminger’s Exodus (1960). Television included Z Cars, Compact and The Newcomers, until a role in Vittorio De Sica’s Woman Times Seven, with Shirley MacLaine. Further films included Peter Yates’s Robbery, Herbert Ross’s Goodbye, Mr Chips, Henry Hathaway’s Raid on Rommel, The Love Machine, Swedish Fly Girls and Jack Cardiff’s Penny Gold,
Greyn’s last film in 1973. The rest of his career was on stage or
television. With an interest in architecture, Greyn designed and built
his own London flat. He was married twice and has a son from his first
marriage.
VALERIE HARPER (22 August 1939-30 August 2019)
The
American actress Valerie Harper, who has died aged 80 from brain
cancer, began her career as a dancer at Radio City Hall, progressing to
acting and comedy on stage and television. She will, however, be best
remembered as the titular star of her TV comedy show Rhoda, a spin-off from 
The Mary Tyler Moore Show,
in which she played a Jewish girl with romantic problems. Her mother
was the always brilliant Nancy Walker who, as Ida Morgenstern, was
possibly the most annoying Jewish mother ever. Together Harper and
Walker were a great team, batting comic lines off each other during the
show’s run from 1974 to 1978. Prior to that, Valerie Harper had been on
TV in The Doctors, Columbo and Story Theatre, etc. She had already been in films from 1956 (Rock, Rock, Rock! and Li’l Abner) but her first part of note was as Bean’s wife in Freebie and the Bean (1974), starring Alan Arkin. After Rhoda she was in Neil Simon’s Chapter Two, The Last Married Couple in America with George Segal, and Stanley Donen’s Blame It On Rio with Michael Caine. In 2007 she played Golda Meir in Golda’s Balcony after which came the rather more forgettable Certainty, Shiver and The Town That Came A-Courtin’. Otherwise it was more television including The Love Boat, City, Perry Mason, Missing Persons, Melrose Place, Sex and the City, Desperate Housewives and Valerie,
a short-lived series in which she played a working mother looking after
her kids while hubby was away. There was also a TV movie, Mary and Rhoda, with Tyler Moore and Harper in 2000. Her last work was voice-overs for The Simpsons and American Dad! She won an Emmy and a Golden Globe for her performance in Rhoda.
Valerie Harper, an avid supporter of equal rights charities, was first
married to the actor Richard Schaal and then, from 1987, to the
actor-producer Tony Cacciotti. She became the mother of Cristina
Cacciotti, the daughter she adopted with her second husband.
BARBARA
HARRIS (
The American actress Barbara Harris,
who has died aged 83
from lung cancer, always made a good impression whatever she appeared
in. 
Much
of her career was spent in the theatre but she was in some films and on
television, too. She began acting as a teenager in Chicago, along with
Mike
Nichols, Elaine May and Edward Asner. Later, her husband Paul Sills, to
whom
she was married from 1955 to 1958, founded the Compass Players which
later spawned
the
SHINOBU
HASHIMOTO
(
The Japanese screenwriter Shinobu
Hashimoto, who has died at
the age of 100, was prolific in his output for directors such as Akira
Kurosawa
and Masaki Kobayashi. However, he may well live in the legends of film
history
for his Seven Samurai
script becoming the inspiration for The
Magnificent Seven. Rashomon
was the first screenplay by Hashimoto, co-written with director
Kurosawa in
1951. 
It
is about a samurai’s wife who is raped by a bandit who then kills the
husband. The story was told from four different viewpoints. It was
later taken
up by the
RUTGER HAUER (23 January 1944-19 July 2019)
The
Dutch actor Rutger Hauer, who has died aged 75, was born to the actors
Teunke and Arend Hauer who ran their own acting school in Utrecht.
Being often separated from his parents while they were on tour, Rutger
became something of a rebel and ran away to sea (literally) to work on
a freighter. Returning home, he studied at night school while working
in the building industry. He then took drama classes, wrote poetry and
joined the Navy. For five years he worked in a pantomime company before
pursuing a serious acting career. His first work for Dutch TV was in
Harry Kṻmel’s Monsieur Hawarden, but his scenes were deleted. Then he played the title role in Floris, a television series directed by Paul Verhoeven and then Verhoeven cast him in his feature film, the very successful Turkish Delight.
More TV and Dutch film work followed until Hauer appeared in Adrian Hoven’s Hard to Remember, 
Ralph Nelson’s The Wilby Conspiracy with Sidney Poitier and Michael Caine, Verhoeven’s Katie Tippel and Herbert Curiel’s The Year of the Cancer. He played Floris again in a TV sequel and was in Fons Rademakers’ epic film Max Havelaar. Hauer was back with Verhoeven again for Soldier of Orange amongst several other films. Hauer made an impression in Nighthawks with Sylvester Stallone and also in Ridley Scott’s Blade Runner as the blond, renegade replicant Roy Batty, for which role he wrote much of his own dialogue. Blade Runner did it for Hauer and he became a truly international star player in Nicolas Roeg’s Eureka, Sam Peckinpah’s The Osterman Weekend, Philippe Mora’s A Breed Apart and Precious Find, as well as Richard Donner’s Ladyhawke. Flesh + Blood was the last time Hauer and Verhoeven worked together on what was a difficult project.
But there was still much to come from Hauer including The Hitcher, Wanted: Dead or Alive, Ermanno Olmi’s Golden Lion-winning The Legend of the Holy Drinker, Phillip Noyce’s Blind Fury, Lina Wertmṻller’s Up to Date, and Buffy the Vampire Slayer, Nostradamus (as the Mystic Monk), Partners in Crime, Confessions of a Dangerous Mind, Sin City, Batman Begins, Dario Argento’s Dracula 3D, and Jacques Audiard’s The Sisters Brothers,
the last named arguably the best film Hauer made among many years of
hack feature work and TV series (the results of which rarely reached
the UK). There are still four films with Hauer awaiting release along
with a television mini-series of A Christmas Carol in which Hauer plays the Ghost of Christmas Future - opposite Guy Pearce as Scrooge.
Often
playing sinister or psychopathic villains, Hauer was the winner of many
awards around the world, among which he received a Golden Globe for his
performance in Jack Gold’s TV movie of Escape from Sobibor.
Rutger Hauer was married first to Heidi Merz, with whom he had a
daughter, the actress Aysha Hauer, and then from 1985 he married Ineke
ten Kate who he had been with since 1968. He was an avid
environmentalist and founded an Aids Awareness group which received the
proceeds from the publication of his autobiography. During his career
he gave master classes for students of film-making, and for many years
he was the face in the commercials for Guinness, Ireland’s favourite
stout.
DAVID HEDISON (20 May 1927-18 July 2019)
The
American actor David Hedison, who has died aged 92, was born Ara David
Heditsian of Armenian descent to Albert David Heditsian, a jeweller,
and his wife Rose Bogosian, in Providence, Rhode Island. His parents
wished him to join the family business, but Hollywood beckoned and,
after serving in the US Navy, young Al (as he was called) joined a
local acting school in Manhattan after enrolling at Brown University. 
He then
went on to study at the HB Studio in Greenwich Village and at the
Actors’ Studio. He received an award for his part in A Month in the Country
off-Broadway which led him to receive offers in films, although not
before he had worked as a radio announcer. His first major film role,
after some television work and a part in The Enemy Below with Robert Mitchum, was playing scientist Andrḗ Delambre in The Fly (1958). That was followed by Son of Robin Hood (actually shot on Wimbledon Common), The Lost World, Raoul Walsh’s Marines, Let’s Go with Tom Tryon and George Stevens’ The Greatest Story Ever Told.
By then he was known as David Hedison and as such landed a major TV role - Captain Crane - in Voyage to the Bottom of the Sea
(over a hundred episodes, 1964-68) and that is mainly what he is still
remembered for. He did more television and then played James Bond’s
friend Felix Leiter in Live and Let Die (1973) with Roger Moore. Television took up the rest of the 1970s until Andrew V. McLaglen’s North Sea Hijack and Bryan Forbes’s The Naked Face, both with Roger Moore again. He played Felix Leiter once more with new Bond Timothy Dalton in Licence to Kill, but otherwise he was mainly in demand for many of the popular TV series: Cannon, Benson, Charlie’s Angels, Hart to Hart, Dynasty and The Colbys, Fantasy Island, The Fall Guy, The Love Boat and Murder, She Wrote. His career ended on a low note in Eric Stoltz’s 2017 film Confessions of a Teenage Jesus Jerk. David Hedison was married to the producer Bridget Hedison who died in 2016. They have two daughters, Alexandra and Serena.
KATHERINE HELMOND (5 July 1929-23 February 2019)
Although
she had appeared in many television series and a number of films, the
American actress Katherine Helmond, who has died from Alzheimer’s aged
89, only really became known to UK audiences through the comedy series Soap, a send-up of the TV soap opera genre which aired from 1977. 
Helmond
was in all 88 episodes playing the ditzy mother Jessica Tate. She began
acting in school plays in Galveston, Texas, joined a local theatre
group during high school until her New York debut in the 1950s. Summer
stock occupied her till her TV debut in Car 54, Where Are You? An early film was The Hospital
(1971), Paddy Chayefksy’s hilarious and Oscar-winning take on the
medical profession, starring George C. Scott. Mostly on TV in Gunsmoke, The Bob Newhart Show, The Snoop Sisters, Mannix, Barnaby Jones and The Six Million Dollar Man, etc, plus television movies such as The Legend of Lizzie Borden as Lizzie’s sister Emma, Helmond also made the occasional film such as Robert Wise’s The Hindenburg, Hitchcock’s Family Plot and Baby Blue Marine with Jan-Michael Vincent (q.v.). Then came Soap, which led to Terry Gilliam’s Time Bandits, playing Mrs Ogre opposite John Cleese, and also Gilliam’s Brazil as Jonathan Pryce’s mother. She repeated her Soap role in the spin-off series Benson, some episodes of which she also directed. She also made Shadey, Snoo Wilson’s screenplay with Antony Sher. More TV included The Love Boat, Coach, Everybody Loves Raymond and Who’s the Boss? which she also directed. Of her remaining film appearances, Overboard with Goldie Hawn, Lady in White, and Gilliam’s Fear and Loathing in Las Vegas were arguably the most interesting. She also played gossip columnist Hedda Hopper in the TV movie Liz: The Elizabeth Taylor Story, with Sherilyn Fenn as Liz. Helmond’s last work was voice-overs on the Cars animated films, and Frank and Ava, a 2018 film about Sinatra and Gardner. She won Golden Globes for Soap and Who’s the Boss?
and was nominated many times for Emmy Awards. She kept on working in
theatre and was nominated for a Tony Award, while her last stage
appearance was in The Vagina Monologues.
An early marriage to actor George Martin ended in divorce. Then she was
married to David Christian from 1962 until her death. She had no
children.
BUCK HENRY (9 December 1930-8 January 2020)
The American actor and screenwriter Buck Henry, who has died from a heart
attack at the age of 89, began writing for the Dartmouth College magazine alongside children’s
author Dr Seuss, novelist Budd Schulberg and the playwright Frank D. Gilroy. 
An
interest in acting at Harvard Military Academy led to work on Broadway. Later
on he joined The Premise, an off-Broadway improv group, and he continued to
write mainly comic material. In television he worked on Saturday Night Live, for the Steve Allen and Garry Moore shows, and
Get Smart (with Mel Brooks). His entry
into the cinema was the story for Theodore J. Flicker’s The Troublemaker (1964) in which Henry also acted. His first
screenplay was The Graduate (1967,
with an Oscar nomination), then came Candy,
Catch-22, The Owl and the Pussycat and What’s
Up Doc? (the last two with Barbra Streisand), The Day of the Dolphin
with George C. Scott, First Family
with Bob Newhart, which he also directed, Protocol
with Goldie Hawn, To Die For with
Nicole Kidman, Town and Country with
Warren Beatty, The Humbling (aka The Last Act) with Al
Pacino and Greta Gerwig, and a film of Get
Smart with Steve Carell, to which there is a sequel on the way. Buck Henry
often acted in his own screenplays, including The Graduate, Candy, Catch-22, The Owl and the Pussycat and The Day of the
Dolphin. Other films he appeared in include Milos Forman’s Taking Off, John Cassavetes’ Gloria, Nicolas Roeg’s The Man Who Fell to Earth, Heaven Can Wait (which he also
co-directed with Warren Beatty), Paul Bartel’s Eating Raoul, The Player (as himself) and Short Cuts, both by Robert Altman, Gus Van Sant’s Even Cowgirls Get the Blues, Grumpy Old Men
with Jack Lemmon and Walter Matthau, and many more films and TV shows. He
produced Captain Nice and Quark for television. Buck Henry was
married to Irene Ramp and Sally Zuckerman. He has a single daughter.
NICKY HENSON (12 May 1945-15 December 2019)
Although
British actor Nicky Henson, who has died aged 74 following a long fight
with cancer since 2003, was never a big star in the conventional sense,
he was, however, a prominent leading man in the theatre, on film and on
television. He was the son of the comedian and director Leslie Henson
and his third wife Harriet ‘Billie’ Dell. Henson Sr was previously
married to the actresses Madge Saunders and Gladys Henson, so perhaps
it was inevitable that Nicky should study stage management at Rada. His
theatre debut was in revue in 1963 and he was chosen by Frank Dunlop
when he formed The Young Vic company in 1970 where he appeared in all
kinds of plays, from Moliere to Osborne, from Shakespeare to Beckett
and from Genet to Stoppard. He played at many other theatres and in his
time was a member of both the National and Royal Shakespeare companies.
He was Mordred in the Drury Lane production of Camelot, appeared in
summer shows at the London Palladium and was in the musical version of
The Canterbury Tales. Early on Henson had been part of the Wombats pop
group, so in essence he was the perfect theatrical all-rounder. From
1961 he was in TV and may well be best remembered for his part in an episode of Fawlty Towers as a
visiting lothario who falls foul of Basil, but worse things could have
happened. His first film was Father Came Too! with Leslie Phillips and
he went on to make Doctor in Clover, Michael Winner’s The Jokers, Clive
Donner’s Here We Go Round the Mulberry Bush, 30 Is a Dangerous Age,
Cynthia with Dudley Moore and the cult horror film Witchfinder General
with Vincent Price. Other of his films included Crooks and Coronets,
Mosquito Squadron, There’s a Girl In My Soup, Jack Cardiff’s Penny Gold
and The Bawdy Adventures of Tom Jones – in the title role. His later films
included Flyfishing, Vera Drake, Syriana, Blitz, We Still Kill the Old
Way, We Still Steal the Old Way and Tango One, his last film in 2018.
Before that he had appeared in both EastEnders and Downton Abbey. Nicky
Henson was first married to the actress Una Stubbs with whom he had two
sons, Christian and Joe. Following a relationship with Susan Hampshire,
he married the ballet dancer Marguerite Porter with whom he had one son, Keaton.
BERNARD
HEPTON (
The Yorkshire-born actor Bernard
Hepton, who has died aged
92, began his career on stage at the Bradford Civic Playhouse, then
worked in
York and subsequently ran both the Birmingham Rep and Liverpool
Playhouse. 
He
joined the BBC in 1964 as an actor and director but it was for acting
that he
became known and for most of his working life television reigned. He
was in TV
movies from 1955: You Never Can Tell, A
Man for All Seasons, Summer and Winter, etc, plus such series
as Great Expectations (as Wemmick),
The Newcomers, Middlemarch, The
Troubleshooters, The Six Wives of Henry VIII (as Cranmer), Z Cars and The
Organisation, among many more. He will be remembered
particularly for Colditz (as the
Kommandant), Churchill’s People, Sadie,
Tinker,
Tailor, Soldier, Spy, Secret Army, An Inspector Calls, Mansfield Park,
Bleak
House and The Old Devils.
For the
cinema his first film was A Boy, a Girl and a Bike in 1949. He was a
soldier in Olivier’s Richard III,
and
later on was in Get Carter. He
played
Cranmer again in the film of Henry VIII
and His Six Wives, was a diner in Kubrick’s Barry
Lyndon, and a passenger on Voyage
of the Damned. During the 1980s he voiced a part in the
animated Plague Dogs and appeared
in Gandhi, The Holcroft Covenant, Shadey
and Stealing Heaven. His last films
were Eminent Domain (1990) and The Baroness and the Pig (2002), plus a
TV serialisation of Jane Austen’s Emma
in which he played Mr Woodhouse in 2008. Bernard Hepton was married
twice, to the actresses Nancie Jackson and Hilary Liddell, both of whom
predeceased
him.
JERRY HERMAN (10 July 1931-26 December 2019)
The
American theatre composer and lyricist Jerry Herman, who has died aged
88, was a student of design and architecture at first but later
graduated to the theatre. 
Early experience saw him directing shows at youth summer camps. After University he moved to New York and put on I Feel Wonderful,
a revue he wrote as a student. More revues followed and eventually he
was commissioned to write a show about the founding of Israel, Milk and Honey, which ran for over 500 performances. After his next show, Madame Aphrodite, flopped, producer David Merrick offered him Hello, Dolly!, Herman’s first and biggest hit that won ten Tony awards in 1964 with Carol Channing. Mame, with Angela Lansbury, was another hit, but Dear World flopped as did Mack and Mabel, Herman’s personal favourite show. The Grand Tour also bombed but La Cage aux Folles
was an enormous hit. After that he wrote little else and returned to
the world of design, although there were three compilations of his
work, namely Jerry’s Girls, An Evening With Jerry Herman and Showtune. His two biggest hits were filmed but Hello, Dolly!, with Barbra Streisand, cost too much to recoup its investment. Mame
on Broadway (with Angela Lansbury) won the show a Tony award, but as a
film was a real fiasco (with Lucille Ball). He later wrote a television
show, Mrs Santa Claus, for
Lansbury. Unmarried, Jerry Herman’s life partners were Martin
Finkelstein, who died in 1990, and Terry Marler, with him at the time
of his death.
IAN HOLM (12 September 1931-19 June 2020)
The British actor Ian Holm, who has died from Parkinson’s disease at the age of 88,
was successful in every realm of the acting profession. Over the space of sixty-five
years he carved out a career that saw him winning Olivier, Bafta and Tony
Awards and gaining Academy and Primetime Emmy Award nominations. Born Ian Holm
Cuthbert in Essex to Scots parents, Ian Holm was interested in the theatre from
the age of seven, eventually training at Rada before joining the Royal
Shakespeare Company. 
He also worked in many London theatres including the
National. Ian Holm’s first film was an uncredited role in Girls at Sea (1958). Ten years later he won a Bafta for Jack Gold’s
The Bofors Gun. Then came The Fixer
with Alan Bates and Peter Hall filmed the RSC’s A Midsummer Night’s Dream
with Holm as Puck. Following these were Oh!
What a Lovely War, A Severed Head and a trio of historical
subjects, Nicholas and Alexandra, Mary, Queen of Scots and Young Winston. The film of Pinter’s The Homecoming
had Holm repeating his Tony Award-winning performance as Lenny. He was King
John in Robin and Marian, opposite
Sean Connery and Audrey Hepburn and his cv of over sixty films found him in Ridley Scott’s Alien in which he was the resident android, Ash.
He was nominated but did not win an Academy Award for Chariots of Fire. However, he did win a Bafta for the best supporting role and a similar award at the Cannes Film Festival. Holm was
Napoleon in Terry Gilliam’s Time Bandits
and was also in Gilliam’s Brazil.
Latterly he played Bilbo Baggins in two of Peter Jackson’s The Lord of the Rings trilogy and returned as Old Bilbo in two of
Jackson’s Hobbit movies.
Coupled with his stage
and film career, Ian Holm was prominent on television, often in films of
Shakespeare and Chekhov classics, as well as historical period series such as Napoleon and Love, Jesus of Nazareth and
The Lost Boys (as J.M. Barrie). The Borrowers saw him as Pod with his
then wife Penelope Wilton. He received umpteen awards for his work on stage and
in films plus national honours such as the CBE in 1989 and he was knighted
in 1998 for his services to drama. Ian Holm was married four times, firstly to
Lynn Mary Stuart in 1955, then Sophie Baker in 1982, Penelope Wilton in 1991
and at the time of his death to the artist Sophie de Stempel. He has two daughters,
Jessica and Sarah-Jane, from his first marriage, a son, Harry, from his second,
and a daughter, Melissa, and a son, Barnaby, from his relationship with the photographer
Bee Gilbert.
GLYN HOUSTON (23 October 1925-30 June 2019)
The
Welsh-born actor Glyn Houston, who has died aged 93, was the brother of
fellow actor Donald Houston, who became a popular film star, whereas
Glyn generally played minor roles often of men in authority. He began
his working life as a milkman then during World War II worked for 
the
Bristol Aeroplane Company, was a gunner in the Fleet Air Arm, a docker
and a military policeman. Later his brother helped him get a job with
the Guildford Repertory Theatre. In 1950 Basil Dearden wrote a part for
him as a barrow boy in The Blue Lamp, after which he appeared in many films, although often uncredited. He was in Trio, Wide Boy, Girdle of Gold, The Great Game, The Cruel Sea with Jack Hawkins and Turn the Key Softly with Joan Collins. Among the major films of the 1950s he appeared in were Mark Robson’s Hell Below Zero, Joseph Losey’s The Sleeping Tiger, Lewis Gilbert’s The Sea Shall Not Have Them, Guy Green’s Lost and the Boulting Brothers’ Private’s Progress. On television he did Colonel March of Scotland Yard, The Grove Family, Theatre Royal, How Green Was My Valley, and many other series that kept him busy throughout his career. Other films he made include The Long Arm, High Flight, The One That Got Away, A Night to Remember, A Cry From the Streets, Nowhere to Go, Tiger Bay and Jet Storm. In the 1960s he appeared in some Norman Wisdom films, as well as The
Battle of the Sexes, Sink the Bismarck!, Circus of Horrors, Payroll,
The Wind of Change, The Green Helmet, Flame in the Streets, Mix Me a
Person, One Way Pendulum and The Secret of Blood Island. From the 1970s onwards Houston mainly confined his work to television, apart from the odd movie such as The Sea Wolves, Conspiracy, Old Scores and The Mystery of Edwin Drood, in which he played Grewgious. His last TV appearances in the 1990s were in The Bill and The Sherman Plays. Glyn Houston was married to the actress Shirley Lawrence and they have two children.
MICHAEL
HOWELLS (13 January 1957-20
July 2018)
You may never have heard of the
production and fashion designer
Michael Howells, who has died aged 61, but his work on films and for
television
will be familiar to many. His last work was for the award-winning ITV
series
TAB HUNTER
(
The American actor Tab Hunter, who
has died aged 86 of cardiac
arrest, was born Arthur Kelm, although his mother Gertrude Gelien gave
her son
her maiden name when his parents split up. 
He
joined the Coast Guard at 15 by
lying about his age. After discharge, he returned to
GLORIA JEAN
(
The American actress and singer
Gloria Jean (neé Schoonover),
who has died from pneumonia at the age of 92, found early fame on
account of her
high soprano voice 
which drew attention when she was just
three years old,
singing on radio with Paul Whiteman’s Band. Having trained as a
coloratura, at
age twelve she auditioned for Universal Studios who were looking for a
replacement for Deanna Durbin. Gloria’s first film was The
Under-Pup with Robert Cummings in 1939, followed by If I Had My Way with Bing Crosby, and A Little Bit of Heaven with Robert Stack.
However, she may well be remembered for Never
Give a Sucker an Even Break (1941), mainly because she played
the daughter
of W. C. Fields, who also had a hand in writing this crazily surreal
comedy (under
the name of Otis Criblecoblis). More films followed in which Gloria
exercised
her vocal muscles, such as Wake Up and
Dream with the Andrews Sisters, She’s
My Lovely, A Date With an Angel
and Mister Big, all with Donald
O’Connor, When Johnny Comes Marching Home
with Allan Jones, and other second features of the same ilk. She
appeared as
herself in the wartime morale-boosting Follow
the Boys with George Raft and continued making minor but
entertaining
musical features during the 1940s, including Follow
My Rhythm with Mel Tormé and Ghost
Catchers with the comedians Olsen & Johnson. However,
for
most of the 1950s she appeared on television. In 1961 Jerry Lewis found
Gloria
working in a restaurant and cast her in The
Ladies Man although most of her scenes were deleted. After
episodes of The Dick
Powell Theatre and Saints and
Sinners,
she retired from acting, married (and divorced) husband Franco Cellini
and then
began working for a cosmetics firm until 1993. She had one son, Angelo,
and three
grandchildren with whom she lived in
ZIZI JEANMAIRE (29 April 1924-17 July 2020)
The
French ballerina Zizi Jeanmaire, who has died aged 96, and Margot
Fonteyn were among the most famous female dancers of the twentieth
century. 
They
were friends but totally different dancers, Fonteyn being strictly
classical while Zizi was not only a celebrated classical ballerina but
also a popular actress and singer in Parisian nightlife. Born Renḗe
Marcelle Jeanmaire, she adored ballet early on and at nine joined the
ballet school of the Paris Opera. She left after seven years along with
fellow student Roland Petit who created Ballets des Champ-Elysḗes and
who eventually became her husband. Later she joined the Ballets de
Monte Carlo, De Basil Ballets and eventually Petit’s own company, Les
Ballets de Paris. Their greatest venture together was a ballet to
Bizet’s Carmen which played
London and New York. Back in Paris, Zizi nursed an injury during which
time she learned to sing in Petit’s new ballet La Croqueuse de Diamants, the title song of which earned her a Grand Prix du Disque. And then came films, the first of which was Hans Christian Andersen with Danny Kaye in 1952. Then she played Broadway in the musical The Girl in Pink Tights. Her career continued in dance, theatre, operetta, revue and more films and television specials – Henri Decoin’s Folies-Bergère and his Charmants Garçons, Anything Goes with Bing Crosby, Jean Delannoy’s Guinguette and Terence Young’s Black Tights with Roland Petit who also made a TV version of his Carmen
ballet with Zizi and Baryshnikov. Subsequently they moved to Marseilles
where she carried on dancing, appearing on TV, doing cabaret and making
recordings until Petit left the Ballets de Marseilles when they settled
in Geneva. Petit died in 2011 and Zizi is survived by their daughter
Valentine.
FREDDIE JONES (12 September 1927-9 July 2019)
The
celebrated British character actor Freddie Jones, who has died aged 91,
was a late starter in the acting profession. For ten years he worked as
a laboratory technician in a ceramics factory before switching from
amateur dramatics to the professional stage. He obtained a scholarship
to drama school and then acted at Lincoln rep before joining the Royal
Shakespeare Company in 1962 for plays by David Rudkin, Harold Pinter,
Samuel Beckett, Maxim Gorky and Shakespeare. Rarely a star in films or
on TV, he nevertheless contributed a wealth of off-the-wall characters
throughout his acting career.
He made his mark in Peter Brook’s RSC production of the Marat/Sade both on stage and on film in 1967. Before that he had launched his television career in Androcles and the Lion, Z Cars, The Ticket-of-Leave Man, etc, and later played Claudius in The Caesars among many other series. He had a small part in his first film, Joseph Losey’s Accident (1967). Next came John Schlesinger’s Far From the Madding Crowd, The Bliss of Mrs Blossom with Shirley MacLaine, Otley with Tom Courtenay, and Frankenstein Must Be Destroyed for Hammer. On stage in 1980 he created ‘Sir’ in Ronald Harwood’s The Dresser, his best defining part, based on Donald Wolfit. The film, however, went to Albert Finney.
Between his many TV appearances Freddie Jones 
also made films including Doctor in Trouble, The Man Who Haunted Himself, with Roger Moore, Kidnapped with Michael Caine, Antony and Cleopatra with Charlton Heston, Sitting Target with Oliver Reed, Son of Dracula with Harry Nilsson, The Satanic Rites of Dracula with Christopher Lee, Juggernaut with Richard Harris, Vampira with David Niven, and Zulu Dawn with Burt Lancaster. He made three films with David Lynch, The Elephant Man, Dune and Wild at Heart and, among many others, did Firefox with Clint Eastwood, Peter Yates’s Krull, Fellini’s And the Ship Sails On (Jones’s favourite), Firestarter with Drew Barrymore, Barry Levinson’s Young Sherlock Holmes, Bill Douglas’s Comrades, Giles Foster’s Consuming Passions, Terry Jones’s Erik the Viking, Timothy Forder’s The Mystery of Edwin Drood (as Sapsea), Gabriel Axel’s Royal Deceit, Hugh Hudson’s My Life So Far, Spike Milligan’s Puckoon, Ladies in Lavender with Judi Dench and Maggie Smith and The Libertine with Johnny Depp.
Apart from his other television work, Freddie Jones played the cantankerous old Sandy Thomas in over six hundred episodes of Emmerdale
from 2005 to 2018. He earned five Bafta nominations between 1965 and
1970 and won the title of ‘The World’s Best Television Actor of the
Year’ at the Monte Carlo TV Festival in 1969. Freddie Jones was married
to the actress Jennie Heslewood and they have three children, the
actors Toby and Casper, and writer-director Rupert.
TERRY JONES (1 February 1942-21 January 2020)
The
Welsh comic writer, actor, producer and director Terry Jones, who
has died from dementia at the age of 77, was one of the
founding members of the BBC TV comedy series Monty Python’s Flying Circus
(1969-74). However, before that he had written for and sometimes
performed in many other television programmes, including John Bird’s The Late Show (1966), 
The Frost Report, Twice a Fortnight, with Graeme Garden, Bill Oddie and Michael Palin etc, Complete and Utter History of Britain, with Palin, among others, and Do Not Adjust Your Set, with Eric Idle and Palin, etc. Then Monty Python
came along, with four series written and performed by Jones, Graham
Chapman, Eric Idle, Michael Palin, John Cleese and Terry Gilliam.
Although Python more or less took over his life, he did also contribute to The Two Ronnies. The Punch Review, The Mermaid Frolics and Ripping Yarns, the last written with Palin and in which they both appeared. There was also a compilation of Python sketches, And Now For Something Completely Different (1971), which was released in the cinema. After that came the Python movies which Jones co-wrote and directed – Monty Python and the Holy Grail, Monty Python’s Life of Brian and Monty Python's The Meaning of Life. In all these Jones also acted, often playing old women, most notably in Life of Brian as Brian’s Mum (“He’s not the Messiah, he’s a very naughty boy!”). He also wrote and sometimes directed other films, including Erik the Viking, Labyrinth (directed by Jim Henson), Consuming Passions, a film of his play written with Palin, The Wind in the Willows and Absolutely Anything (2015), his last film. He also wrote children’s books and made many historical TV documentaries. As an actor he was also in Jabberwocky, The Great Muppet Caper, The Creator (as God), Locked Out, King Guillaume and The Secret Policeman’s Ball,
etc. Terry Jones was first married to Alison Telfer and they have two
children, Sally and Bill, and then to Anna Sӧderstrӧm and they have a
daughter, Siri.
ANNA KARINA (22 September 1940-14 December 2019)
Before
she became an actress, the Danish-born Anna Karina, who has died from
cancer at the age of 79, had studied dance and painting and also became
a successful model in Paris for Coco Chanel and Pierre Cardin. Then
director Jean-Luc Godard met her and 
offered her a cameo in his first feature film, Breathless (A bout de souffle)
in 1960. But she refused to appear naked in the film and lost the role.
However, ironically enough, she was in another Godard feature, Une femme est une femme, playing a striptease artist. Then she appeared as an actress in a silent movie section of Agnès Varda’s Cleo de cinq à sept,
along with Godard. She became a muse for Godard and also his wife from
1961 until 1967 when they divorced. They were part of the French
'Nouvelle Vague', the New Wave in French cinema and she was directed
again by Godard in Vivre sa vie, Le petit soldat, Bande à part, Alphaville, Made in USA, Pierrot le foux and a section of The Oldest Profession.
Karina also worked extensively with other French and Italian directors
including Jacques Rivette, Jacques Baratier, Roger Vadim, Jean Aurel,
Maurice Ronet, Valerio Zurlini, Visconti, Fassbinder, Pierre
Granier-Deferre, Volker Schlṏndorff, Andrḗ Delvaux and Dennis
Berry whom she later married. She appeared in a number of
English-speaking films including She’ll Have to Go (1962) with Bob Monkhouse and Hattie Jacques, The Magus with Anthony Quinn and Michael Caine, Before Winter Comes with David Niven and Topol, Laughter in the Dark with Nicol Williamson, Justine with Dirk Bogarde, The Salzburg Connection with Barry Newman, an international version of Treasure Island with Vic Tayback, Martin Landau, Jean-Pierre Lḗaud and Melvil Poupaud, and The Truth About Charlie with Mark Wahlberg, Thandie Newton and Tim Robbins, as well as Agnès Varda and Charles Aznavour. She directed herself in both Living Together and her last film, Victoria, which she shot in 2008. Along the way she had made TV appearances including an episode of the BBC’s Z Cars and the US TV series I Spy. Serge Gainsbourg wrote a musical for her in 1967 called simply Anna.
Her birth name was Hanne Karen Blarke Bayer. After divorcing Godard,
she married actor-director Pierre Fabre, then actor-director-writer
Daniel Duval and finally Dennis Berry from 1982 until her death.
JEREMY KEMP (3 January 1935-19 July 2019)
The
British actor Jeremy Kemp, who has died aged 84, following a long
illness, was often seen in sinister or military character parts,
playing Germanic or heavy roles both in films and on television. 
Following
National Service with the Gordon Highlanders and the Black Watch, he
studied at the Central School of Speech & Drama and then went into
rep. He was a member of the Royal Shakespeare and Old Vic companies
before joining the BBC Drama Repertory Company. Kemp’s first film was
an uncredited role in Powell & Pressburger’s The Battle of the River Plate in 1956, followed by many television appearances, including Z-Cars in which he played PC Bob Steele for over thirty episodes. During that time he also appeared in many films, including Cleopatra,
Dr Terror’s House of Horrors, Operation Crossbow, Cast a Giant Shadow,
Assignment K, The Strange Affair, A Twist of Sand, The Blue Max,
Darling Lili, Pope Joan and The Games. More films followed before his appearance in the popular TV series of Colditz, playing Squadron Leader Tony Shaw. Kemp worked steadily in such films as The Seven-Per-Cent Solution, A Bridge Too Far, Caravans, The Prisoner of Zenda, The Return of the Soldier and Top Secret! as well as the TV mini-series The Winds of War, Sadat, Peter the Great, War and Remembrance, Star Trek, etc. Jeremy Kemp’s last films were Four Weddings and a Funeral in 1994 and Angels and Insects
in 1995. He battled with illness for a long time and latterly had been
living in the Denville Hall home for retired actors in north-west
London.
IRRFAN KHAN (7 January 1967-29 April 2020)
The
Indian actor Irrfan Khan, who has died aged 53 from a colon infection
of a neuroendocrine tumour, was a popular performer in the Hindi
all-singing and all-dancing Bollywood movie genre. However, he also
made a name for himself in many Western films. He was born Sahabzade
Irfan Ali Khan in Jaipur in north-west India, but later changed his
name to Irrfan, with an extra R. At first he considered a career as a
cricketer but could not afford to attend an important tournament.
Instead he chose acting and gained a scholarship at the National School
of Acting in New Delhi. His thirty-five year acting career began in
television in a series called Katha Sagar in 1986, a dramatised collection of famous short stories. His first film was Mira Nair’s Hello Bombay! in 1988 and he continued to appear on Indian television and in films until 2001 when Warrior,
Asif Kapadia’s international production, with Irrfan Khan in the title
role of Lafcadia, brought him to the attention of world cinema makers. 
Following many more films in India he subsequently appeared in Mira Nair’s The Namesake
with Khan as the Indian father of his New York-born son who rejects his
family’s traditional lifestyle. He also appeared in Mira Nair’s segment
of the portmanteau film New York, I Love You.
A Mighty Heart
(2007) saw Khan as the Captain in Michael Winterbottom’s film with
Angelina Jolie as the widow of the murdered journalist Daniel Pearl. In
the same year he was in The Darjeeling Limited,
a Wes Anderson comedy-drama about three brothers on a bonding train
journey through India. Danny Boyle’s immensely successful eight
Oscar-winning Slumdog Millionaire
had Khan playing the vicious police inspector who interrogates Dev
Patel as Jamal. Irrfan Khan was lucky enough to appear in a couple of
blockbusters, namely The Amazing Spider-Man and Jurassic World as well as the four-Oscar winning Life of Pi directed by Ang Lee in which he played the adult Pi. In Ritesh Battra’s debut feature, The Lunchbox,
Irrfan Khan gave one of his best performances as Saajan, a sad widower
about to get forced retirement from his clerical job, who receives a
lunchbox by mistake from Ila, a lonely Mumbai housewife, who prepares a
special daily meal meant for her rather offhand husband. A remote but
romantic correspondence ensues which proves that the way to a man’s
heart is through his lunchbox.
Puzzle
(2018) sees another bored housewife, this time in suburban USA with
Kelly Macdonald playing Agnes, a woman ignored by her family who, when
given a jigsaw for a present, discovers a latent talent and shares it
with her new puzzle partner, a rich inventor called Robert, played by
Khan. Marc Turtletaub’s film is a real charmer with two great
performances. Before that Khan was in Ron Howard’s Inferno,
with Tom Hanks trying to stop some villainous plot to release a
globally deadly virus. Khan carried on making films in India until he
became ill. In his last film, Angrezi Medium, he plays a businessman intent on seeing that his daughter makes a success of her ambition to study in London.
Irrfan
Khan married the film writer Sutapa Sikdar in 1995. They have two sons,
Babil and Ayan. Khan was nominated for and was the winner of a number
of international film awards. He was also given the Padma Shri, the
Indian National Civilian Award for distinguished public service. Dying
at such a young age of 53 has robbed both the Indian cinema and
world cinema in general of a very special actor. Who knows what
else he might have achieved had he still been alive. We will never
know. R.I.P..
MARGOT KIDDER
(
The Canadian actress Margot Kidder, 
who
has died at the age
of 69, suffered mental health problems for most of her life. She always
wanted
to be a film star and, in moving to
SHIRLEY KNIGHT (5 July 1936-22 April 2020)
The
American actress Shirley Knight, who has died aged 83, was a rare
performer who brought something extra to any role she played. She
graced the stage, films and television with equal sensitivity in a
career that lasted over sixty-five years. In her time, she won a Tony,
a Golden Globe, three Primetime Emmys and was nominated for two Academy
Awards. Like Marlon Brando and James Dean, she was an actor’s actor
which may have stemmed from her being a member of the Actors Studio.
Born in Kansas, she graduated from Wichita State University, studied at
the Pasadena Theatre School and then later with Jeff Corey, Erwin
Piscator, Lee Strasberg and Uta Hagen at Herbert Berghof’s HB Studio.
Her stage career took in productions on and off-Broadway and Chicago.
Her first film part was a minor role in Picnic with William Holden in 1955. She went on to appear in Ice Palace with Richard Burton and was then nominated for an Oscar as Reenie Flood in Delbert Mann’s The Dark at the Top of the Stairs with Robert Preston. Another Academy Award nomination was forthcoming for her part in Richard Brooks’ Sweet Bird of Youth with Paul Newman. The Group was Sidney Lumet’s epic film of the Mary McCarthy novel about a bunch of female college graduates in the 1930s. 
It
was a starry cast that included many young actresses setting out on the
road to success, including Jessica Walter, Joanna Pettet, Joan Hackett,
Elizabeth Hartman, Candice Bergen and Kathleen Widdoes. Often cast in
independent productions, Knight was excellent in Anthony Harvey’s
British film of Dutchman,
about a white woman and a black man meeting on the New York subway.
Knight’s performance won her the Volpi Cup for best actress at the 1967
Venice Film Festival.
Other films for Shirley Knight included Michael Anderson’s Flight from Ashiya with Yul Brynner, Richard Lester’s Petulia with Julie Christie, and also his Juggernaut with Richard Harris and an uncredited James Cameron-Wilson, Francis Ford Coppola’s The Rain People with James Caan, Irwin Allen’s Beyond the Poseidon Adventure with Michael Caine, Franco Zeffirelli’s Endless Love with Brooke Shields, Richard Rush’s Colour of Night with Bruce Willis, Jeremiah Chechik’s Diabolique with Sharon Stone, Isabelle Adjani and Kathy Bates, James L. Brooks’ As Good As It Gets with Jack Nicholson, Steve Guttenberg’s P.S. Your Cat Is Dead, Callie Khouri’s Divine Secrets of the Ya-Ya Sisterhood with Sandra Bullock and Ellen Burstyn, Steve Carr’s Paul Blart: Mall Cop and its sequel with Kevin James, Gary Lundgren’s Redwood Highway with Tom Skerritt, and Jason Winn’s Periphery with Rebecca De Mornay and Stacy Keach, Shirley Knight’s last film in 2018.
Throughout her career she appeared in multiple television series and TV movies, from Rawhide to Desperate Housewives. Shirley Knight married and divorced the producer (of Dutchman) Eugene Persson, who died in 2008. In 1969 she married the British writer and director John Hopkins, of Z-Cars and Smiley’s People
fame. He died in 1998. Following her second marriage, she assumed the
name of Shirley Knight Hopkins for a few years. Shirley Hopkins is the
mother of the teacher Sophie Hopkins and the actress Kaitlin (formerly
Persson) Hopkins.
LARRY KRAMER (25 June 1935-27 May 2020)
The
American author, playwright, screenwriter, film producer and social and
political activist Larry Kramer, who has died from pneumonia at the age
of 84, will be remembered mainly for his 1985 play The Normal Heart,
the first artistic endeavour to deal with the subject of Aids. He was
born into a Jewish family, father a government attorney, mother a
teacher and social worker. A difficult childhood and early homosexual
experiences at junior high school made him question and explore his
sexuality and an attempted suicide. After a spell in the US Army, he
began script-editing for Columbia Pictures and later became a
production executive on Lawrence of Arabia, Dr Strangelove and Darling. He co-wrote his first screenplay, Clive Donner’s comedy Here We Go Round the Mulberry Bush and then adapted D. H. Lawrence’s Women in Love
for Ken Russell, which earned Kramer Academy Award and Bafta
nominations. After these successes came the flop that was the musical
film of Lost Horizon. On stage he began to develop gay themes in his play Sissies’ Scrapbook (aka Four Friends). 
He then published a novel, Faggots,
detailing the promiscuous lives of American gay men which, although not
well-received by the gay community, was a best-seller. Kramer joined
the gay men’s activist group called Gay Men’s Health Crisis when the
threat of Aids impinged on his own life but later left when the group
failed to live up to its ideals. Instead he wrote The Normal Heart
detailing the life of a writer caring for his dying partner of, at that
time, an unnamed disease. From 1985 the play has enjoyed over six
hundred US productions and other stagings all over the world. It was
also filmed for television. In 1987 Kramer was a part founder of ACT
UP, a group created to force governments to fund members of the LGBT
communities. He also wrote Just Say No, a Play About a Farce, detailing public indifference to the cause that produced the Aids epidemic. Destiny of Me, filmed in 2015, was a sequel to The Normal Heart,
fighting the general complacency of government actions. Having been
diagnosed as HIV positive himself, Kramer continued to write books and
articles in support of LGBT causes. More recently he began covering the
Covid-19 pandemic in a play called An Army of Lovers Must Not Die.
In his time he won or was nominated for many Arts and Letters awards
including a Tony, Obie and Emmy Awards and he was a Pulitzer Prize
finalist in 1993. Larry Kramer’s partner was the architectural designer
David Webster who he had known from the 1970s. However, later on they
split up only to be reunited in 1991. They were married in 2013.
GARY
KURTZ (
The American
filmmaker Gary Kurtz, who has died aged 78 from cancer, 
was
involved in various
aspects of cinema although mainly as a producer and assistant director
or
second unit director. His film career began in 1965 as assistant
director on
Monte Hellman’s Ride in the Whirlwind
with Jack Nicholson. Working on some fairly lowbrow movies, he was
involved
with such forgettable productions as Voyage
to the Prehistoric Planet, Beach Ball, Queen of Blood, Blood Bath, The
Hostage
and two more Monte Hellman pictures, The
Shooting and Two-Lane Blacktop.
And then he met George Lucas… and life changed for the better, with American Graffiti
- an immense global success – which he co-produced with
Francis Ford Coppola. He stayed with Lucas for the first two Star Wars films. After that he was
producer for The Dark
FRANCIS
LAI (
The French
composer Francis Lai, who
has died age
86, 
began playing in regional orchestras in
his teens and then moved from Nice
to Marseilles in the 1950s where he found jazz. He subsequently moved
to
CLAUDE
LANZMANN (
The French filmmaker and journalist
Claude Lanzmann, who has
died aged 92, was the son of a Jewish family who had emigrated to 
Claude joined the French Resistance
movement and fought with his father
and brother in
MICHEL LEGRAND (24 February 1932-26 January 2019)
The
French film composer, jazz musician and conductor Michel Legrand, who
has died aged 86, was born into a musical family. At age ten he studied
at the Paris Conservatoire under Nadia Boulanger and other celebrated
musicians and began composing and also playing piano and several other
instruments. From 1947 he became interested in jazz and worked as an
accompanist for many French singers. His first album, I Love Paris,
sold over eight million copies. More albums followed and he managed to
persuade musicians of the calibre of Miles Davis, Dizzy Gillespie, Stan
Getz, Sarah Vaughan, Ray Charles, Diana Ross and Stephane Grappelli to
work with him. 
Legrand became involved in French cinema at the time of the Nouvelle Vague with the likes of directors Jean-Luc Godard and Jacques Demy. He came to fame with Demy’s Les Parapluies de Cherbourg (aka The Umbrellas of Cherbourg) (1964) in which the whole film was sung, earning him three Oscar nominations, including best original song for ‘I Will Wait for You’, which was subsequently taken up by many popular singers. Moving to Hollywood, he won his first (of three) Academy Awards for ‘The Windmills of Your Mind’ from The Thomas Crown Affair. His other Oscars were for Summer of ’42 and Yentl. In his long career in writing for films and television, Legrand notched up over two hundred soundtrack scores in some sixty years from 1955 right up until he died. His last film, Morning Shine, awaits release. Many of the early films, such as those from the 1950s, never reached the UK. However, he became a global name from the time of Demy’s Lola (1961), Bay of Angels, Les Parapluies de Cherbourg and Les Demoiselles de Rochefort, and through his work on Godard’s Une Femme est une Femme and Vivre sa Vie and Agnès Varda’s Cleo de 5 ă 7. In Hollywood, he made his mark with Sweet November, The Thomas Crown Affair, Ice Station Zebra, Play Dirty, The Happy Ending (in which his song was ‘What Are You Doing the Rest of Your Life?’, written with Alan and Marilyn Bergman), Summer of ’42, The Go-Between, Le Mans, A Time for Loving, Portnoy’s Complaint, Lady Sings the Blues, Bequest to the Nation, A Doll’s House, 40 Carats, F for Fake (with Orson Welles), Gable and Lombard, The Other Side of Midnight, The Hunter, Yentl, Atlantic City, Never Say Never Again, Prêt-ẚ-Porter, Les Misḗrables – the list goes ever on – right up to The Other Side of the Wind, the recently completed ‘lost’ Orson Welles film. He was nominated for several Grammy awards, Emmy awards and won a Tony award for his theatre musical Amour on Broadway in 2002. He premiered his musical Marguerite, written with Alain Boublil, Claude-Michel Schőnberg and lyricist Herbert Kretzmer in London in 2008. Michel Legrand was married three times and has three children.
EDWARD LEWIS (16 December 1919-27 July 2019)
The film producer and writer Edward Lewis, who has died aged 99, 
was
notable for choosing prestige properties to film. His CV probably
contains more good films that many other producers would have loved to
have on their roster. After he wrote and produced his first film The Lovable Cheat in 1949, then came The Admiral Was a Lady, after which he worked on some TV series until his next films, Run For the Hills, Lizzie and The Careless Years. All these titles were second features, but his movie in 1960 was an epic by comparison, Stanley Kubrick’s Spartacus,
which Lewis co-produced with its star, Kirk Douglas, and for which he
employed the Hollywood blacklisted writer Dalton Trumbo. There followed
a skew of very interesting projects including The
Last Sunset, Lonely Are the Brave, The List of Adrian Messenger, Seven
Days in May, Seconds, Grand Prix, The Fixer, The Extraordinary Seaman,
The Gypsy Moths, I Walk the Line, The Horsemen, The Iceman Cometh,
Executive Action and Missing,
among many others. With his wife Mildred, who died earlier this year,
Lewis wrote books, plays and musicals. Edward and Mildred Lewis have
two children.
PEGGY LIPTON (30 August 1946-11 May 2019)
The American actress and singer Peggy Lipton, who has died from cancer aged 72, made her name in the television cop show The Mod Squad in over a hundred episodes from 1968. 
The
show dealt with social problems and without the use of guns. Later on
she played Norma Jennings in David Lynch’s bizarre television
series Twin Peaks and its film versions, Fire Walk With Me and The Missing Pieces.
Her parents had encouraged Peggy to be a model as a teenager and to
take drama lessons with Uta Hagen. She began her acting career in
several popular TV shows until her first film, Disney’s Mosby’s Marauders in 1967, then Blue with Terence Stamp, after which The Mod Squad and other TV shows kept her busy till Franc Roddam’s War Party in 1988. Other films include Kinjite: Forbidden Subjects with Charles Bronson, True Identity with Lenny Henry, The Postman with Kevin Costner, The Wonder of Sex with Drew Barrymore, Jackpot with Daryl Hannah, When In Rome with Kristen Bell, and A Dog’s Purpose
directed by Lasse Hallstrṏm, her last feature film. In between movies,
she did more television and her last work was on another Twin Peaks
TV series (in 2017). For a time she was a singer and issued several
records. Peggy Lipton was married to the musician Quincy Jones from
1974 to 1989. They have two daughters, Rashida and Kidada, both
actresses. In 2004 Peggy was first diagnosed with the colon cancer that
finally took her in 2019.
SONDRA
LOCKE (28 May 1944-3 November 2018)
The
American actress and director Sondra Locke, who has died aged 74 from
cardiac arrest (following cancer), started making home movies 
with
her schoolboy friend Gordon Anderson. She then worked in promotions for
television, in modelling and on voiceovers. Acting began with a
Nashville community theatre group. In 1967 she married Gordon, although
he was gay and the marriage never consummated. Auditioning for Warner
Bros, Sondra landed the part of Mick in the film of Carson McCullers’ The Heart Is a Lonely Hunter.
Then came Willard,
Cover Me Babe, A Reflection of Fear, The Second Coming of Fear
and some TV series. Her career took an upward turn when she appeared
with Clint Eastwood in The
Outlaw Josey Wales and she eventually became his partner.
Locke made more films with Eastwood – The Gauntlet, Every Which Way
But Loose, Any Which Way You Can, Bronco Billy and Sudden Impact. Then
more television came along and she also pursued a directing career from
the late 1980s and through the ‘90s, making Ratboy, Impulse, Trading Favours
and a TV movie, Death
in Small Doses.
After fourteen years together, Locke and Eastwood had a very public
breaking up and she wrote a book about their troubled life together
called The Good, the
Bad and the Very Ugly. Without Eastwood, her work suffered
and she didn’t act after 1986 until her return to the screen in 2000 in
Clean and Narrow
and The Prophet’s Game.
Her last film came seventeen years later with Ray Meets Helen,
Alan Rudolph’s romantic drama which co-starred Keith Carradine. By the
time of her death, Sondra Locke was still married to Gordon
Anderson.
JULIA LOCKWOOD (23 August 1941-24 March 2019)
The
British actress Julia Lockwood, who has died aged 77 from pneumonia,
was the daughter of the stage and film actress Margaret Lockwood.
Having seen her mother playing Peter Pan, Julia couldn’t wait to follow
her in the same role. She played Wendy when her mother was Peter in
1957 but eventually got to play the title role four times. She made her
debut on film at the age of four (with her mother) in Hungry Hill and then in The White Unicorn, again with her mother. Julia was Heidi on television and also appeared in The Royalty, Don’t Tell Father, Compact, Birds on the Wing, etc. Between stage work Julia made films including My Teenage Daughter with Anna Neagle, The Solitary Child with Barbara Shelley, Please Turn Over with Ted Ray and No Kidding
with Leslie Phillips. When she married the actor Ernest Clark in 1972,
she retired to raise her three children. She also had a son from a
previous relationship.
CAROL LYNLEY (13 February 1942-3 September 2019)
The
American actress Carol Lynley, who has died from a heart attack aged
77, started her working life as a child model for the Sears, Roebuck
Company in New York. As a teenager she appeared in television series
until her first film, Walt Disney’s The Light in the Forest (1958) with Fess Parker. 
She had appeared on Broadway in the play Blue Jeans
as a young girl finding herself pregnant, so she also made the film
version, co-starring with the young Brandon De Wilde. The same year,
1959, also saw her in Holiday for Lovers with Jane Wyman and Clifton Webb. Her career continued with a mix of film and TV work, including Don Siegel’s Hound Dog Man with Fabian, Return to Peyton Place, as Alison Mackenzie, Robert Aldrich’s The Last Sunset, with Rock Hudson and Kirk Douglas, Franklin J. Schaffner’s Woman of Summer with Joanne Woodward, Under the Yum Yum Tree with Jack Lemmon, and Otto Preminger’s The Cardinal. She worked with Preminger again on Bunny Lake Is Missing, a mystery story filmed in Britain. Other films she graced were Shock Treatment, The Pleasure Seekers and Harlow in which Lynley played a version of the 1930s star Jean Harlow. The Shuttered Room was David Greene’s horror film shot in Britain with Oliver Reed and Gig Young. Danger Route
was one of Seth Holt’s last films, a spy story with Richard Johnson.
After more television work, Carol Lynley’s career comprised mostly
second-rate films and TV movies, apart from The Poseidon Adventure, a remake of The Cat and the Canary, and a version of H.G. Wells’ The Shape of Things to Come, with Jack Palance. Carol Lynley married and divorced the actor-producer Michael Selsman with whom she has a daughter, Jill.
VERA LYNN (20 March 1917-18 June 2020)
Apart from just being famous as the Forces’ Sweetheart during World War
II - when
she gave morale-boosting concerts at home and on tour to military camps
overseas - Dame Vera Lynn, who has died at the age of 103, was also
immensely popular
through her recordings, radio and television appearances and, indeed, a
few
feature films. Her recording of the song ‘We’ll Meet Again’ became her
signature tune, along with many other favourites such as ‘The White
Cliffs of Dover’, ‘A Nightingale Sang in Berkeley Square’, ‘Auf
Wiederseh’n,
Sweetheart’ and ‘There’ll Always Be an England’ 
which
all offered the right
emotional charge for wartime members of the forces and also for those
at home
awaiting their return. Born Vera Margaret Welch in East Ham, London,
she was a
performer from the age of seven. At 18 she sang with the Joe Loss Band
and made
records with Loss and Charlie Kunz and later the Bert Ambrose Band. She
joined
Ensa and toured Egypt, India and Burma in wartime concerts for the
troops. Vera Lynn’s first appearance on film was as an extra in A Fire Has Been Arranged, a comedy with Bud Flanagan and Chesney Allen in 1935, but during the war she was in We’ll Meet Again, set during the Blitz, with Geraldo and Patricia Roc. Then she played a teacher in Rhythm Serenade, with Peter Murray-Hill, and a budding singer in One Exciting Night. Her films regularly appear on the Talking Pictures TV channel. In 1962 she played herself in Venus fra Vestǿ,
based on Jerrard Tickell’s book about a Danish island community whose
prize cow is threatened with abduction by the Nazis. A version of the
same story, Appointment with Venus, had been filmed in the UK in 1951 with David Niven and Glynis Johns. She also sang in A Gift for Love
in 1963. She made best-selling records from 1952 and later had several
series of her own TV show. She recorded constantly right into her
nineties and in 1992 was the oldest living artist to have a number one
hit album. A dame from 1975, she appeared every year at the British
Legion’s Festival of Remembrance at the Royal Albert Hall and was a
constant supporter of charities such as The Stars Organisation for
Spastics, The Charity Breast Cancer Research Trust, The Trust for
Children with Cerebral Palsy, The Dover War Memorial Project and many
others. She received several honours including the OBE, the War Medal,
the Burma Star and the Order of Companions of Honour. Dame Vera Lynn
was married to the musician Harry Lewis, who died in 1998. They have a
daughter, Virginia.
SUE LYON (10 July 1946-26 December 2019)
The
American actress Sue Lyon, who has died aged 73, had the most
extraordinary entrance into the world of cinema when she was cast by
Stanley Kubrick for the title role in his 1962 film of the Vladimir
Nabokov novel Lolita. She was
then a budding TV performer before landing the controversial part of a
young girl attracted by the film’s hero, Humbert Humbert (James Mason).
Perfectly
cast, Lyon won a Golden Globe for Most Promising Newcomer but was
seldom able to repeat her first talented success. Her career had begun
as a model at age 13 while still at school in LA. Spotting her on The Loretta Young Show,
Kubrick chose Lyon from hundreds of contenders for the part of Lolita.
Then she appeared in John Huston’s film of Tennessee Williams’ The Night of the Iguana, alongside Richard Burton, Ava Gardner and Deborah Kerr. She played one of the missionaries in John Ford’s last film, Seven Women, with Anne Bancroft, Margaret Leighton and Flora Robson. Apart from Tony Rome with Frank Sinatra, her career took a downward turn: The Flim-Flam Man (a.k.a. One Born Every Minute) with George C. Scott, the Western Four Rode Out, as the hero’s wife in Evel Knievel, a horror film, Crash!, with Josḗ Ferrer, and End of the World with Christopher Lee. After a few European titles and TV work, she retired from the screen in Alligator
(1980). Sue Lyon had five husbands but most of her marriages lasted
little more than a year. The filmmaker Hampton Fancher was the first,
then the photographer Roland Harrison, with whom she had a daughter,
Nona, then Gary ‘Cotton’ Adamson, Edward Weathers and finally the radio
engineer Richard Rudman (from 1985 to 2002). With Harrison
she adopted a 14-year-old boy, Robert. Lyon had met and married
Adamson while he was in jail for murder, after which she began working
for prison reform and convicts’ conjugal rights.
LOUIS MAHONEY (8 September 1938-28 June 2020)
The Gambian-born actor Louis Mahoney, 
who
has died aged 81, arrived in the UK to train as a doctor. Instead he
went to the Central School of Speech and Drama in the 1960s and later
worked in rep at the Mercury in Colchester before joining the Royal
Shakespeare, the National, the Royal Court, the Almeida and the Bridge
Theatre companies. From 1962 he was one of the first black actors to
appear on television in such series as Public Eye, Danger Man, Dixon of Dock Green, Z-Cars, Doctor Who, Fawlty Towers, Yes, Prime Minister, The Bill and Casualty, etc. His feature film work included Guns
at Batasi, The Plague of the Zombies, Praise Marx and Pass the
Ammunition, Live and Let Die, The Final Conflict, The Rise and Fall of
Idi Amin, Cry Freedom, White Mischief, Shooting Dogs and Captain Phillips.
As well as being an actor, Mahoney was an activist in the theatre, a
member of the acting profession’s union Equity and its Afro-Asian
Committee, and co-creator of the Black Theatre Workshop and the Equity
Performers Against Racism group.
DUSAN
MAKAVEYEV (13 October 1932-25 January 2019)
The
Serbian screenwriter and director Dusan Makaveyev, who has died at the
age of 86, will be remembered for his important contribution to
Yugoslavian cinema from the 1960s onwards, which was part of a
critical, anarchistic experimental film movement called Black Wave. 
He
will be particularly celebrated for his film W.R.: Mysteries of the Organism
(1971) which put him on the global cinema map. However, on account of
its coverage of sexual and communist politics, in a documentary study
of the life of psychoanalyst Wilhelm Reich, it mixed fact and fiction
in a satirical way that unhinged the Yugoslavian authorities, and they
banned the film for some sixteen years. Makaveyev’s cinema career began
in the mid-1950s with a number of short films until his first feature
in 1965, Man Is Not a
Bird. This was followed by Love Affair, or the Case of the
Missing Switchboard Operator and Innocence Unprotected.
After W.R.: Mysteries
of the Organism was banned by the oppressive political
movement in his home country, Makaveyev moved to Canada to make Sweet Movie in
1974. It was another explicit film about sex which thereby limited its
release to art house cinemas. Montenegro
(1981) was made in Sweden with Susan Anspach and Erland Josephson. It
was about a housewife who, seeking sexual liberation, tries to pep up
her life by eating all her family’s food, setting light to her bed and
poisoning the dog. The
Coca-Cola Kid
(1985), a satire on global branding, was made in Australia with Eric
Roberts and Greta Scacchi. Eventually returning to Yugoslavia in 1988,
Makaveyev made Manifesto
(1988), a more conventional comedy-drama based on a book by Emil Zola
about revolutionaries trying to assassinate a despotic European king.
The cast included Alfred Molina, Simon Callow, Lindsay Duncan and Eric
Stoltz, but it received only a limited release. Makaveyev went on to
make more shorts, TV documentaries and two more features until his last
in 1996. He was a vital voice in political cinema, albeit one that at
times found difficulty in being heard. Dusan Makaveyev was married to
Bojana Marijan, who often worked with him as an assistant or second
unit director, writer and producer.
JOHNNY MANDEL (23 November 1925-29 June 2020)
The American composer-orchestrator-arranger Johnny Mandel, 
who
has died aged 94, was one of the busiest musicians in Hollywood. He
wrote and conducted music for films and TV for over fifty years. From
an early age he learned to play piano, trumpet and trombone and as a
teenager began working with famous bands from 1940 onwards. He wrote
popular songs and jazz and worked with singers including Sinatra,
Streisand, Natalie Cole, Peggy Lee, Tony Bennett and Shirley Horn. His
first film score was for I Want to Live! in 1958 and he subsequently wrote for The
Americanisation of Emily, Harper, The Russians Are Coming! The Russians
Are Coming!, Point Blank, Under the Yum Yum Tree, M*A*S*H, Freaky
Friday, Agatha, Being There, Caddyshack and The Verdict, among countless others. His song, ‘The Shadow of Your Smile’ from The Sandpiper, won him his only Academy Award as well as one of his five Grammys. The theme song ‘Suicide Is Painless’ for M*A*S*H is
probably his most memorable tune and that too won several awards for
being the Most Performed Theme. Johnny Mandel’s marriage to Lois Lee
ended in divorce. He then married Martha Louise Blanner and they have a
daughter, Marissa.
PENNY
MARSHALL (15 October 1943-17 December 2018)
The
American actress turned producer and director, Penny Marshall, who has
died aged 76 from complications with diabetes, began her working life
as a secretary and in appearances on TV commercials. Her brother, film
director Garry Marshall, cast her in How Sweet It Is! in
1968, 
at a time when she was mainly working in
TV (Barefoot in the
Park, The Magical World of Disney, The Super, The Bob Newhart Show
and The Odd Couple
etc). She played Laverne in Happy
Days, and also in the two spin-off series Laverne and Shirley
and Mork and Mindy
plus other small parts in films including Movers and Shakers
with Walter Matthau, The
Hard Way with Michael J. Fox and Get Shorty with
John Travolta, among others. She continued acting in films and on TV,
with her final appearance being in The
Odd Couple on TV in 2016. Marshall began directing in 1979
with the TV series Working
Stiffs and went on to make feature films of Jumpin’ Jack Flash
with Whoopi Goldberg, Big
with Tom Hanks (the first film by a woman director to take over $100
million at the box-office). She also directed Awakenings, with
Robert De Niro and Robin Williams, A
League of Their Own, with Hanks again, and Madonna, Renaissance Man
with Danny DeVito, The
Preacher’s Wife with Denzel Washington and Whitney
Houston, and Riding in
Cars With Boys with Drew Barrymore, plus some more
television work. Rodman,
her documentary about professional basketball player Dennis Rodman, is
due for release in September of 2019. Her job as a producer included
some of her own films plus Calendar
Girl, Getting Away With Murder, With Friends Like These..., Risk,
Cinderella Man and Bewitched.
Penny Marshall was married twice, first to the director Rob Reiner and
then to the football player Michael Henry, with whom she had a
daughter, Tracy. Both marriages ended in divorce. Following a bout of
lung cancer, she wrote a memoir called My Mother Was Nuts.
MARDIK MARTIN (16 September 1934-11 September 2019)
The
Hollywood screenwriter Mardik Martin, who has died from a stroke at the
age of 85, was chiefly known for his work with director Martin
Scorsese. 
Born
in Iran, but raised in Iraq, Martin was an American of Armenian
descent. He left Iraq to go to New York where he met fellow student
Martin Scorsese at New York University. He graduated with a Master’s
degree in screenwriting in 1968 and then taught at NYU for five years.
He and Scorsese began making films together, the first a student short
in 1964 called It’s Not Just You, Murray! Martin then did treatments for Scorsese’s documentaries Italianamerican, The Last Waltz and American Boy. Season of the Witch was the film that ultimately became Mean Streets. Together they worked on New York, New York which Martin wrote with Earl Mac Rauch and Raging Bull which he wrote with Paul Schrader. Martin also wrote Valentino with director Ken Russell, worked as a Hollywood script doctor and appeared as an actor in Scorsese’s New York, New York, Raging Bull and The King of Comedy. He also wrote an autobiographical documentary Mardik: Baghdad to Hollywood in 2008. His final work in 2014 was as co-writer on Fatih Akin’s The Cut,
a film about the Armenian Genocide in the Ottoman Empire in 1915. From
2014 he taught at the School of Cinematic Arts at the University of
Southern California. Mardik Martin was the winner of a Lifetime
Achievement Award from the Arpa International Film Festival in
Hollywood in 2007.
PETER MAYHEW (19 May 1945-30 April 2019)
The
British actor Peter Mayhew, who has died aged 74 from a heart attack,
was a hospital porter before being discovered by film producer Charles
Schneer who was looking for a tall actor to play Minoton in Sinbad and the Eye of the Tiger. At seven foot 
three
inches tall, Mayhew fitted the bill and was later asked to play
Chewbacca, a big hairy but friendly Wookiee monster in the first Star Wars
film (1977). For the actor this part changed his life and for the next
38 years he mostly played the same role in five of the main Star Wars films plus appearances in various television spin-offs. He also played Chewbacca in other TV shows such as Donnie and Marie, The Muppet Show, The Late Show with David Letterman and Glee, as well as other parts in other series including a giant in Hazell, The Tall Knight in Dark Towers and various roles in The Kenny Everett Show. While much of his film career was with Star Wars, he was also cast in a few other movies including the role of The Mechanic in David McGillivray’s screenplay for Terror, a Dead Man in Yesterday Was a Lie and Uncle Clyde in Killer Ink,
his last appearance (in 2016). Peter Mayhew married his wife Angelique
in 1999 and they have three children. They lived in Texas where Mayhew
was a naturalised US citizen from 2005. He became a businessman and
wrote two children’s books about giants.
JOHN McENERY (1 November 1943-12 April 2019)
The
British actor John McEnery, younger brother of fellow actor Peter
McEnery, has died at the age of 75. Born in Birmingham, he began acting
at the Everyman Theatre, Liverpool, after training at the Bristol Old
Vic. Much of his career was in theatre, 
where
he did his best work. In his time he was a member of the National
Theatre, the Nottingham Playhouse, the Royal Shakespeare Company,
Shakespeare’s Globe and the Young Vic. He entered films in 1965 playing
extras in Olivier’s Othello, then did a TV movie of the National Theatre’s Much Ado About Nothing, followed by the role of Mercutio in Zeffirelli’s film of Romeo and Juliet. He appeared with his brother in David Hart’s The Other People and then with Oliver Reed and Samantha Eggar in The Lady in the Car with Glasses and a Gun. Bartleby
(1970) gave McEnery the title role opposite Paul Scofield in a film of
the Herman Melville story. In France – and in French – he was in Gḗrard
Brach’s The Boat on the Grass (scripted by Roman Polanski), followed by Nicholas and Alexandra, as Kerensky, The Ragman’s Daughter, written by Alan Sillitoe, Fury, by Edward Bond, David Halliwell’s Little Malcolm and His Struggle Against the Eunuchs, with John Hurt, The Land That Time Forgot, Losey’s Galileo with Topol, and an uncredited part with his then-wife Stephanie Beacham in David McGillivray’s screenplay for Pete Walker’s Schizo. After that and between stage roles, John McEnery mainly worked on television in Our
Mutual Friend, Will Shakespeare, The Word, Nicholas Nickleby, Jamaica
Inn, Sins, Poirot, The Buddha of Suburbia, The Broker’s Man, The Bill, and Elizabeth I with Helen Mirren, etc. Other films he made include The Duellists, Little Dorrit, The Krays, The Fool, Zeffirelli’s Hamlet (as Osric), Black Beauty, When Saturday Comes and Girl With a Pearl Earring (2003), his last film. His final TV appearances were in episodes of Silent Witness, Wallander and New Tricks. John McEnery was married to the actress Stephanie Beacham from 1973 to 1978, by whom he has two daughters, Phoebe and Chloe.
MARK MEDOFF (18 March 1940-23 April 2019)
The American writer, producer, director and actor Mark Medoff, who has died aged 79 from complications with cancer, 
made his name as a dramatist producing some thirty plays. He also worked on many films, but his greatest success was his play Children of a Lesser God,
about the relationship between a deaf woman and her speech therapist.
The play was an enormous hit and the subsequent film version was also a
success. Medoff insisted that the leading female role be played by a
deaf actress. In the US it was premiered by Phyllis Frelich, in London
it was Elizabeth Quinn and for the film (with William Hurt) the role
went to Marlee Matlin, who won an Oscar, the first time an Academy
Award had been presented to a deaf actor. Medoff had written plays
since the mid-1960s and he was also a teacher in New Mexico where he
founded the American Southwest Theatre Company. He did the screenplay
for own play When You Comin’ Back, Red Ryder? with Marjoe Gortner, Candy Clark and Peter Firth. He also scripted Good Guys Wear Black for Chuck Norris and later worked on Off Beat with Judge Reinhold, Clara’s Heart with Whoopi Goldberg, City of Joy with Patrick Swayze, Homage with Blythe Danner, plus Santa Fe, The Heart Outright and, at the time of his death, Walking With Herb,
a serious comedy about a guy with personal problems, an abiding theme
of Medoff’s writing. He also produced and directed some of his own
screenplays and at times appeared in them as an actor. Mark Medoff was
first married to Vicki Eisler. He married his second wife, the actress
and costume supervisor Stephanie Thorne in 1972 and they have three
daughters, Jessica, Debra and Rachel.
MICHAEL MEDWIN (18 July 1923-26 February 2020)
SYLVIA MILES (9 September 1924-12 June 2019)
Greenwich
Village-born actress Sylvia Miles, who has died aged 94, had a long,
sixty-two-year career right up to her death. She will be best
remembered for her role in Midnight Cowboy for which she was Academy Award nominated. She studied at the Actors Studio, 
working on stage and in revue from 1947 until her first television appearance in 1950 on The Bob Hope Show. In 1960 she appeared in the pilot for The Dick Van Dyke Show but didn’t make the series. Her first film was Murder, Inc in 1960 with Stuart Whitman, then Delmer Daves’ Parrish with Troy Donohue, and in 1964 Pie in the Sky (aka Terror in the City) with Lee Grant. In between films she was in TV shows such as Route 66, The Defenders, Naked City and N.Y.P.D. Then came John Schlesinger’s Midnight Cowboy and Sylvia Miles’ Oscar-nominated performance as call girl Cass. After that she never seemed to stop working. The Last Movie was Dennis Hopper’s follow-up as the director of Easy Rider. Then there was Ernie Pintoff’s Who Killed Mary Whats’ername?, and Paul Morrissey’s Heat, Andy Warhol’s parody of Sunset Boulevard. Sylvia earned another Oscar nomination in the remake of Farewell, My Lovely with Robert Mitchum. Then came 92 in the Shade with Peter Fonda, The Great Scout & Cathouse Thursday with Lee Marvin and Oliver Reed, Michael Winner’s horror shocker The Sentinel and many more. Sylvia graced the all-star adaptation of Agatha Christie’s Evil Under the Sun, she was in Michael Apted’s Critical Condition with Richard Pryor, and played Dolores the Realtor in Oliver Stone’s Wall Street. Working with women directors she was Hannah Mandelbaum the matchmaker in Joan Micklin Silver’s Crossing Delancey, played Meryl Streep’s mother in Susan Seidelman’s She-Devil, and appeared in Sally Kirkland’s The Boys Behind the Desk and Alison Thompson’s High Times’ Potluck. Go Go Tales was Abel Ferrara’s stripclub comedy with Miles as a monster landlady, and she was back for Oliver Stone’s Wall Street sequel, Money Never Sleeps. Her last TV show was an episode of Life on Mars in 2008 and she was filming Eric Spade Rivas’ Japanese Borscht
at the time of her death. Sylvia Miles was married three times, to
William Miles and the actors Gerald Price and Ted Brown. All three
marriages ended in divorce. She once attracted notoriety by dumping a
plate of food over the head of John Simon, the theatre critic of New York magazine, for his giving her a bad review in 1973.
JEAN-PIERRE MOCKY (6 July 1929-8 August 2019)
The
French film actor-writer-producer-director Jean-Pierre Mocky, who has
died aged 90, was a hard-working filmmaker of nearly 70 films as well
as TV work. Born Jean-Paul Mokiejewski in Nice to Polish parents, his
father was Jewish, his mother Catholic. They sent Jean-Pierre to
Algeria 
during
the Nazi occupation of France by lying about his age. Mocky’s career
began as a film and stage actor in 1946, working with Cocteau,
Visconti, Fellini, and appearing in Antonioni’s I vinti (The Vanquished, 1953). His first screenplay was an adaptation of Hervḗ Bazin’s novel La tête contre les murs (The Keepers,
1959) for Georges Franju, in which he also appeared, and he often acted
in the films he later wrote and directed. His first as director was Les dragueurs (1959) about a couple of shy young men looking for girls in night-time Paris.
Mocky was well-named as his films were often satirical or dealt with unorthodox problems including the loss of virginity (The Virgins) a fight for power (Snobs), splitting up of relationships (A Couple), aristocrats adapting to poverty through theft (Heaven Sent), falsifying important documents (Order of the Daisy), murderous orgies (Solo), real estate swindles (Chut!),
and so on. Not all of his films were seen in the UK, although Mocky
attracted the cream of the French acting profession, working with the
likes of Bourvil, Charles Aznavour, Jacques Charrier, Gḗrard Blain,
Jean-Louis Barrault, Fernandel, Jean Poiret, Claude Rich, Michel
Serrault, Michel Simon, Philippe Noiret, Marie-Josḗ Nat, Jeanne Moreau,
Catherine Deneuve, Stḗphane Audran, Toto and Jane Birkin, etc. From
2007 to 2019 he directed and hosted fifty-two episodes of stories for
TV called Myster Mocky prḗsente. His last feature film, Tous flics!,
is due to be released in 2020. Jean-Pierre Mocky was married four times
and claimed to have fathered seventeen children, his first born when he
was 13!.
STEPHEN MOORE (11 December 1937-4 October 2019)
Equally
well-known on stage, television and radio, British actor Stephen Moore,
who has died at the age of 81, graced some films in a career that
included working for the National Theatre, the Royal Shakespeare
Company and the Royal Court. On stage he tackled Shakespeare,
Ayckbourn, Sam Shepard, Howard Brenton, David Hare, Dostoevsky,
Chekhov, O’Neill and John Osborne among other playwrights’ work. 
He will be remembered, however, for originating the role of Marvin, the Paranoid Android in The Hitchhiker’s Guide to the Galaxy
and stayed with the piece throughout its many manifestations on radio,
TV and audio recordings. His first TV work was the voice of flute in
Czech animator Jirί Trnka’s A Midsummer Night’s Dream. Then, after several television movies and series, he was in Lindsay Anderson’s long ‘short’, The White Bus (1967), written by Shelagh Delaney. Other films that Stephen Moore made include The Last Shot You Hear, Richard Attenborough’s A Bridge Too Far, Don Siegel’s Rough Cut, with Burt Reynolds, Where the Boys Are, with Lorna Luft, Richard Eyre’s Laughterhouse, and Christopher Morahan’s Clockwise with John Cleese from a Michael Frayn screenplay. Under Suspicion was a thriller with Liam Neeson, Brassed Off was Mark Herman’s comedy-drama about a Northern brass band, and The Boat That Rocked
was a Richard Curtis comedy about pirate radio. Other notable TV
appearances by Stephen Moore were in Tom Stoppard’s adaptation of Three Men in a Boat, two series of Adrian Mole programmes, Middlemarch (as Mayor Vincy), Harry Enfield and Chums (as Kevin’s Dad), Jack Rosnethal’s Ready When You Are, Mr McGill, Doctor Who and Holby City. His last appearance was in The Hitchhiker’s Guide to the Galaxy Radio Show
in 2016. Stephen Moore married four times and is the father of the
actress Robyn Moore, the actor Guy Moore and Hedda Moore by his first
wife Barbara Mognaz; the father of the actress Charlotte Moore by his
second wife Celestine Randall; and the father of Sophie George-Moore by
his fourth wife Noelyn George.
ENNIO MORRICONE (10 November 1928-6 July 2020)
The
Italian composer Ennio Morricone, who has died aged 91, wrote over 500
film scores for features, shorts and television, plus classical, jazz
and pop music. He is celebrated for his music to the films of Sergio
Leone, a classmate at school. Composing multiple film scores every year
(he wrote 29 in 1972), he made an (uncredited) debut in Franco Rossi’s Death of a Friend in 1960. He wrote fourteen more before Bertolucci used him on Before the Revolution in 1964. Then Leone employed him for A
Fistful of Dollars, For a Few Dollars More, The Good, the Bad and the
Ugly, A Fistful of Dynamite, Once Upon a Time in the West and Once Upon a Time in America.
Morricone wrote for all genres rather than just Westerns or horror, so
worked for many directors, including Marco Bellocchio, Gillo
Pontecorvo, Dario Argento, Mario Bava, Pier Paolo Pasolini, Liliana
Cavani, Don Siegel, Ếdouard Molinaro, Edward Dmytryk, Roland Joffḗ,
Pedro Almodovar, Franco Zeffirelli, Barry Levinson, Terrence Malick,
Brian De Palma and Quentin Tarantino. His most affecting music is for
Giuseppe Tornatore’s Cinema Paradiso
(1988), a tribute to movies with a brilliant score, for which his son
Andrea wrote the 'Love Theme'. Morricone was nominated and won awards
everywhere including an Oscar for Tarantino’s The Hateful Eight
in 2016, although he already had an honorary lifetime achievement
Academy Award in 2007. Morricone was married to Maria Travia from 1956.
They have three sons, Marco, Andrea and Giovanni, and a daughter,
Alessandra.
ROBBY MŰLLER
(
The Dutch cinematographer, who has
died aged 78 from
vascular dementia, 
had a preference for black-and-white
photography as he
believed that “the absence of colour can be a stronger factor than the
presence
of colour.” Known as the Master of Light, he worked often with such
directors
as Wim Wenders, Jim Jarmusch and Lars von Trier. Starting his film
career in 1965
he shot some shorts and TV movies until Jonathan
(1970), Hans W. Geissendörfer’s adaptation of a Bram Stoker novel. For
Wenders
he shot Summer in the City, The
Goalkeeper’s Fear of the Penalty, The Scarlet Letter,
LENNIE NIEHAUS (11 June 1929-28 May 2020)
The
American musician, composer, arranger and orchestrator Lennie Niehaus,
who has died aged 90, had a long career playing in jazz bands, working
with singers and composing for films. He particularly became associated
with the films of Clint Eastwood, from Tightrope in 1984 to Gran Torino
in 2008. He both wrote for films directed by Eastwood and orchestrated
film scores by Eastwood and his son Kyle. Born into a musical family in
St Louis, Missouri, 
Leonard
Niehaus first learned to play violin, then bassoon, clarinet and alto
sax. He worked with Jerry Wald’s Band and toured with Stan Kenton -
both before and after US Army service - where he first met Eastwood.
Having begun composing, Niehaus left the Kenton band to work on writing
and arranging for television shows with The King Sisters, Mel Tormḗ,
Dean Martin and Carol Burnett. From the early 1960s, Niehaus
orchestrated for film and TV composer Jerry Fielding on Straw Dogs, Bring Me the Head of Alfredo Garcia, The Bad News Bears and Demon Seed.
Later on he composed his own film scores which generally had an
emphasis on jazz, coinciding with Eastwood’s own taste in music. Among
the scores he wrote for Eastwood are Pale
Rider, Heartbreak Ridge, Bird, White Hunter Black Heart, Unforgiven, A
Perfect World, The Bridges of Madison County, Absolute Power,
Midnight in the Garden of Good and Evil, True Crime, Space Cowboys and Blood Work. Niehaus also did the orchestrations for The Outlaw Josey Wales, Escape from Alcatraz, Mystic River, Million Dollar Baby, Flags of Our Fathers, Changeling and Gran Torino,
etc. He also worked on other films and TV shows, composing, arranging
and conducting. Apart from film scores, Niehaus wrote many jazz works
and recorded several albums including many with Stan Kenton, and he won
an Emmy Award for the TV show Lush Life. Lennie Niehaus and his wife Patricia have a daughter, Susan.
KIP NIVEN (27 May 1945-6 May 2019)
The
name of the American actor Kip Niven, who has died from a heart attack
aged 73, may not mean too much to UK audiences, but he had a long
career in theatre, cinema, television and radio. A native of Kansas, he
joined the university theatre programme and gained much experience as
an actor on stage. His TV career began in 1968 and he worked solidly on
the small screen until he found favour in Magnum Force (1973), one of Clint Eastwood’s ‘Dirty’ Harry Calahan movies in which he played rogue cop Astrachan. 
More television work led to films such as Newman’s Law, with George Peppard, and Airport 1975, Jack Smight’s group jeopardy drama with a starry cast headed by Charlton Heston.
He was in Earthquake,
another battle for survival with Heston again, and Ava Gardner and the
earth-movingly tremulous Sensurround sound process. Niven’s third
disaster movie was The Hindenburg,
Robert Wise’s flaming Zeppelin drama with George C. Scott and a few
archive shots of the original disaster. Completing his run of real-life
historical dramas, Niven played a pilot in Battle of Midway with director Smight and Heston again. Scarlet Buccaneer (aka Swashbuckler) was pirate hokum with Robert Shaw.
Niven appeared on TV more than he did in films during the 1970s. In 1977 he did Smight’s Damnation Alley with Jan-Michael Vincent and George Peppard and three years later played a serial killer in New Year’s Evil (1980), a so-so schlock-horror fest. Although always busy on TV, Kip Niven had to wait twenty years to get back in the cinema. The Painting (aka Soldiers of Change, 2001), was a race related film that didn’t make the UK. More Than Puppy Love suffered the same fate, while little happened to Raising Jeffrey Dahmer, The Only Good Indian, Jayhawkers or Goodland. Kip Niven’s last film role was as Farmer Jim in The Land
which still awaits a release. In a long career of over fifty years on
film and TV, Kip Niven never appeared to be out of work. His first
wife, actress Susan Tisdall, with whom he had a son and daughter,
died in 1981. He then married the actress Linda Lavin, but they
divorced in 1992, and finally he married Mary Beth Reiff, who gave him
a daughter, but Mary died in 2012.
DENIS NORDEN
(
The writer, presenter and broadcaster
Denis Norden, who has
died aged 96, was probably best-known as the frontman for It’ll Be All Right On the Night, ITV’s
long-running series of
outtakes and bloopers from films and television shows which ran from
1977 for
some thirty years. 
He also presented Looks
Familiar, a TV nostalgia programme for many years. Long
before TV
discovered him, Norden and his writing partner Frank Muir, contributed
a great
deal to radio and TV comedy from 1948 onwards. His career began as a
theatre
stagehand and then cinema manager. After the war he left the RAF, where
he
wrote for troop shows, and then began writing for comedian Dick
Bentley, while
Frank Muir wrote for Jimmy Edwards. They combined forces for the radio
comedy Take It From Here
for Bentley and Edwards together. It ran from 1948 to 1959 and
is still being repeated on BBC Radio 4 Extra. They wrote many TV series
including Whack-O!, And So to Bentley,
The Seven Faces of Jim and its sequels, Brothers
in Law, How To Be an Alien, The
Frost Report, The Glums
etc. They
appeared together on radio in My Word!
and My Music and on TV in Call My
Bluff. Early on in their careers, Muir and Norden had written
additional
dialogue for the film Song of Paris,
with Dennis Price. When they stopped writing together, Norden
contributed to
several film screenplays including The
Bliss of Mrs Blossom, Buona Sera, Mrs Campbell, The Best House in
London,
Twelve Plus One, Every Home Should
Have One, The Statue, Secrets of a Door-to-Door Salesman, The Water
Babies,
plus a number of television movies. Frank Muir died in 1998 and Denis
Norden
retired in 2006 at the age of 84 because he was developing macular
degeneration.
He was married to Avril Rosen (who died just two months before him).
They have
two children, architect Nick and radio presenter Maggie. Denis Norden
published
his autobiography, Clips from a Life,
in 2008.
ALAN PARKER (14 February 1944-31July 2020)
The
British writer-director-producer Alan Parker, who has died aged 76
after a long illness, started his working life as an advertising
copywriter, often filming his own award-winning TV commercials. After
making a couple of shorts, Footsteps and Our Cissy, he wrote Melody (1971) - aka S.W.A.L.K. in the UK - an innocent romance between two children played by Mark Lester and Tracy Hyde. Then he wrote and directed No Hard Feelings, a love story set during the Blitz. 
It wasn’t shown by the BBC until 1976. Before that was another BBC film, The Evacuees, Jack Rosenthal’s script about two Jewish boys evacuated during the war. A mark of Parker’s work was his wide range of genres. Midnight Express is a prison drama about drug-smuggling in Turkey, whereas Fame details the lives of musical students at the High School of Performing Arts in New York. Shoot the Moon is a marital drama with Albert Finney and Diane Keaton. By now well-established as a director, Parker went on to do Pink Floyd – The Wall, then Birdy, about Vietnam vets Matthew Modine and Nicolas Cage, Angel Heart, a psychological horror story with Mickey Rourke and, as Lucifer, Robert De Niro, and Mississippi Burning, a thriller set against Ku Klux Klan activities, with Gene Hackman. The best of Parker’s 1990s films is The Commitments, about music-obsessed kids in Dublin. Evita with Madonna works up to a point, and Angela’s Ashes is a moving story about author Frank McCourt’s childhood in Dublin. Parker’s last film (in 2003), The Life of David Gale,
has Kevin Spacey as a man on Death Row in Texas. Parker received many
industry awards, including a Bafta for his screenplay to Bugsy Malone and two more Baftas for directing Midnight Express and The Commitments and Oscar-nominations for Midnight Express and Mississippi Burning.
In 2013, he received the Bafta Fellowship. He was made a CBE in 1995
and was knighted in 2002. He married and divorced Annie Inglis and then
married the producer Lisa Moran. He is the father of a daughter Lucy
and four sons, Henry, Alexander, Jake and the screenwriter Nathan
Parker.
NICHOLAS PARSONS (10 October 1923-28 January 2020)
What most people don’t realise about Nicholas Parsons, who has died aged 96
after a short illness, is that before he was a radio and television presenter
he was an actor on stage, in films and on television. Although he always wanted
to be an actor, his parents apprenticed him to an engineering firm in Glasgow,
followed by study at Glasgow University. He qualified as a mechanical engineer
but never graduated. Illness prevented him from joining the Merchant Navy in
World War II so, after the war he became an actor in London in The Hasty Heart and Arsenic and Old Lace, followed by rep at Bromley, Windsor and
Maidstone. He had been discovered by impresario Carroll Levis and appeared on
his radio show. Parsons also did a stint as a stand-up comedian at the Windmill
Theatre and later appeared in Boeing-Boeing,
was the Narrator in the first London production of Sondheim’s Into the Woods and took part in the 21st
anniversary production of The Rocky
Horror Show. On television early on he was the voice of Tex Tucker in Gerry
Anderson’s puppet series Four Feather
Falls. Later he played stooge on
comedian Arthur Haynes’ TV show for ten years, with Haynes always referring to Parsons
as ‘Nicholarse’. He also worked with Benny Hill and other TV included The Very Merry Widow, The Ugliest Girl In
Town, Kappatoo, The Comic Strip, Doctor Who, Cluedo and the children’s shows
Bodger and Badger and The Wotnots.
From 1971 he was the presenter on Anglia TV’s quiz show Sale of the Century for the next twelve years. However, before that
he became (unwillingly, at first) the chairman of the BBC radio programme Just a Minute in 1967, a job he kept for
some fifty-two years, with nary a break, missing just a couple of recordings
due to ill-health. The show was transferred to television for a while but it was
not a long-runner on the box.
That leaves the films that Parsons made. Although he was on TV from 1953, he had made his cinema debut in Master of Bankdam
in 1947, playing Edgar Hoylehouse in a saga about a Yorkshire mill
family. He then had small parts in many 1950s films, including To Dorothy a Son with Shelley Winters, Simon and Laura with Peter Finch and Kay Kendall, An Alligator Named Daisy and Eyewitness, both with Donald Sinden, The Long Arm with Jack Hawkins, Brothers in Law with Richard Attenborough, Happy Is the Bride with Ian Carmichael, Too Many Crooks and Carlton-Browne of the F.O. both with Terry-Thomas, Upstairs and Downstairs with Michael Craig, Let’s Get Married with Anthony Newley, and then Doctor in Love, Carry on Regardless, Murder Ahoy!, Every Day’s a Holiday and The Wrong Box. He made a few more films until 1976 and his last cinema appearance was as himself in Lady Godiva
in 2008. Nicholas Parsons was first married to the actress Denise Bryer
and they have two children. Following their divorce in 1989 he married
Ann Reynolds in 1995. He was appointed OBE in 2004 and CBE in 2014, for
his children’s charity work.
IVAN PASSER (10 July 1933-9 January 2020)
The
Czech writer-director Ivan Passer, who has died aged 86 from pulmonary
complications, was part of the Czech New Wave of filmmaking in the
1960s. Until then a political stranglehold prevented filmmakers from
expressing their own perhaps controversial views. Passer was part of a
group that included Jirί Menzel, Jan Nĕmec, Vera Chytilová and Miloš
Forman, for whom he wrote Loves of a Blonde and The Fireman’s Ball.
It was, however, a short-lived hiatus because, when the Soviet Union
invaded Czechoslovakia in 1968, the government shutters went back up
against personal artistic freedom. 
Some of the Czech directors moved to the US where they found it easier to work. After a short subject, A Boring Afternoon, and the feature Intimate Lighting, Ivan Passer left Czechoslovakia and made his next film in the US. Born to Win (1971) starred George Segal as a former hairdresser and petty criminal. This was followed by Law and Disorder with Carroll O’Connor and Ernest Borgnine as two disenchanted New York cops, and Ace Up My Sleeve, based on a James Hadley Chase novel, with Omar Sharif as an embezzler. Silver Bears featured Michael Caine and Cybill Shepherd in a comic crime story about money laundering. More criminal activity in Cutter’s Way, with Jeff Bridges uncovering a possible murderer. Passer had a change of subject for Creator, with Peter O’Toole as a scientist trying to clone his dead wife. Haunted Summer featured the threesome that were Lord Byron, Mary Shelley and Percy Shelley. Pretty Hattie’s Baby about a white girl adopted by a black family was made but never released. It starred Alfre Woodard who was also in The Wishing Tree, playing a woman returning to her black roots in Savannah. Passer also directed a number of TV movies including a biopic on Stalin with Robert Duvall, a version of Robert Louis Stevenson’s Kidnapped with Armand Assante, and a remake of Picnic from the play by William Inge with Bonnie Bedelia and Josh Brolin. Passer’s last film was Nomad: The Warrior,
made in France and Kazakhstan in 2005. Ivan Passer’s US films were not
exactly personal statements of the sort he might have made in
Czechoslovakia, but he was a good journeyman director of genre movies.
He later became a professor of film at the University of Southern
California. Passer was married to Eva Lίmanová and they have one son,
Ivan Passer Jr.
MURIEL PAVLOW (27
June 1921-19 January 2019)
The
British actress Muriel Pavlow, who has died aged 97, had a long career
on stage, in the cinema and on television. She was born in London to
parents of Russian and Swiss-French origin. 
Muriel
grew up in Hertfordshire and began acting as a teenager. Her first film
was with Gracie Fields in Sing
As We Go (1934) and she made her theatre debut in The Old Maid
in 1936. Being rather petite, she played juvenile roles long beyond her
own age until John Gielgud cast her in John Van Druten’s Old Acquaintance.
Her early films include A
Romance in Flanders, John Halifax (as a young boy), Night Boat to Dublin, The Shop
at Sly Corner and Quiet
Wedding where she met her future husband, the actor Derek
Farr. Her stage work included Dodie Smith’s Dear Octopus, J.M.
Barrie’s Dear Brutus,
Terence Rattigan’s While
the Sun Shines and Odd
Man In
with Derek Farr and Donald Sinden. She was at the Stratford Memorial
Theatre during the 1950s and also became popular as one of the Rank
Organisation’s contract players in films such as Malta Story with
Alec Guinness, Doctor
in the House and Doctor
at Large with Dirk Bogarde, Conflict of Wings
with John Gregson, Simon
and Laura with Peter Finch, and Reach for the Sky
(as the wife of Kenneth More, who played Douglas Bader), among many
others. She generally played sympathetic roles, morally supporting the
men in her life. Muriel Pavlow more or less retired from films with Murder She Said,
with Margaret Rutherford, in 1961. However, she continued to work on
stage and in television. Derek Farr died in 1986 but Muriel worked
regularly until 2004 when she made a TV movie called Belonging. Her
career farewell came in 2009 with a small part in Stephen Poliakoff’s
film Glorious 39.
Muriel Pavlow spent her last years in Denville Hall, the home for
retired actors.
D.A. PENNEBAKER (15 July 1925-1 August 2019)
The
documentary film director and cinematographer Donn Alan Pennebaker, who
has died aged 94 from natural causes, became something of a one-man
industry as far as cinéma-vérité
was concerned. Before taking up filmmaking, he studied engineering at
Yale, ran an electronics firm and worked in advertising. He started
making short films in 1953, often with Shirley Clarke (famous for her
film The Connection, about drug addicts). 
His first film of any length was Opening in Moscow, on the 1959 American Exhibition in Russia. After some TV work, he made Jane, about the 25-year-old actress Jane Fonda rehearsing a play. In 1967 he made the film he is most famous for – Don’t Look Back, a feature-length portrait of the singer Bob Dylan on his 1965 tour of the UK. Monterey Pop
covered the pre-Woodstock music festival with The Mamas and The Papas,
Canned Heat, Simon & Garfunkel, Jefferson Airplane, Janis Joplin,
The Animals, The Who, Jimi Hendrix and Ravi Shankar, etc. He filmed the
recording of Stephen Sondheim’s Company
for Original Cast Album in which Elaine Stritch had trouble getting
it together (she compared it to “like Judy Garland playing the Margaret
Rutherford story”). Pennebaker made more films with musicians including
John Lennon, David Bowie, Little Richard, Otis Redding and a feature on
Stax Records. Other subjects included John DeLorean, Bill Clinton, Town Bloody Hall with Norman Mailer and Germaine Greer, Elaine Stritch at Liberty, the actress’s one-woman show, Woodstock Diary, Kings of Pastry, about the French pastry chef award, and the five-hour National Anthem: Inside the Vote for Change Concert Tour
in 2004, plus many other counter-culture films, often with a musical
subject. He was regularly his own cinematographer, sometimes his editor
too and also producer. He had a single acting credit in Wild 90,
the 1968 film he wrote for Norman Mailer. D. A. Pennebaker was married
three times and is the father of eight children. He was awarded a
lifetime achievement Oscar in 2013.
LUKE PERRY (11 October 1966-4 March 2019)
The
American actor Luke Perry, who has died aged 52 from a stroke, became a
teenage heartthrob from his 200 appearances during the 1990s on the
television show Beverly Hills, 90210
which depicted the lives and mainly the loves of a group of students in
southern California. He played Dylan McKay, a young man constantly on
the edge of society with bouts of alcoholism and an advanced sexual
appetite for which the actor was compared to the late James Dean. 
The
show began quietly but soon took off when it dealt with problems such
as drugs, Aids, rape and bankruptcy. Perry was just one of a cast of
bright young things including Jason Priestley, Shannen Doherty, Tori
Spelling and Hilary Swank. Together they made the show a must-see
programme for the youth audience. Perry began his TV career in 1982 in Voyagers! Followed by Loving, Another World, At Home With the Webbers and several animated series including The Incredible Hulk. In between TV shows, he scored some films such as Terminal Bliss (his first) and then Scorchers with Faye Dunaway and Buffy the Vampire Slayer. He starred in John G. Avildsen’s 8 Seconds, was with Ashley Judd in Normal Life and played Billy in Luc Besson’s The Fifth Element with Bruce Willis. Throughout the 1990s he was appearing in Beverly Hills, 90210, while his other work just saw him marking time. In 1995 he took a three-year break from Beverly Hills, 90210
but then returned to it until 2000. More television followed, as
well some feature films, but none that had any particular interest and
few, if any, reached the UK. While Perry was more popular in the US
than here, he played the Billy Crystal role in When Harry Met Sally
on stage in London, although it was not well received. In the last few
years of his life Perry was in over fifty episodes of the TV series Riverdale, about a gang of youthful amateur sleuths solving local crimes. At the time of his death, Luke Perry had finished Once Upon a Time in Hollywood,
Quentin Tarantino’s sideways glance at Tinseltown, which is due for
release in August 2019. It could well be Luke Perry’s best film. Perry
married and divorced the actress Rachel Sharp and they have two
children, Jack and Sophie.
MICHEL PICCOLI (27 December 1925-12 May 2020)
The veteran French actor Michel Piccoli, who has died following a stroke at the
age of 94, was an international star player of enormous magnitude, making
nearly two hundred films and many television appearances in his seventy-year
career. What Jean Gabin was in the 1930s and ’40s, Piccoli was the equivalent,
the great French film and theatre actor of his own generation. He could take on
a part and, as he himself said, disappear into a character whether it be a
commoner or a king, a hoodlum or a priest, or an everyday member of the
bourgeoisie. He worked with the best directors in the business including
Godard, Sautet, Buñuel, Melville, Malle, Resnais and even Hitchcock. Born into
a family of musicians, Piccoli made his film debut in small roles from 1945. At
the time he was rubbing shoulders with the Paris intellectual set of Sartre and
De Beauvoir and the singer Juliette Grḗco whom he subsequently married. 
After years of small parts and short films he appeared in Jean Renoir’s French Cancan (1955) with Gabin and then
in Raymond Rouleau’s Les sorciẻres de
Salem (aka The Crucible) with
Yves Montand and Simone Signoret. Piccoli began to find international fame
working with Godard on Le Mḗpris with
Bardot and Jack Palance and with Buñuel on The
Diary of a Chambermaid with Jeanne Moreau. Peter Ustinov directed him in Lady L (1965) with Sophia Loren and Paul
Newman, followed by Alain Resnais’ La
guerre est finie with Yves Montand. Is
Paris Burning? was Renḗ Clḗment’s war epic with an international cast
(Belmondo, Boyer, Delon, Caron, Cassel, George Chakiris, Claude Dauphin, Glenn
Ford et al). He worked with Chakiris
again on Jacques Demy’s musical charmer Les
Demoiselles de Rochefort, with Deneuve and her sister, the late Françoise
Dorlḗac. Deneuve was Buñuel’s Belle de Jour with Piccoli, and the same
director cast him in The Milky Way, The Discreet Charm of the Bourgeoisie
and The Phantom of Liberty. Hitchcock
used him for Topaz, Chabrol had him
for Ten Days Wonder, and Marco
Ferreri put him in La grande bouffe
with Mastroianni and Noiret.
Appearing mainly in French films by French directors working at home, Piccoli
was, however, in Louis Malle’s Atlantic
City, USA, filmed in the States with Burt Lancaster and Susan Sarandon. He
was with Godard again for Passion,
with Charlotte Rampling in Claude Lelouch’s Long
Live Life, and in so many more films
that he must have been the busiest actor in France. He was still working up to
2015 when his last film was a short called Our
Lady of Hormones which he narrated. Michel Piccoli was first married to
actress Elḗonore Hirt, the mother of their daughter Cordelia. He was then
married to actress and singer Juliette Grḗco from 1966 to 1976 when they
divorced. Finally, he was married to actress Ludivine Clerc with whom he has
two children. Although he never won an Oscar, he was nominated many times for
the French equivalent of the Academy Award, the Cḗsar, along with winning many
other international awards.
MICHAEL J. POLLARD (30 May 1939-20 November 2019)
The
American actor Michael J. Pollard, who has died from a heart attack at
the age of 80, will be remembered for one role in particular, although
he had a long career in film and television lasting for over fifty
years. That one role was as one of the accomplices of Bonnie Parker and
Clyde Barrow (played by Faye Dunaway and Warren Beatty) in Bonnie and Clyde, Arthur Penn’s 1967 film about the 1930s gun-toting bank robbers. 
Pollard
played C.W. Moss, the couple’s driver and mechanic, for which he
received an Oscar nomination. His Actors’ Studio training (with Marilyn
Monroe, no less) was put to good use in his amusing, mumbling,
naturalistic performance, coupled with his angelic, curly-mopped face.
Pollard had done a lot of acting before and Warren Beatty discovered
him when they worked together in the theatre. After quite a bit of
stage work, Pollard broke into television in 1958 but his first film
was It Happened to Jane
(1958), in an uncredited role with Doris Day and Jack Lemmon. Much more
TV saw him into the 1960s when other films came along – Martin Ritt’s Adventures of a Young Man with Richard Beymer, Franklin J. Schaffner’s Woman of Summer with Joanne Woodward and Beymer again, and Summer Magic with Hayley Mills. More TV kept him busy until Norman Jewison’s The Russians Are Coming! The Russians Are Coming! Then Roger Corman’s The Wild Angels saw him working with Peter Fonda, Nancy Sinatra and Bruce Dern. Enter Laughing was Carl Reiner’s comedy about a young tyro actor, and Caprice was with Doris Day again plus Richard Harris. After Bonnie and Clyde there was James Goldstone’s Jigsaw, Michael Winner’s Hannibal Brooks, Little Fauss and Big Halsy (as Little Fauss) with Robert Redford, and a starring role in Dirty Little Billy (as Billy the Kid). Pollard co-starred with Ernest Borgnine in Sunday in the Country and played ‘The Hawker’ in Between the Lines, about an underground Boston newspaper, and he was Little Red in Melvin and Howard about the millionaire Howard Hughes. Other of Pollard’s films included The Patriot, America, The American Way and Roxanne. He was in Scrooged, an update of A Christmas Carol, Next of Kin with Patrick Swayze and Liam Neeson, Tango & Cash with Sylvester Stallone, and Warren Beatty’s Dick Tracy.
In the 1990s and from 2000 onwards, he made many films but nothing
particularly interesting, did more TV and played himself in Remembering Nigel. His last film, The Next Cassavetes,
is still in post-production. Michael J. Pollard married and divorced
actress Beth Howland (she died in 2015) and they have a daughter,
Holly. He also married and divorced Annie Tolstoy and they have a son,
Axel.
NIK POWELL (4 November 1950-7 November 2019)
Film
producer and one-time record executive Nik Powell, who has died of
cancer at the age of 69, surfaced at a time when the British film
industry really needed him. He created Palace Pictures which produced
many high-profile films and furthered the careers of directors Mike
Leigh, Peter Greenaway and Neil Jordan, etc. Early on he knew Richard
Branson and they went into business together, trying to market, of all
things, 
the breeding of budgies and growing fir trees for Christmas. After these failures, Branson and Powell launched Student
magazine, but following a falling out, Powell then joined Branson in a
mail order record company called Slipped Disc, with shops around
London. He then co-founded Virgin Records with Branson and from their
first release, Mike Oldfield’s Tubular Bells,
the company was a huge success. In 1983, Powell parted from Virgin to
create Palace Pictures with Stephen Woolley who ran the Scala
independent cinema in Bloomsbury and later in King’s Cross. Together
they produced some of the most interesting British films of the 1980s
and ’90s including The Company of Wolves, Absolute Beginners, Mona Lisa, High Spirits, Scandal, Red, Hot and Blue, The Pope Must Die and The Crying Game among many others. When Palace went out of business, Powell continued as a producer with Scala Productions, releasing Backbeat, The Neon Bible, Fever Pitch, Little Voice, Last Orders, Ladies in Lavender, Brimstone, and many others. Willow, made in Macedonia, is due to be released soon, while A Gentleman’s War,
Scott Hicks’ film about Douglas Jardine and the 1930s cricket bodyline
scandal, is in pre-production. From 2003 to 2017, Nik Powell was the
director of the National Film and Television School. His first wife was
Merrill Tomassi, Richard Branson’s sister-in-law and, following their
divorce, he married the singer Sandie Shaw in 1982. They have two
children, Amie and Jack, and divorced in 1995. Nik Powell received the
OBE for his services to the music, film and television industries in
2018.
KELLY PRESTON (13 October 1962-12 July 2020)
The
American actress and model Kelly Preston, who has died aged 57 from
breast cancer, was born in Honolulu, raised in Iraq and Australia and
studied theatre in Southern California. At 16, she became a model,
leading to appearances on TV in Hawaii Five-O, Quincy M.E., CHiPs and For Love and Honor, etc. Her first film was 10 to Midnight (1983) with Charles Bronson, then John Carpenter’s Christine, Secret Admirer and A Tiger’s Tale, both with C. Thomas Howell, SpaceCamp with Kate Capshaw and John Frankenheimer’s 52 Pick-Up. Ivan Reitman’s Twins brought her international fame and she continued working in films and television, with From Dawn to Dusk, Citizen Ruth, Jerry Maguire, Addicted to Love, Holy Man and Jack Frost her more interesting films. She appeared with her second husband John Travolta in Battlefield Earth and worked until 2018 on projects including Eulogy, Return to Sender, Death Sentence, Old Dogs and Gotti, both with Travolta, and Last Song
with Miley Cyrus. She first married and then divorced the actor Kevin
Gage. With Travolta, Kelly has three children, daughter Ella Bleu, son
Benjamin and son Jett who died in 2009 aged 27. Preston was a great
supporter of education, drug reform and other charities.
ANDRÉ PREVIN (6 April 1929-28 February 2019)
How
do you sum up the life and career of the German-American musician,
composer and conductor André Previn, who has died at the age of 89? He
was involved in so many aspects of music, be it jazz, classical,
musical theatre and, yes, films, that it is hard to know where to
begin. He even proved his mettle as an actor by working with Morecambe
& Wise on a television sketch that has forever imprinted his
persona on the great viewing public. For just that TV performance
alone, Previn will always be remembered. 
However,
to begin at the beginning, in 1938 his Jewish family moved from Berlin
to the USA and settled in Los Angeles. Still in high school, André
began arranging and composing for MGM, who had discovered the teenager
on a local radio station. At the age of 18 he was a
composer-conductor at the studio, writing his first film score at the
age of 20 for The Sun Comes Up,
the first film to feature Lassie the dog. He subsequently worked as
arranger, conductor, composer or musical director on titles including Three
Little Words, The Violent Hour, Give a Girl a Break, Kiss Me, Kate,
Young at Heart, It’s Always Fair Weather, Kismet, Bad Day at Black
Rock, Wedding Breakfast (aka The Catered Affair), Bells
Are Ringing, Designing Woman, Gigi, Elmer Gantry, One, Two, Three, The
Four Horsemen of the Apocalypse, Silk Stockings, Porgy and Bess, Sweet
Bird of Youth, Long Day’s Journey Into Night, Dead Image, Two for the
Seesaw, Irma La Douce, My Fair Lady, Inside Daisy Clover, Thoroughly
Modern Millie, Paint Your Wagon, The Music Lovers and Rollerball, among many many others.
Previn
had started his musical career as a jazz pianist, making his first
album at the age of 16. He continued with this and worked on and off
with many other celebrated jazz artists into the 1990s. From the early
1960s he had concentrated on conducting, first with the Houston
Symphony, then the St Louis Symphony and from 1968 he was the principal
conductor of the London Symphony Orchestra. Later he took over at the
Pittsburgh Symphony, the Los Angeles Philharmonic, the Royal
Philharmonic and the Oslo Philharmonic. He recorded hundreds of albums
of jazz, classical, contemporary and film music. He composed two
operas, A Streetcar Named Desire and Brief Encounter and theatre musicals including A Party with Betty Comden and Adolph Green, Coco, The Good Companions and the incidental music to Tom Stoppard’s Every Good Boy Deserves Favour.
His orchestral compositions include overtures, works for cello, guitar,
piano, violin, harp and some double and triple concertos plus very many
pieces of chamber music. He also collaborated on several jazz and pop
songs.
Previn won many awards, including Oscars for Gigi, Porgy and Bess, Irma La Douce and My Fair Lady,
plus several Grammy Awards, including a lifetime achievemant award. He
was appointed an honorary KBE, Knight Commander of the Order of the
British Empire in 1996. André Previn was married five times,
including to the singer-songwriter Dory (Langan) Previn, the actress
Mia Farrow and the violinist Anne-Sophie Mutter. He was father to ten
children.
ANNA QUAYLE (6 October 1932-16 August 2019)
On
stage from the age of three in one of her father Douglas Quayle’s
productions, the British actress Anna Quayle, who has died aged 86 from
Lewy body dementia, specialised mainly in comedy roles but was also a
talented dramatic performer. Following her training at Rada, 
she
was immediately cast in several revues in Edinburgh and London. Her big
break came in 1960 as the four heroines of Anthony Newley and Leslie
Bricusse’s musical Stop the World – I Want to Get Off.
It played Manchester, London and Broadway, where Quayle secured a Tony
Award. Other stage work included plays by Anthony Shaffer, Rodney
Ackland, Terence Rattigan, Noël Coward and Sandy Wilson’s The Boyfriend. She appeared on television from 1961 in series including Not Only... But Also, The Avengers, Girls About Town, Grubstreet, Jackanory Playhouse, The Georgian House and The Basil Brush Show. Later on she was in Henry V, Brideshead Revisited, Father Charlie, Mapp & Lucia, Lytton’s Diary and The Sooty Show. For five years from 1990 she played Mrs Monroe in the children’s serial Grange Hill. Anna Quayle’s first film appearance was in A Hard Day’s Night (1964) with The Beatles and she went on to make The Sandwich Man with Michael Bentine, Drop Dead, Darling with Tony Curtis, Casino Royale (1967) with David Niven, Smashing Time with Rita Tushingham, and she had a prominent part as Baroness Bomburst in Chitty Chitty Bang Bang. She was in Up the Chastity Belt with Frankie Howerd, Mistress Pamela, a version of Samuel Richardson’s novel Pamela, Martin Campbell’s Eskimo Nell and also his Three for All, The Seven-Per-Cent Solution with Alan Arkin, Nicol Williamson and Laurence Olivier, Adventures of a Private Eye and ...of a Plumber’s Mate. Her last work was for television, Adam’s Family Tree in 1999. Anna Quayle married and divorced the actor Donald Baker. They have a daughter, Katy.
SANDY RATCLIFF (2 October 1948-7 April 2019)
The British actress Sandy Ratcliff, who has died from cancer at the age of 70, 
made an instant impression in her first film, Ken Loach’s Family Life (1971), playing a teenage girl having a breakdown. Her next film was the science fiction film The Final Programme, from the Michael Moorcock novel. Her television work included Crossroads, Crown Court, Couples, Touch and Go, Danger UXB, Shoestring, Minder, Shelley and over 260 episodes of EastEnders, in which she played café owner Sue Osman. Other films included Yesterday’s Hero, written by Jackie Collins, Chris Petit’s Radio On, Hussy with Helen Mirren, Doll’s Eye
and several TV movies, the last in 1994, after which she retired from
acting. In 1991 she had appeared in court when her then-boyfriend was
accused of murder, her last public appearance. She was married to the
photographer Peter Wright from 1968 to 1973, and bore a son, William,
whose father was ex-boyfriend, theatre director Terence Palmer. In her
time, Sandy Ratcliff played bass guitar in the bands Tropical Appetite
and Escalator. Following drug addiction and nervous breakdowns, she
became a counsellor and ambulance driver.
CARL REINER (20 March 1922-29 June 2020)
The American actor, comedian, screenwriter, producer and director Carl Reiner,
who has died at the age of 98, spent a lifetime making people laugh. Born to
Jewish immigrant parents in New York City, young Carl became interested in
theatre from an early age. During war service he was hospitalised with pneumonia,
after which he trained as a French interpreter at Georgetown University where
he began directing plays. He subsequently toured overseas with the Special
Services entertainment unit until 1946. New York then beckoned and he played
Broadway, securing the lead in the Harold Rome revue Call Me Mister. Television followed in 1950 with Sid Caesar’s Show of Shows and Caesar’s Hour, working with Mel Brooks,
Neil Simon, Woody Allen, Larry Gelbart and others. More television comedy found
him alongside George Burns and Gracie Allen, with Mel Brooks on The Steve Allen Show, and with Dinah
Shore, Dick Van Dyke, Rowan &
Martin’s Laugh-In, Carol Burnett,
Larry Sanders and many others, either as an actor or writer or as both.
Reiner’s first feature
film as an actor was Happy Anniversary
(1959), a comedy with David Niven and Mitzi Gaynor. Then he did The Gazebo with Glenn Ford and Debbie Reynolds,
had three roles in The Thrill of It All with Doris Day, appeared in Stanley
Kramer’s It’s a Mad, Mad, Mad, Mad World, Norman Jewison’s The Russians Are Coming! The Russians Are Coming! and The End 
directed by Burt Reynolds, plus
countless others including Ocean’s
Eleven, Twelve and Thirteen and The Majestic
with Jim Carrey. In Toy Story 4
and on the Forky Asks a Question TV series he voiced the role of
Carl Reinereoceros. His last acting appearance was in Saddle Up! which is still in pre-production.
Reiner began directing films in 1969 with Enter Laughing (based on his own novel), then came The Comic with Dick Van Dyke, Where’s Poppa? with George Segal, Oh, God! with George Burns and The One and Only with Henry Winkler. He then made several films with Steve Martin, namely The Jerk, Dead Men Don’t Wear Plaid, The Man With Two Brains and All of Me. He continued to direct films until his last, That Old Feeling
in 1997 with Bette Midler. Reiner often appeared in the films he wrote,
produced or directed. Writing and appearing with Mel Brooks he wrote
their famous monologue 'The 2000 Year Old Man' which appeared as a
book, an album and a short film. Like much of his output Reiner wrote
what is essentially New York Jewish humour, along with the likes of Sid
Caesar, Neil Simon, Woody Allen and, of course, Mel Brooks. They were
responsible for creating the tone of American humour on television,
influencing the likes of Soap, The Golden Girls, Rhoda and Frasier
etc. Carl Reiner was the recipient of many awards including Primetime
Emmys, American Comedy Awards, Directors Guild of America, MT Movie
& TV Awards, The Writers Guild of America and a Grammy Award with
Mel Brooks for The 2000 Year Old Man in the Year 2000.
Carl Reiner married the jazz singer Estelle Lebost in 1943. She died in
2008 but not before achieving lasting fame in her son Rob Reiner’s film
When Harry Met Sally by
uttering the famous line: “I’ll have what she’s having.” The Reiners
have three children, the poet and playwright Annie, the actor-director
Lucas, and the actor-writer-producer-director Rob Reiner. Carl
Reiner’s first autobiography, My Anecdotal Life: A Memoir, was published in 2003. It was followed by a further seven memoirs and a dozen other books. A long and very busy life indeed.
BURT
REYNOLDS (
The American actor
Burt Reynolds,
who has died from heart problems at the age of 82, was quoted as
saying: “My
films were the kind they only show in prisons and in airplanes, because
nobody
can leave.” He was famous for turning down good roles but nevertheless
enjoyed
a sixty-year career in 
As a teenager,
he was a good athlete and nearly had a football career until a knee
injury put
paid to it. In college in
SHANE RIMMER (28 May 1929-29 March 2019)
The
Canadian actor and writer Shane Rimmer, who has died aged 89, emigrated
to the UK in the 1950s and worked here for the rest of his life.
Although his face would be familiar to many filmgoers and TV watchers,
he may well be remembered for his voice-over work, 
in particular on Thunderbirds and other Gerry Anderson puppet series. He was the voice of Scott Tracy on Thunderbirds (1965) on TV and for the features Thunderbirds Are GO and Thunderbirds 6, was various characters’ voices in Captain Scarlet and the Mysterons, Joe 90 and Space: 1999. He also co-wrote some episodes of Joe 90 and Captain Scarlet.
In Canada he was a cabaret singer and then worked on TV for the
Canadian Broadcasting Corporation. He made his film debut in Sidney J.
Furie’s first film, A Dangerous Age (1957), then appeared in Flaming Frontier with Bruce Bennett and Jim Davis. Moving to the UK, he worked on Armchair Theatre for ABC TV and then for Stanley Kubrick in Dr Strangelove... Umpteen television shows followed from then and for the rest of his career and a new Thunderbirds series for its 50th anniversary in 2015. Other films in which Shane Rimmer appeared include You Only Live Twice, Diamonds Are Forever, Live and Let Die (voice only), S*P*Y*S,
Rollerball, The ‘Human’ Factor, Twilight’s Last Gleaming, Star Wars IV,
Silver Bears, The People That Time Forgot, The Spy Who Loved Me,
Superman I, II and III, The Dogs of War, Priest of Love, Reds, Gandhi, The Hunger, Out of Africa, Whoops Apocalypse, A Kiss Before Dying (1991), Batman Begins
etc. Never a star or leading man, Shane Rimmer always brought something
extra to a role, be it comedy or drama, and he made a good living out
of being on the perimeter or just on the soundtrack. He was married to
Sheila G. Logan and they have three children. In 2014 Shame Rimmer
published a novel, Long Shot, following his autobiography, From Thunderbirds to Pterodactyls.
NICOLAS
ROEG (15 August 1928-23 November
2018)
The British cinematographer and film director Nicolas Roeg, who has
died aged 90, was never one to work on routine projects. 
Instead,
he was mostly associated with controversial productions that often
became something of a cult. His career began as a tea boy in the small
Marylebone Studios which happened to be across from where he lived. He
worked his way up to become a clapperloader and eventually camera
operator on such films as The
Trials
of Oscar Wilde, The Sundowners, The Man Inside, Bhowani Junction,
Lawrence of Arabia, The Caretaker, The Masque of the Red Death, Nothing
But the Best, Fahrenheit 451, A Funny Thing Happened on the Way to the
Forum, Far From the Madding Crowd and Petulia. His first
film as a director was Performance,
co-directed with Donald Cammell. Controversy – sex, drugs and Mick
Jagger – kept the film on the distributor’s shelf for two years. Walkabout was set
in the Australian outback, Don’t
Look Now featured Venice and was a popular and critical
success. David Bowie played The
Man Who Fell to Earth and then Art Garfunkel starred in Bad Timing with
Theresa Russell, who became Roeg’s second wife. The film, however, was
disowned by the Rank Organisation. Insignificance
saw famous names of Marilyn Monroe, Einstein, Joe DiMaggio and Senator
McCarthy meeting up. Of his later films, only The Witches really
worked to its own advantage, with Castaway,
Track 29, Cold Heaven and Two Deaths
following as also-rans. Sadly, Roeg’s last film, Puffball
(2007), was a huge disappointment. As a cinematographer, Roeg always
displayed great imagination and a distinctive visual style. He was
awarded a British Film Institute Fellowship in 1994, received the OBE
in 1996 and won the Lifetime Achievement Awards at Raindance in 1999
and at the Transilvania International Film Festival in 2007. The London
Film Critics’ Circle gave him the Dilys Powell Award in 2012. Roeg was
married to actress Susan Stephen, with whom he had four children,
Theresa Russell (two children) and latterly Harriet Harper (from 2005).
MAURICE ROËVES (19 March 1937-15 July 2020)
The
actor Maurice Roëves, who has died aged 83, was born in Sunderland but,
being raised in Glasgow, identified as Scots. After National Service,
he joined his father’s flour mill. However, amateur drama groups
ignited his interest in theatre, so he trained at the Glasgow College
of Dramatic Art, then joined the Citizens’ Theatre and was cast in
leading roles. 
Eventually he appeared in many television series beginning with Dr Finlay’s Casebook in 1966 and went on to play the lead in Scobie in September, a thriller set at the Edinburgh Festival. Later he did Doomwatch, A Family at War, The Sweeney, Jackanory, Inside the Third Reich (as Hitler), Doctor Who, Tutti Frutti, the Hillsborough TV movie, EastEnders, Surviving Disaster (as Matt Busby in Munich Air Crash) and, in 2020, Nicole Taylor's The Nest, his last work for TV. Apart from television, Roëves secured parts in several films, including Joseph Strick’s Ulysses, Attenborough’s Oh! What a Lovely War and Young Winston, When Eight Bells Toll, The Eagle Has Landed, Escape to Victory, Who Dares Wins, Ken Loach’s Hidden Agenda, The Big Man with Liam Neeson, The Last of the Mohicans with Daniel Day-Lewis, Judge Dredd with Sylvester Stallone, Beautiful Creatures with Rachel Weisz, Hallam Foe with Jamie Bell, The Damned United with Michael Sheen, the remake of Brighton Rock, and, in 2016, Macbeth
(as Monteith) with Michael Fassbender, Roëves' last film. From 2001 he
was married to Vanessa Rawlings-Jackson. His first wife was the actress
Jan Wilson, with whom he has a daughter, Anne.
ANNIE ROSS (25 July 1930-21 July 2020)
The jazz singer and actress Annie Ross died four days before her ninetieth birthday from emphysema and heart disease. 
Born
Annabelle Allan Short in London to Scots vaudevillians Jack and Mary
Short, she moved to America aged four, winning a talent contest which
took her to Los Angeles with her aunt, the singer-actress Ella Logan.
The family, with brother Jimmy Logan, moved back to the UK. Meanwhile,
Annie sang in the film Our Gang Follies of 1938 and in 1943 played Judy Garland’s sister in Presenting Lily Mars.
She later resumed her film career, but first became a celebrated jazz
singer, recording with Jon Hendricks and Dave Lambert with whom, as
Lambert, Hendricks & Ross, she made seven classic albums. Her most
famous song is ‘Twisted’. In 1964 she ran her own nightclub, Annie’s
Room, but she soon went bankrupt. In 1972 she was back on stage,
television and films, including Hammer’s Straight On Till Morning with Rita Tushingham, then Tony Richardson’s Dead Cert with her husband Sean Lynch, Ken Hughes’ Alfie Darling, John Schlesinger’s Yanks, Richard Lester’s Superman III, Danny DeVito’s Throw Momma From the Train, and Robert Altman’s The Player and Short Cuts, etc. She also dubbed other actors’ voices, including Britt Ekland in The Wicker Man and Ingrid Thulin in Salon Kitty.
Annie Ross married Sean Lynch in 1963. They divorced in 1977 and he
died in a car crash in 1979. A brief affair with drummer Kenny Clarke
produced Annie’s only son, Kenny Clarke Jr.
ALVIN SARGENT (12 April 1927-9 May 2019)
The
American screenwriter Alvin Sargent, who has died of natural causes at
the age of 92, was notorious for taking a long time to write his
scripts. But, that said, he created many high-profile films and could
never be accused of writing second-rate material. 
He
was born Alvin Supowitz in Philadelphia where he was educated but left
school to join the US Navy during World War II. Moving to Los Angeles,
he worked as a restaurant waiter, then for a clothing company and then
as a CBS prop man. After some acting experience, he sold advertisements
for the showbiz paper Variety. He began writing for television from 1956 including for Naked City, Ben Casey, Route 66 and The Alfred Hitchcock Hour. His first film script was for Gambit (1966) with Shirley MacLaine and Michael Caine and then Robert Mulligan’s The Stalking Moon with Gregory Peck, Alan J. Pakula’s The Sterile Cuckoo (aka Pookie) with Liza Minnelli, and I Walk the Line, again with Peck. In the 1970s he wrote The Effect of Gamma Rays on Man-in-the-Moon Marigolds for director Paul Newman and star Joanne Woodward, Peter Bogdanovich’s Paper Moon, and Love and Pain and the Whole Damn Thing, again for Pakula and starring Maggie Smith. He contributed (uncredited) to Streisand’s version of A Star Is Born, Sydney Pollack’s Bobby Deerfield, and Julia for Fred Zinnemann, with whom he had worked as an uncredited actor on From Here to Eternity in 1953. After Straight Time, The Electric Horseman, Nuts (with Streisand), and Ordinary People,
Robert Redford’s first film as a director, Sargent worked through the
1990s with Susan Sarandon, Bill Murray, Danny DeVito, Dustin Hoffman,
Whoopi Goldberg and Richard Gere, until Spider-Man 2 came along in 2004, followed by Spider-Man 3 and finally The Amazing Spider-Man,
his last screenplay (in 2012). Alvin Sargent was married to the actress
Joan Camden for over twenty years. After their divorce, he lived with
Laura Ziskin, producer of the Spider-Man movies, for 25 years but they married only a year before she died in 2011. Sargent won two Academy Awards, for Julia and Ordinary People.
JOHN SAXON (5 August 1936-25 July 2020)
The
American actor John Saxon, who has died aged 83 from pneumonia, had a
busy film and TV career for over 60 years. Born Carmina Orrico to
Italian-American parents, he studied acting with the Method teachings
of Stella Adler. Discovered by a model agent, 
he was given a contract at Universal Studios. A couple of uncredited appearances in It Should Happen to You and A Star Is Born in 1954 led to his first film role in Running Wild with Mamie Van Doren, followed by The Unguarded Moment with Esther Williams, Rock, Pretty Baby! with Sal Mineo, Summer Love with Rod McKuen, Blake Edwards’ This Happy Feeling with Debbie Reynolds, and Vincente Minnelli’s The Reluctant Debutante, the first of three films he made with Sandra Dee. Heftier roles came in The Big Fisherman, Cry Tough, John Huston’s The Unforgiven, Posse From Hell and War Hunt, Denis Sanders’ take on the Korean War. The 1960s saw Saxon filming in Italy including on Otto Preminger’s The Cardinal. As a martial arts expert, he was often cast in macho roles such as The Appaloosa with Marlon Brando, the Don Siegel (as Allen Smithee) Western Death of a Gunfighter, John Sturges’ Joe Kidd with Clint Eastwood, and Enter the Dragon with the iconic Bruce Lee. There was also TV – Dr Kildare, Bonanza, Ironside, The Virginian, Gunsmoke, The Bold Ones etc – but the films were not first grade, except for Sydney Pollack’s The Electric Horseman and perhaps Richard Brooks’ comedic thriller Wrong is Right (released in the UK as The Man with the Deadly Lens) with Sean Connery, Dario Argento’s Tenebrae, Wes Craven’s A Nightmare on Elm Street (and a sequel) and Beverly Hills Cop III. More TV included Fantasy Island, Dynasty, Falcon Crest and Murder, She Wrote.
John Saxon was married three times, first to Mary Ann Saxon, then
Elizabeth Saxon and finally Gloria Martel. With his first wife they
have a son, Antonio.
JOEL SCHUMACHER (29 August 1939-22 June 2020)
The American film writer, producer and director Joel Schumacher, who has died
at the age of 80 from cancer, was a gay filmmaker who managed to gauge popular taste
with surprising success, while his sexual orientation informed some of his
screenplays. Highlights of his career include St Elmo’s Fire, The Client,
Flatliners, Falling Down and Phone
Booth, in which he often used potential stars before they became public
properties. Born in New York City, young Joel 
was brought up by his Jewish
mother after his father died when the boy was four. At first he studied fashion
and worked as a window dresser. When his mother died, he went through a period of
heavy drug abuse but on moving to LA he began designing costumes for films including Blume in Love, The Last of Sheila, The
Prisoner of Second Avenue and Woody Allen’s Sleeper and Interiors. He
wrote his first screenplay for director Sam O’Steen’s Sparkle with Irene Cara, before she went on to do Fame. He also wrote Michael Schultz’s Car Wash and Sidney Lumet’s The Wiz before directing his first film,
The Incredible Shrinking Woman with
Lily Tomlin.
St Elmo’s Fire,
about a group of university graduates, was his first directorial hit,
with the so-called Brat Pack actors, Rob Lowe, Judd Nelson, Emilio
Estevez, Andrew McCarthy, Demi Moore, Ally Sheedy and Mare Winningham.
He cast Jason Patric, Corey Haim, Dianne Wiest, Kiefer Sutherland and
Corey Feldman for his horror comic film The Lost Boys. Flatliners starred Kiefer Sutherland, Julia Roberts, Kevin Bacon and William Baldwin and he used Roberts again for the rather maudlin Dying Young. Falling Down
was a great improvement with Michael Douglas playing against type as an
ordinary man whose life begins to slowly unwind. Schumacher made great
movie successes out of two John Grisham novels, The Client and A Time to Kill, and ventured into comic book superheroes with Batman Forever and Batman & Robin. 8MM was a thriller with Nicolas Cage, while Flawless saw Robert De Niro’s security guard joining forces with drag queen Philip Seymour Hoffman. From 2000 there was Tigerland and Phone Booth both starring Colin Farrell, who also appeared with Cate Blanchett in Veronica Guerin. The Andrew Lloyd Webber musical of The Phantom of the Opera
saw Gerard Butler in the title role. Schumacher made a few more feature
films up to 2011 and his last work was on two episodes of the Netflix
version of House of Cards in
2013. Joel Schumacher’s films were often nominated for Academy and
other movie awards and he won several prizes on the international
festival circuit.
ELIZABETH SELLARS (6 May 1921-30 December 2019)
The Scottish-born actress Elizabeth Sellars, who has died aged 98, was a prominent
player on stage, in films and on television. She enjoyed a long career
particularly in the cinema, often playing enigmatic women of mystery, no better
than they should have been. 
Born in Glasgow and educated in Hertfordshire, she
attended Rada and then in 1940 worked for Ensa entertaining the troops
overseas. Her London theatre debut was in The
Brothers Karamazov in Hammersmith and she later worked at the Bristol Old
Vic, the Royal Shakespeare Company and London’s West End. She made her
television debut in Dr Faustus (1947)
and later on did South Sea Bubble, Ordeal by Fire, Dial M for Murder, The
Philadelphia Story, Pink String and Sealing Wax, The Browning Version, The Second Mrs Tanqueray and John Mortimer’s Too Late for the Mashed Potato. She was also John Mortimer’s mother
in A Voyage Round My Father with Laurence
Olivier. Sellars’ first film was Floodtide
in 1949, followed by David Lean’s Madeleine,
Hunted and The Gentle Gunman (both
with Dirk Bogarde) and many British black & white thrillers such as Guilt Is My Shadow, Night Was Our Friend,
The Long Memory, The Broken Horseshoe, Recoil, Forbidden Cargo, Three Cases of
Murder and The Last Man to Hang,
titles that often appear on the Talking Pictures channel. In Hollywood she did The Barefoot Contessa for Joseph
L.Mankiewicz, Désirée with Marlon
Brando, and Prince of Players with Richard Burton. She was
also in The Shiralee with Peter
Finch, Jet Storm with Richard
Attenborough, The Day They Robbed the
Bank of England with Peter O’Toole, Never Let Go with Peter Sellers, 55 Days at Peking, The Chalk Garden and The
Mummy’s Shroud. After The Hireling
in 1973 she worked solely in television until she retired in 1990. Elizabeth
Sellars was married to Francis Austin Henley from 1960 until his death in 2009.
JOHN SHRAPNEL (27 April 1942-14 February 2020)
The
British actor John Shrapnel, who has died aged 77 from cancer, was a
familiar face on television although he was also a stage actor
throughout his career and appeared in many high-profile films. Born in
Birmingham to Norman Shrapnel and his wife Mary, he was brought up in a
literary household as his father was a Guardian
reporter, reviewer and theatre critic who also wrote books on politics.
Moving south, John was educated at the City of London School and
Cambridge. Early stage productions included Hamlet and Much Ado About Nothing,
the latter his professional debut. Later he worked at the National
Theatre, the Donmar Warehouse, the Royal Shakespeare Company, the Young
Vic and the Barbican Theatre. 
On television (from 1967) he was in the Elizabeth R
series (with Glenda Jackson) playing the Earl of Sussex, as well as
various Shakespeare adaptations. He often played men of substance,
military types or out-of-the-ordinary professionals. His first feature
film was Nicholas and Alexandra (1971), then he played Father James in Pope Joan with Liv Ullmann. Other films included Hennessy starring Rod Steiger, Personal Services with Julie Walters, Partition, set in India at the time of independence in 1947, Tony Palmer’s Testimony with Ben Kingsley as Shostakovich, Bruce Robinson’s How to Get Ahead in Advertising, Nicolas Roeg’s Two Deaths and Stephen Herek’s 101 Dalmatians with Glenn Close as Cruella de Vil. He was a PR Chief in Notting Hill with Hugh Grant and Julia Roberts, Gaius in Ridley Scott’s Gladiator, played an Admiral in Kathryn Bigelow’s K-19: The Widowmaker with Harrison Ford, was Nestor in Wolfgang Petersen’s Troy, played Lord Howard in Elizabeth: The Golden Age with Cate Blanchett, was General Grey in The Duchess with Keira Knightley, played a Reverend Father in The Awakening with Rebecca Hall, appeared with Ant & Dec in Alien Autopsy and was Claudius and the Ghost to Maxine Peake’s Hamlet. John Shrapnel’s last film was the TV version of Mike Bartlett’s play King Charles III
in 2017. He was married to the landscape gardener Francesca
Bartley, daughter of Deborah Kerr, and they have three sons, writer
Joe, director Tom and actor Lex, the latter appearing with his father
at the Young Vic in Caryl Churchill’s A Number.
NEIL SIMON
(
The American writer
Neil Simon,
who has died aged 91 from renal failure following Alzheimer’s disease,
conquered the worlds of theatre, cinema and television, mostly with
comedy,
often based on his own life experiences. His career began as a gag
writer on TV
in the late 1940s with Sid Caesar’s long-running series Your
Show of Shows and Caesar’s
Hour. 
He also did TV adaptations of Best
Foot Forward, Babes in Toyland,
A Connecticut Yankee, The
Chocolate Soldier, The Desert Song
and The Great Waltz. He wrote some
twenty episodes of the Sergeant
Bilko You’ll Never Get Rich series
and
more besides. His first play was Come
Blow Your Horn which was followed by Barefoot
in the Park, The Odd Couple,
Sweet Charity, Plaza
Suite and Last of the
Red Hot Lovers, all of which became films written by him. The Odd Couple also made a perennially
successful TV series. Other of his plays that made movies were The Prisoner of Second Avenue,
The Sunshine Boys, Chapter
Two, The Gingerbread Lady
(filmed
as Only When I Laugh), I Ought To Be In Pictures, Brighton
Beach Memoirs, Broadway
Bound,
Lost in Yonkers and Biloxi
Blues, the last four being very
much based on his early life in New York. He also wrote the original
screenplays of The Out of Towners, The Heartbreak Kid, Murder
by Death, The Goodbye
Girl, The Cheap Detective,
California Suite and Seems
Like Old Times. Simon wrote the
books for the stage musicals Little Me,
Sweet Charity and Promises,
Promises. With further TV movies and
his other adaptations, Neil
Simon must surely have been the most productive comedy writer in the
world. His
plays were staged everywhere and his films were global successes.
Actors no
doubt fought to be in his plays and films and he certainly raised the
profiles
of performers such as Jack Lemmon and Walter Matthau. He never won an
Oscar
himself, but he did win Tony awards for The
Odd Couple, Biloxi
Blues and Lost in
Yonkers, the last gaining him a Pulitzer Prize. Neil Simon
was born, lived
and died in
ALAN
SIMPSON (
From 1957, the scriptwriting
partnership of Ray Galton and
Alan Simpson 
produced some of the best comedy
programmes on radio and
television for some sixty years. They met in hospital when they were
both
suffering from tuberculosis and started writing for the hospital radio
station.
They began scripting for BBC radio in 1951 for Derek Roy’s show Happy-Go-Lucky, then with Eric Sykes
contributed to Frankie Howerd’s Fine
Goings On and eventually Hancock’s
Half Hour (1954-59) which transferred to BBC Television from
1956 to 1961.
They had also written for Bernard Braden and contributed ten one-off
scripts
for BBC TVs Comedy Playhouse, one
of
which, The Offer, about two rag and
bone men, became Steptoe and Son
(1962-74). The duo wrote Citizen James,
a series for Sid James, and other TV shows for Frankie Howerd, Ken Dodd
and
Leslie Phillips, plus television movies and an adaptation of Clochemerle. In the cinema they were not
that successful. Apart from movie spin-offs of Steptoe
and Son and Up the
Chastity Belt for Frankie Howerd,
there was The Rebel (1961) written
when Hancock was at the height of his fame, The
Bargee (1964), with Harry H. Corbett, The
Spy With a Cold Nose
(1966), the
film version of Joe Orton’s Loot
(1970) and a short called Le Petomane
(1979) with Leonard Rossiter as the Frenchman with a music hall farting
act.
However, Alan Simpson and Ray Galton were essentially TV writers and in
their
heyday they were the best there was and their material still stands up
today.
They both received the OBE in 2000 and were awarded a Bafta Fellowship
in 2016. Ray Galton himself died 5 October 2018 following a long
illness associated with dementia.
JOHN SINGLETON (6 January 1968-29 April 2019)
The
American film writer, producer and director John Singleton, who has
died at the age of 51 following a stroke, was the youngest director to
be nominated for an Academy Award. At 24 years old he was also the
first African- American to be nominated in that category. The film was Boyz n the Hood (1991) 
and
Singleton was also nominated for best screenplay written directly for
the screen. The film detailed the lives of three street guys (Ice Cube,
Cuba Gooding Jr and Morris Chestnut) growing up in South Central Los
Angeles surrounded by problems of drug dealing and gangsterhood. In his
time Singleton wrote three other films, Poetic Justice with Janet Jackson, Higher Learning with Laurence Fishburne, and Baby Boy with Tyrese Gibson, all of which he also directed. Among the other films he directed were Rosewood with Jon Voight, 2 Fast, 2 Furious with Gibson and Paul Walker, Four Brothers with Mark Wahlberg, and Abduction with Taylor Lautner. He also produced all these films as well as a remake of Shaft with Samuel L. Jackson, Hustle and Flow with Terrence Howard, Black State Moan with Jackson again and Justin Timberlake, and Illegal Tender with Rick Gonzalez. He also contributed to television series including Empire, American Crime Story, Rebel, Billions and Snowfall, as well as several TV documentaries. He appeared as an actor in Beverly Hills Cop III, Baadasssss! and others, and played himself in The Game
TV series. John Singleton was married briefly to Ghanaian filmmaker
Akosua Busia and they have one daughter, Hadar. With his former wife,
Tosha Lewis, he has two children, Tosha and Maasai, and he also
fathered a daughter, Cleopatra. Arguably the most important black
filmmaker since Spike Lee, Singleton claimed his favourite directors to
be De Sica, Truffaut, Spielberg, Kubrick, Scorsese, Kurosawa,
Cassavetes and Coppola. He was a great admirer of Western films such as
Henry King’s The Gunfighter (1950), a movie that particularly influenced many of Singleton’s own film set-ups.
SHEILA STEAFEL (26 May 1935-23 August 2019)
The
South African-born actress Sheila Steafel, who has died aged 84, was
British and lived all her adult life in the UK. She trained as an
actress in London at the Webber Douglas Academy and subsequently
appeared in repertory
theatre, various shops and a club where she served curry in a sari. On TV from 1957, her big break came with The Frost Report, although she had already appeared in TV comedy programmes such as Hugh and I, Sykes and A..., Not Only... But Also, Frankie Howerd, Comedy Playhouse and Roy Hudd’s Illustrated Weekly. Comedy played a huge part in Sheila Steafel’s career with her appearances with Bernard Cribbins, Tommy Cooper, Jimmy Tarbuck, Eric Sykes again, The Goodies, Spike Milligan, Kenny Everett, Rab C. Nesbit and many more. She was also in TV drama including Z Cars, Diary of a Nobody (as Carrie Pooter), Grange Hill, Holby City and Doctors. Between TV work she managed to fit in many films too, such as Robert Fuest’s Just Like a Woman, her first in 1967 with Wendy Craig and Frances Matthews, Quatermass and the Pit, The Bliss of Mrs Blossom, Otley, Baby Love, The Smashing Bird I Used to Know, Goodbye, Mr Chips, Tropic of Cancer, Some Will, Some Won’t, Percy, Up Pompeii, Melody, Catch Me a Spy, Digby: The Biggest Dog in the World and Bloodbath at the House of Death, among others. In 1976, Steafel was in the West End production of Salad Days and she also worked for the RSC during the 1980s in plays by Shakespeare and Vanburgh, and she did Chekhov’s Ivanov at Richmond, Neil Simon’s The Gingerbread Lady at Watford and was in Paris Match at the Garrick. She had a very funny one-woman cabaret show and often appeared at the Players’ Theatre music hall and on The Good Old Days TV show as Popsie Wopsie, a Gaiety Girl who could never quite keep in step or in tune with the music. Sheila Steafel was married to the actor Harry H. Corbett from 1958 to 1965 and she wrote an autobiography called When Harry Met Sheila.
The British actor Dudley Sutton, who
has died at the age of
85 from cancer, generally played renegades, outsiders with problems,
out of
which he made a very successful career. After service in the RAF he
joined Rada
but was subsequently expelled for liking rock’n’roll. 
Early
on he joined
Theatre Workshop with Joan Littlewood at Stratford East. Following a
couple of
small roles in the films A Night to
Remember (1958) and Go To Blazes
(1962), he was cast in a couple of important films by director Sidney
J. Furie.
In The Boys he played one of
several bad
lads up in court on a murder charge, and in The
Leather Boys (1964) he was a biker in the gay film. The
latter, a bold
production based on the novel by Gillian Freeman (writing as Eliot
George), threw
light on the subject of homosexuality well before its time and was
certainly
more believable than Victim of a
few
years earlier. Dudley Sutton also played the title role in the first
stage
production of Joe Orton’s similarly ground-breaking Entertaining
Mr Sloane. He worked steadily in both films and television
right up to his death. On TV he was in Coronation
Street, Dixon of Dock Green, The Baron, The Avengers, EastEnders,
Casualty, Emmerdale,
Holby City, Doctors among many other series. He will be
remembered for
playing Tinker Dill, Ian McShane’s sidekick, in the long-running series
of Lovejoy, all seventy episodes.
Among the
other films Dudley Sutton did were Crossplot
with Roger Moore, The Walking Stick
with David Hemmings, One More Time with Sammy Davis Jr, A Town Called Bastard with Telly
Savalas, Ken Russell’s The Devils, Valentino
and The Rainbow, Ken Loach’s Family Life, The
Stud with Joan Collins, Fellini’s Casanova,
Michael Winner’s remake of The Big Sleep,
Brimstone and
Treacle with Sting, Lamb
with
Liam Neeson, Derek Jarman’s Edward II, The
Football Factory with Danny Dyer, Dean
Spanley with Peter O’Toole and Cockneys
vs Zombies, etc. There are still three more films awaiting
release: Steven
Berkoff’s Tell Tale Heart, Sacha
Bennett’s A Midsummer Night’s Dream, and When
the Devil Rides Out, with Oliver Tobias. Dudley Sutton
married
American actress Marjorie Steele in 1961. They have a daughter and
divorced in
1965. He married again three times and fathered two sons.
RONNIE TAYLOR
(
The British cinematographer Ronnie
Taylor, who has died at
the age of 93, following complications after a stroke, had a long
career
working with many famous directors such as 
Jack
Clayton, Karel Reisz, Ken
Russell, Bryan Forbes, Anthony Harvey, Dario Argento, Richard
Attenborough,
Stanley Kubrick and George Lucas. His film career began in the 1940s as
a clapper
loader and focus puller until his first credit came as camera operator
on It’s Not Cricket (1949) with
Basil
Radford and Naunton Wayne. He spent much of his working life as a
camera
operator on such titles as Boys in Brown, Brandy for the Parson, The Scamp,
Room at the Top, The Rough and the Smooth, The
The
American actor Rip Torn, who has died at the age of 88, was a master at
playing unpleasant characters, heavies for whom no-one could feel
affection. Born Elmore Rual Torn Jr in Texas of German, Austrian,
Bohemian and Moravian descent, he assumed the name Rip which was a
family monicker for the male side of his family. At the University of
Texas he studied animal husbandry with the intent of buying a ranch. 
To
fund this he moved to Hollywood but needed to work on other jobs before
being discovered for the movies. His debut was in Elia Kazan’s Baby Doll
in 1956. Then he moved to New York to study at the Actors’ Studio under
Susan Strasberg and also dance with Martha Graham. After some
television work, Kazan cast him in the film A Face in the Crowd, and then he did Time Limit directed by Karl Malden. He had a reasonable part in Lewis Milestone’s war film Pork Chop Hill with Gregory Peck and then it was mostly TV until he played Judas in Nicholas Ray’s biblical epic King of Kings.
Torn worked on and off Broadway many times. Kazan directed him in Tennessee Williams’ Sweet Bird of Youth
with Paul Newman and Geraldine Page, and the same cast appeared in
Richard Brooks’ film of the play. Torn played a theatre director in Critics’ Choice with Bob Hope and Lucille Ball and then appeared in The Cincinatti Kid,
Norman Jewison’s 1965 poker-playing drama with Steve McQueen. After a
slew of popular TV series, Torn then had a run of films including
Francis Ford Coppola’s You’re a Big Boy Now, Cornel Wilde’s Beach Red, Brian G. Hutton’s The Heroin Gang, Milton Moses Ginsberg’s Coming Apart, Joseph Strick’s Tropic of Cancer and Norman Mailer’s Maidstone, the last involving a real and famously controversial fight between director and star.
Torn was memorable as a Country & Western singer in Payday and also in Nicolas Roeg’s The Man Who Fell to Earth with David Bowie. He kept busy in movies and on television right up to 2016. Notable among his films were The Private Files of J. Edgar Hoover, The Seduction of Joe Tynan, First Family, Airplane II: The Sequel, Cross Creek, Songwriter with Willie Nelson and Kris Kristofferson, City Heat with Clint Eastwood, Extreme Prejudice with Nick Nolte, Beautiful Dreamers (as Walt Whitman), RoboCop 3, How To Make an American Quilt, Men In Black I, II and III, Wonder Boys with Michael Douglas, and Marie Antoinette (as Louis XV). In later years Rip Torn was popular in the TV series The Larry Sanders Show, Will & Grace and 30 Rock. His only Academy Award nomination was for Cross Creek, but he won a Primetime Emmy for The Larry Sanders Show.
Rip Torn was married three times, to the actresses Ann Wedgeworth,
Geraldine Page and Amy Wright. He was father to six children.
PIERO TOSI (10 April 1927-10 August 2019)
The
Italian film costume designer Piero Tosi, who has died of natural
causes aged 92, was the first costume designer to win an honorary
Academy Award. 
The
citation in 2014 called him “a visionary whose incomparable costume
designs shaped timeless, living art in motion pictures.” Noted for his
painstaking research into historical costume, his crowning achievement
was Luchino Visconti’s The Leopard
(1963) which called for hundreds of elaborate costumes, in particular
for the grand ball scenes. Tosi was born in Florence where his father
was a metalworker. Piero, however, had other ideas with his love for
theatre, the movies and costumes. He was discovered by fellow art
student Franco Zeffirelli who introduced Tosi to Visconti who then
employed him on his theatre productions.
His first three film commissions from 1951 were all for Visconti – Bellissima, Senso and White Nights. He worked again with Visconti on Rocco and His Brothers, The Leopard, The Stranger, The Damned, Death in Venice, Ludwig and The Innocent.
He also worked with other high-profile directors such as Mauro
Bolognini, Luigi Comencini, Mario Monicelli, Ḗdouard Molinaro, Marco
Ferreri, Louis Malle, Liliana Cavani, Vittorio De Sica, Roger Vadim,
Pasolini, Fellini and Zeffirelli. He received five other Oscar
nominations for his designs and was the winner of two Baftas, for Death in Venice and Zeffirelli’s La Traviata, among many other international awards.
AGNÈS VARDA (30 May 1928-29 March 2019)
The
Belgian-born French film director, writer, artist and photographer, who
has died at the age of 90, was often called the ‘Godmother of the New
Wave’ in French cinema, as her work pre-dates the beginnings of the
Nouvelle Vague, after which she was consigned to a back seat while the
rise of Truffaut, Chabrol, Resnais, Godard, Rohmer, Rivette and Varda’s
husband, Jacques Demy, superceded her initial influences. Varda began
her career as a stills photographer but always had cinema in mind and
at times combined the two genres. She worked as a theatre photographer
for a while, until she decided to make a film. She knew little about
cinema, having seen few films. She did some filming for a friend in a
French fishing village, La Pointe Courte, and then made a film about
the town which she named after the place itself and in 1955 it became
the forerunner of the New Wave, edited by no less a figure than Alain
Resnais.
She went on to make short documentaries including Along the Coast, 
a stunning travelogue about the French Riviera. Her next feature, Cléo from 5 to 7,
was an international success, heralding a career in which Varda would
make films about women and their problems. Here the worries of a young
girl (Corinne Marchand) are about the chances of her having cancer. It
had music by Michel Legrand and other appearances by French cinema
luminaries such as Dorothée Blanck, Jean-Claude Brialy, Eddie
Constantine, Danièle Delorme, Sami Frey, Jean-Luc Godard, Anna Karina
and Alan Scott.
Le Bonheur was the ironically titled film about a three-way love relationship while Les Crèatures had Catherine Deneuve as a mute woman marrried to a novelist. Lions Love was made in Hollywood with several Tinseltown celebrities. One Sings, the Other Doesn’t is the story of two women set against the burgeoning feminist movement. In Vagabond a young woman is found dead, frozen in a ditch. In Le Petit Amour Jane Birkin plays a woman trying to fathom the mind of a teenage boy. Jane B. by Agnès V. is an imaginary biography of Jane Birkin, and in Jacquot de Nantes Varda pays tribute to her late husband, Jacques Demy, a year after he died. This was followed by Les demoiselles ont eu 25 ans, a documentary on Demy’s musical films Les demoiselles de Rochefort made 25 years earlier. She also made a third film about her husband, The World of Jacques Demy, in 1995.
After that she mostly made documentaries for the cinema or television, including two autobiographical studies, The Beaches of Agnès (2008) and Agnès Varda: From Here to There, a five-part TV series in 2011. She was Oscar nominated in 2018 for the delightful Faces Places,
recording her journey around the villages of France with photographer
JR, which won awards all over the world including Cannes and the London
Film Critics' Circle for documentary of the year. However, in the same
year she received an honorary Academy Award for her lifetime’s
achievement. Her last work was a final autobiographical TV series in
2019, Varda by Agnès. She was
married to Jacques Demy from 1962 until his death in 1990. They have a
son Mathieu and Varda was the mother of Rosalie Varda, the daughter she
had with the actor and director Antoine Bourseiller.
JAN-MICHAEL VINCENT (15 July 1945-10 February 2019)
The
American actor Jan-Michael Vincent, who has died from cardiac arrest
aged 73, usually played men of action in his movie career. Discovered
as he was leaving the National Guard at 22, he went straight into
television, an episode of The Hardy Boys.
More TV came along as well as feature films in which he generally
showed off his hunky good looks and physique. His first film in 1967
was a Western, The Bandits, made in Mexico. 
Journey to Shiloh saw him working with James Caan, Michael Sarrazin, Don Stroud and Harrison Ford, five years before Ford clicked in American Graffiti. He appeared with John Wayne in The Undefeated, and with Robert Mitchum in Going Home in which Vincent played a disturbed orphan. Michael Winner pitched him against Charles Bronson in The Mechanic, and he played the title role in The World’s Greatest Athlete as a Tarzan figure from Africa. Being well-built for physical roles, Vincent nevertheless could handle romance as he did in Buster and Billie, Daniel Petrie’s sensitive tale of his relationship with an unpopular girl. Bite the Bullet was Richard Brooks’s Western with Gene Hackman, James Coburn and Candice Bergen, and in Baby Blue Marine Vincent played a failed marine who is fêted as a war hero on returning home. In titles like Shadow of the Hawk, Vigilante Force, Damnation Alley and Hard Country you can guess the content, but with Big Wednesday,
John Milius’s film about California’s surfing community, its rarity
value proved popular. More actioners including Hal Needham’s Hooper with Burt Reynolds and Sally Field led eventually to Vincent’s most successful TV work, The Winds of War with Robert Mitchum, and Airwolf,
all fifty-five episodes which defined Vincent’s career for ever, as he
played Stringfellow Hawke, pilot of a battle helicopter. More minor
action pics followed, very little of which we saw in the UK. Vincent’s
last film was White Boy in
2002. His life thereafter took a turn for the worse. He had broken his
neck in a car crash, was already an alcoholic and went into rehab for
being drunk while on probation, was arrested for abusing his wife,
sectioned for drug charges and later jailed for further offences.
Finally, in 2012, he had part of his right leg amputated through an
infection. A person of promise, Jan-Michael Vincent never really lived
up to his early potential. He was married three times, with his first
two marriages ending in divorce, and has one daughter, Amber Vincent,
from his first marriage.
MAX VON SYDOW (10 April 1929-8 March 2020)
International
cinema was first aware of the Swedish actor Max von Sydow, who has died
aged 90, through his films made with director Ingmar Bergman. Although
they had worked together in Swedish theatre, their first film together
was The Seventh Seal in 1957. Bergman had made films from the mid-1940s, but The Seventh Seal
really put him on the world map. Von Sydow played a 14th-century
knight returning from the Crusades, having lost his faith in God. The
film had a commanding performance by the actor who was very tall with a
deeply sonorous voice. There were further films with Bergman: Wild Strawberries, So Close to Life, The Face, The Virgin Spring, Through a Glass Darkly and Winter Light (1962). Later he was back with Bergman for The Hour of the Wolf, Shame, The Passion of Anna and The Touch. 
For Max Von Sydow the wider world of cinema also called. He turned down the title role in Dr No, but later played Blofeld in Never Say Never Again. He appeared to be the embodiment of Christ in The Greatest Story Ever Told, was creepily outstanding in the title role of The Exorcist and its first sequel, managed to replicate Charles Middleton’s original 1930s persona as Ming the Merciless for Flash Gordon in 1980, and lent gravitas as the King opposite Arnie in Conan the Barbarian. Some of his other films included The Reward with Yvette Mimieux, Hawaii with Julie Andrews, Michael Anderson’s The Quiller Memorandum, John Huston’s The Kremlin Letter, Fred Haines’ Steppenwolf, Sydney Pollack’s Three Days of the Condor, Francesco Rosi’s Illustrious Corpses, Voyage of the Damned with Faye Dunaway, Woody Allen’s Hannah and Her Sisters, Duet for One with Julie Andrews, Bille August’s Pelle the Conqueror (Oscar nomination), Judge Dredd with Sylvester Stallone, Dario Argento’s Sleepless, Spielberg’s Minority Report, Julian Schnabel’s The Diving Bell and the Butterfly, Ridley Scott’s Robin Hood (as Sir Walter Loxley), Stephen Daldry’s Extremely Loud & Incredibly Close (Oscar nomination), Scorsese’s Shutter Island, Star Wars: The Force Awakens, Thomas Vinterberg’s Kursk and six films with director Jan Troell. On the way he was in TV series of Quo Vadis?, Christopher Columbus, The Tudors and, latterly, Game of Thrones,
as the Three-Eyed Raven. Max Von Sydow married the actress Christina
Olin in 1951 and they have two sons, Clas and Henrik. After divorcing
in 1979, he married the director Catherine Brelet in 1997 with whom he
also has two sons, Cedric and Yvan.
AUDREY WELLS
(25
January
1960-4 October 2018)
The
American
film director and scenarist Audrey Wells, who has died from cancer at
the age
of 58, 
was the daughter of a psychiatrist from
Austria and a psychologist from
Romania. Born and raised in a French-speaking household in San
Francisco, she
was imbued with a world-view from the get-go. After studying at the
University
of California, Berkeley, she moved to Paris and then returned to
California
and, after dabbling as a jazz DJ and earning a master’s of fine arts,
embarked
on a career as a screenwriter. Her first film as scenarist was the
funny and
charming romcom The Truth About Cats and
Dogs (1996), with Uma Thurman, followed by the
action-adventure George of the Jungle
(1997) with Brendan
Fraser, and the 1999 drama Guinevere
with Stephen Rea and Sarah Polley, which also marked her directorial
debut. She
scripted Disney's The Kid (2000),
with Bruce Willis, before writing and directing Under
the Tuscan Sun (2003), which really made her name. Her other
writing credits include Shall We Dance?
(2004), with Richard Gere and Jennifer Lopez, The
Game Plan (2007), with Dwayne Johnson, and the canine
comedy-drama A Dog’s Purpose (2017). Audrey
Wells died the day before her last completed film, the critically
acclaimed The Hate U Give, was released
in US
cinemas.
SHEILA WHITE
(
The British actress
Sheila White,
who has died aged 69 of heart failure, was first seen at age twelve in Cinderella, a pantomime starring Arthur
Askey at the Golders Green Hippodrome. 
This
led to an audition for The Sound of Music
at
PETER WHITEHEAD (8 January 1937-10 June 2019)
The
British-born documentary film director Peter Whitehead, who has died
aged 82, was a pioneer in his own field and a definite influence on
other filmmakers and the music video scene. Born in Liverpool, he
studied music, played the organ and won a scholarship to Cambridge
where he read chemistry, mathematics and physics, although he later
wanted to study English literature and become a writer. He won another
scholarship to the Slade School of Art to train as a painter but, as a
cinephile, he was soon diverted into studying film under the veteran
director Thorold Dickinson. 
Whitehead
began his filmmaking career with short documentaries for the Nuffield
Foundation. Then he appeared to concentrate on the zeitgeist of Britain
in the ‘swinging’ 1960s. Wholly Communion
(1965) was a record of a beat poetry convention at the Royal Albert
Hall, with Allen Ginsberg, Gregory Corso, Christopher Logue, Adrian
Mitchell, etc. Then he made Charlie Is My Darling
(1966) with The Rolling Stones but the band’s manager Andrew Loog
Oldham, who had commissioned the film, disapproved of the results and
it wasn’t fully released until 2012. However, Whitehead did work with
the Stones again on various promotions and filmed other musicians such
as Pink Floyd, The Beach Boys, Jimi Hendrix, The Small Faces,
etc. For Tonite Let’s All Make Love in London
(1967) the filmmaker really captured the spirit of the times in
interviews with Mick Jagger, David Hockney, Edna O’Brien, Vanessa
Redgrave, Lee Marvin, Roman Polanski, Terence Stamp and Michael Caine,
among others. He joined Peter Brook at the Royal Shakespeare Company to
produce Benefit of the Doubt
(1967), a film of Brook’s production of US, about the war in Vietnam,
with Ian Hogg, Michael Kustow, Michael Williams and Glenda Jackson. In
1969 he made The Fall,
probably Whitehead’s most personal film and his most political, dealing
as it dealt with protest, violence and revolution in 1960s' America. It
had such an effect on him that he turned to fictional subjects
including Daddy (1973) and Fire in the Water (1977). He also wrote some novels, one of which he made into a film, Terrorism Considered As One of the Fine Arts (2007) about state control of culture. Before that he was interviewed for Paul Cronin’s documentary about Whitehead, In the Beginning Was the Image
(2006). Peter Whitehead was married to Dianne Leigh, Dido Goldsmith and
Liza Kareninam. He fathered seven children including a son
and daughter from his relationships with Coral Atkins and Deanna
Woodrow.
JON WHITELEY (19 February 1945-16 May 2020)
Former Scots child actor Jon Whiteley, who has died aged 75, made just a
handful of films in the 1950s before abandoning 
the cinema for a university
life. At age six he won a poetry-reading competition which later led to his
appearance in Charles Crichton’s Hunted
(1952) playing a boy who goes on the run with an escaped prisoner (Dirk
Bogarde). In Philip Leacock’s The
Kidnappers (1953) he and young Vincent Winter are boys who secretly find an
abandoned baby. For their outstanding performances both actors won a special
Academy Juvenile Award. Jon Whiteley stars opposite Stewart Granger in Moonfleet (1955), Fritz Lang’s tale of bootlegging
pirates, and in Val Guest’s The Weapon
(1956) plays a boy who shoots his friend with a gun he has found. In Philip
Leacock’s The Spanish Gardener (1956),
Whiteley was the lonely son of a diplomat living in Spain where he befriends
the title character played by Dirk Bogarde. After a couple of television parts,
in Robin Hood and Jericho, Whiteley gave up acting and
later became an art historian at the Ashmolean Museum in Oxford where he
catalogued their French drawings and wrote books on French art and musical
instruments. In 2009 he was made a chevalier knight of the French Order of Arts
and Letters. With his wife, Linda, Jon Whiteley fathered two children.
HUGH
WHITEMORE (
Although he trained to be an actor at
Rada, Hugh Whitemore,
who has died at the age of 82, became a playwright and a screenwriter
for both television
and film. 
He began writing for television in 1962
with a story for No Hiding Place,
followed by The Full Chatter with
Brian Rix, the BBC
soap Compact and many more series
such as Armchair Theatre, The Wednesday Play, Elizabeth
R, adaptations of Somerset Maugham stories, David
Copperfield, Moll Flanders, Rebecca,
My Cousin Rachel, A Dance to the Music of Time, Cider With Rosie,
etc. For
the theatre he wrote Breaking the Code,
about Alan Turing and Bletchley Park, A
Pack of Lies, on the Kroger spy
ring,
The Best of Friends, about George
Bernard
Shaw, Stevie, on the poet and
novelist Stevie Smith, A Letter of
Resignation with Edward Fox as Harold Macmillan, It’s Ralph, with Timothy West, Sand
in the Sandwiches about
John
Betjeman, and an adaptation of Pirandello’s As
You Desire Me. For the cinema, his first contributions were
additional
scenes for an adaptation of Evelyn Waugh’s Decline
and Fall… of a Birdwatcher
in
1968. Then came All Neat in Black
Stockings, Man at the Top,
the
sequel to John Braine’s novel, The Blue
Bird, from the Maeterlinck play,
with
(disastrously) Elizabeth Taylor, The
Return of the Soldier with Alan Bates and Julie Christie, 84 Charing Cross Road, and Zeffirelli’s Jane Eyre, with Charlotte Gainsbourg.
Whitemore’s last work was all for TV: an episode of Midsomer
Murders, the Emmy-winning The
Gathering Storm, with Albert Finney as Churchill, My House in Umbria, from the William
Trevor novel, with Maggie Smith (another Emmy), and Into
the Storm (2009) with Brendan Gleeson as Churchill. Hugh
Whitemore was married three times and has a son, Thomas, from his
second
marriage.
JUNE
WHITFIELD (11 November 1925-28 December 2018)
The
British comedy actress June Whitfield, who has died aged 93, conquered
all the entertainment media: radio, television, theatre and film. After
training at Rada, 
she toured in theatre and eventually
became well-known when she replaced Joy Nicholls in the 1950s radio
show Take It From Here,
for which Frank Muir and Denis Norden wrote her the part of Eth Glum.
After that, her career in comedy was well and truly sealed. She went on
to work with many comics of the day, including Arthur Askey, Benny
Hill, Frankie Howerd, Tony Hancock, Harry Worth, Jimmy Edwards, Stanley
Baxter and Dick Emery. She was also a regular for many years on Roy
Hudd’s radio series The
News Huddlines. Mainly known for her television work in
sitcoms with Terry Scott, their comic partnership in Happy Ever After
and Terry and June
ran from 1974 to 1987. June Whitfield made her film debut (uncredited)
in Quiet Wedding
(1946) but went on to appear in Carry
On Nurse, Friends and Neighbours, The Spy With the Cold Nose, Bless
This House, Carry on Girls, Not Now, Comrade, Run For Your Wife, Carry
On Columbus, Jude and many television movies. She still
worked in radio and her last film appearance was in Absolutely Fabulous – The Movie
in 2016, in which she reprised her regular role of ‘Mother’. She was
awarded the OBE in 1985 and became a Dame Commander of the Order of the
British Empire (OBE) in 2017. She was married to chartered surveyor Tim
Aitchison in 1955 until his death in 2001. Their daughter Suzy also
became an actress.
STUART WHITMAN (1 February 1928-16 March 2020)
The
American actor Stuart Whitman, who has died aged 92, had a long career
in films and television. He was noted for his athleticism and rugged
good looks which made him popular as a leading man. Born to a Russian
and Polish Jewish emigrant family, he graduated in law and drama,
joined the Army Corps of Engineers and studied acting at the Los
Angeles Academy of Dramatic Art. 
After touring in theatre, he entered films in 1951 in uncredited roles in two sci-fi titles, When Worlds Collide and The Day the Earth Stood Still. He spent a long time uncredited in films while also appearing on television. His first credited role was in Rhapsody (1954) with Elizabeth Taylor and later he was in King of the Carnival, the last of the Republic serials, and in Budd Boetticher’s western 7 Men from Now with Randolph Scott. Often in B-pictures, he had the title role in Johnny Trouble, but on a better level did The Young Invaders with James Garner, Ten North Frederick with Gary Cooper, The Decks Ran Red with James Mason, The Sound and the Fury with Yul Brynner, Don Siegel’s Hound-Dog Man and Guy Green’s The Mark, for which Whitman was Oscar-nominated. Michael Curtiz’s The Comancheros was a fine John Wayne Western with Whitman second-billed. He was in the all-star war film The Longest Day, the Western Rio Conchos with Richard Boone, Signpost to Murder with Joanne Woodward, the epic comedy Those Magnificent Men in Their Flying Machines and See You in Hell, Darling (1966) based on Norman Mailer’s novel An American Dream.
Whitman’s career then mainly included genre, action and exploitation
movies as well as television series. He went on working until 2000 but
little of this output could be considered of much value. The TV work
included Fantasy Island, The A Team, Hotel, Knots Landing and Murder, She Wrote.
Still, it was a fifty-year career during which Whitman was rarely out
of work. He was married three times, to Patricia Ann LaLonde, Caroline
Boubis and Julia Vadimovna Paradis, producing five children, Tony,
Michael, Linda, Scott and Justin.
FRED WILLARD (18 September 1933-15 May 2020)
The American comic actor Fred Willard, who has died aged 86 of natural causes,
was a ubiquitous performer on countless television shows, although he also
appeared in many films. He was never a household name in the UK but was perennially
popular in the States. 
His career began in stand-up comedy including Chicago’s
Second City company. He entered television in 1966 and spent the next fifty-odd
years on the box. Notable series included The
Tonight Show with Johnny Carson,
Fernwood Tonight, The Love Boat, Murder, She Wrote, The Golden Girls, Family
Matters, Roseanne, Family Guy, Saturday Night Live, Everybody Loves Raymond, King of the Hill, The Cleveland Show,
The Bold and the Beautiful and Modern Family etc. One of his early uncredited film appearances was
in Jacques Demy’s American movie Model
Shop with Anouk Aimḗe. He was in Robert Aldrich’s Hustle with Burt Reynolds, Arthur Hiller’s Silver Streak with Gene Wilder, Ted Kotcheff’s Fun with Dick and Jane with George Segal and Jane Fonda, and Buck
Henry’s First Family with Bob
Newhart, but it wasn’t until he worked with writer-director Christopher Guest
on his series of mockumentary comedies that he came into his own as a movie
actor. The first film was Rob Reiner’s This
Is Spinal Tap, followed by Waiting
for Guffman, Best in Show, A Mighty Wind and
For Your Consideration, all five written,
directed and starring Guest.
Willard also appeared
in Fred Shepisi’s Roxanne, Jay
Roach’s Austin Powers: The Spy Who Shagged Me, Adam Shankman’s The Wedding Planner, Jesse Dylan’s American
Pie: The Wedding, Adam McKay’s Anchorman
and Anchorman 2, Jason Friedberg
& Aaron Seltzer’s Epic Movie, Amy Heckerling’s I Could Never Be Your Woman, and Andrew
Stanton’s WALL-E, alongside many
other movies and TV shows, the last of which, Space Force, is still in post-production. In all Fred Willard notched up over 300 film and TV appearances.
He was nominated several times for Emmy Awards and won one in 2015 for The Bold and the Beautiful. He was married to the actress and writer Mary Lovell who
died in 2018. They have a daughter, Hope.
RICHARD WILLIAMS (19 March 1933-16 August 2019)
The
Canadian film animator Richard Williams, who has died of cancer aged
86, was very much an outsider in the world of cartoons. He had his own
style unlike any other animator, that was independent, personal and
totally original. He was recognised at the Academy Awards who gave him
two Oscars 
for his magnum opus in 1988, Who Framed Roger Rabbit
which was the culmination of a lifetime’s work, mixing hand-drawn
animation and live action with superb skill. Brought up in Toronto by
his painter father and commercial artist mother – influences on his
drawing – as a child he was impressed by Disney’s Snow White
and eventually met Walt and his animators with whom he eventually
worked. Feeling hemmed in, however, he carried on drawing and inventing
his own stories. He moved to the UK in 1955 and joined fellow Canadian
animator George Dunning at TV Cartoons Ltd. Apart from making TV
commercials Williams created his first film, The Little Island, which won a Bafta in 1958. Next came Love Me, Love Me, Love Me and then he worked on many title sequences for films such as What’s New Pussycat?, Casino Royale (1967), The Charge of the Light Brigade, 30 Is a Dangerous Age, Cynthia, Here We Go Round the Mulberry Bush, and some of the Pink Panther films, etc. His animated features include A Christmas Carol (1974), which won him another Oscar, and The Thief and the Cobbler, the last undergoing many rewrites over the thirty-one years it took to complete. It was later released as Arabian Knight. Williams wrote a cartoonist’s manual, The Animator’s Survival Kit, and towards the end of his life he held workshops on animation. He was married four times and is father to six children.
CHARLES WOOD (6 August 1932-1 February 2020)
The British playwright and screenwriter Charles Wood, who has died aged 87, was first a professional soldier from the age of eighteen with a keen interest in military history, a subject he often drew upon for his plays and film scripts. Even with his interest in matters military, his writing often took an anti-war stance. His parents were touring actors and Wood, although he trained as a graphics artist, began working backstage in the theatre, and also as a journalist and in advertising before writing for the theatre. In the 1960s he worked with Peter Brook at the Royal Shakespeare Theatre and also at the National, and later on at the Royal Court. He started writing for television in 1961 and wrote his first film in 1965, an adaptation of Ann Jellicoe’s play The Knack... And How to Get It, the first of many collaborations with director Richard Lester. It starred Rita Tushingham, Ray Brooks and Michael Crawford. Help! followed, again with Lester and The Beatles. Then there was Wood’s adaptation of Patrick Ryan’s novel How I Won the War with Michael Crawford and John Lennon, also for Lester. He wrote The Charge of the Light Brigade for director Tony Richardson, and then A Long Day’s Dying for Peter Collinson, with David Hemmings and Tom Bell. He was back with Lester for The Bed Sitting Room, an adaptation of Spike Milligan and John Antrobus’s play. It starred Rita Tushingham, Dudley Moore, Harry Secombe and a host of British actors, plus Milligan. After that Wood mainly wrote for television before working with Lester again on Cuba, with Sean Connery as a British mercenary fighting Castro’s guerrillas. Wagner was a TV miniseries written for Tony Palmer who also directed Wood’s script for Puccini, with Robert Stephens, and England, My England, a portrait of composer Henry Purcell, with Simon Callow. My Family and Other Animals was a TV series about the naturalist Gerald Durrell. War themes surfaced in Wood’s TV work on Richard Eyre’s Tumbledown with Colin Firth, Sharpe’s Company and its several sequels with Sean Bean, and A Breed of Heroes with Samuel West. He also contributed to Inspector Morse, Kavanagh Q.C. and Monsignor Renard, all three starring John Thaw. The other films Wood wrote were An Awfully Big Adventure, from the Beryl Bainbridge novel, with Alan Rickman and Hugh Grant, and Iris, a biopic of the novelist Iris Murdoch with Judi Dench. His last screenplay was a 2008 collaboration - again with director Richard Eyre - for The Other Man with Liam Neeson and Antonio Banderas. Charles Wood was married to the actress Valerie Newman. They had a son, John, who predeceased Charles, and a daughter, Kate.
FRANCO ZEFFIRELLI (12 February 1923-15 June 2019)
The
opera, television and film director and designer Franco Zeffirelli, who
has died aged 96, made his mark in all four art forms. The illegitimate
son of a fashion designer and a cloth merchant who were both married to
other spouses, Zeffirelli was apparently a descendent from the Leonardo
da Vinci family. Perhaps his lineage produced in young Franco an
artistic streak that set him up for the rest of his life. He studied
art and architecture from 1941 at the University of Florence but during
World War II he joined the British Army as an interpreter.
Returning to his studies, he saw Laurence Olivier’s film of Henry V
and decided on a career in the theatre. Italian director Luchino
Visconti, with whom he had an affair, appointed him assistant director
on La Terra Trema which
influenced Zeffirelli’s work with Vittorio De Sica and Roberto
Rossellini. Throughout his career he often designed his own stage
productions and supervised the costumes. With his innate good taste, he
made his productions both look and sound exceptional. From the
mid-1960s he staged many operas for television, including La Bohème, Otello, Carmen, Turandot, Don Carlo, I Pagliacci, Don Giovanni, Aida, La Traviata and Madama Butterfly, plus seasons from the Metropolitan Opera.
Zeffirelli’s first cinema film as a director was Camping in 1958, but his first major production was The Taming of the Shrew
(1967) with Richard Burton and Elizabeth Taylor (Sophia Loren and
Marcello Mastroianni were not available), possibly the most successful
Shakespeare film ever made – unless it was his next one, Romeo and Juliet
(1968) with teenagers Leonard Whiting and Olivia Hussey which went
global on account of the leading lady revealing her embonpoint. Brother Sun, Sister Moon (1972) was a biopic on St Francis of Assisi with a young Graham Faulkner in the lead. Jesus of Nazareth (1977) was a miniseries with Robert Powell, while The Champ (1979) was a remake of an old boxing movie with Jon Voight and Ricky Schroder. 
Endless Love (1981) seemed like a modern version of Romeo and Juliet and La Traviata
was the Verdi opera filmed on location with Plácido Domingo and Teresa
Stratas. Domingo was also the lead in the Zeffirelli film of Otello.
Twenty-two-year old C. Thomas Howell played the title role in Young Toscanini
with Elizabeth Taylor as an operatic diva, would you believe? Mel
Gibson as the Prince of Denmark proved to be a good choice for Hamlet. In 1996 Zeffirelli tackled Jane Eyre with Charlotte Gainsbourg (Anna Paquin played the young Jane) with William Hurt as Rochester. Tea with Mussolini
(1999) was based on events from Zeffirelli’s own childhood and starred
Maggie Smith, Judi Dench, Joan Plowright, Cher and Lily Tomlin. His
last feature film was Callas Forever (2002) with Fanny Ardant, Jeremy Irons and Joan Plowright.
Outside
of the theatre and the cinema, Zeffirelli, an ultra-conservative Roman
Catholic, was a member of Silvio Berlusconi’s right-wing party from
1994 to 2001. Although he was gay (a word he hated because it was not
‘elegant’), he supported the Roman Catholic church in its anti-gay
policy. He finally came out in 1996, which was no surprise to anyone,
least of all the young actors who had accused him of sexual misconduct
during filming. He had no children but ‘adopted’ two men in his employ.
He received an honorary knighthood (KBE) by the UK in 2004. So, a great
artist perhaps, but a less than perfect man.