American Assassin
A wannabe action franchise which, by drawing on recent terrorist events, kicks below the belt.
Dogged soldier: Dylan O'Brien
There’s
a
new action man in town. His name is Mitch Rapp and he’s the creation of
the
late Vince Flynn, who featured the counter-terrorism operative in 13
novels,
culminating in The Last Man (2012).
In
his first big-screen incarnation, Mitch Rapp is played by Dylan
O’Brien, who
recalls a young Mark Wahlberg (with a dash of Kevin Bacon). And we’re
meant to
root for him, all because of the year’s most emotionally manipulative
opening
scene. Mitch is on holiday in Spain with his girlfriend and just
minutes after a
cutesy marriage proposal worthy of Nicholas Sparks, she is mowed down
by jihadist
terrorists on a shooting spree. And in case you’re wondering: yes, she
tearfully
accepted his hand in marriage.
The
film then
jumps forward 18 months to Rhode Island where we find an embittered
Mitch honing
his boxing and shooting skills while swatting up on the Koran. He has
every
reason to want to infiltrate the terrorist cell responsible for his
fiancée’s
death, but emotion is a dangerous tool in an assassin’s arsenal. So
Mitch is
taken under the wing of the CIA and, under the brutal guidance of Cold
War
veteran Stan Hurley (Michael Keaton), he is trained as an American
Assassin.
Hurley is suspicious of Mitch’s motives but his superiors are in thrall
of the
rookie’s instincts and resolve.
Besides
the gratuitous
opening scene, the film’s first third is compelling enough, with
O’Brien and Keaton
trading machismo like postage stamps. But once they’re called into the
field,
things get a little more formulaic. There’s an Iranian plot to steal 15
kilos
of plutonium to arm a bomb destined for Tel Aviv and Mitch and Hurley
are
forced to negotiate the usual double agents and broken-nosed thugs in
and
around Istanbul and Rome.
The
film
would like to think it’s edgy and topical, but under Michael Cuesta's
pedestrian
direction it feels like a B-movie with ideas above its station. It’s
also
relentlessly nasty, with a torture scene that should put off most
viewers who
clamoured to see the Bourne movies.
As usual with these sorts of films, human lives are eminently
expendable and
one can’t help but feel uneasy at watching something that exploits
recent
real-life events for entertainment value.
JAMES CAMERON-WILSON
Cast: Dylan O'Brien, Michael Keaton,
Sanaa
Lathan, Taylor Kitsch, Shiva Negar, David Suchet, Scott Adkins,
Charlotte Vega.
Dir Michael Cuesta, Pro
Lorenzo di Bonaventura and Nick Wechsler, Screenplay
Stephen Schiff, Michael Finch, Edward Zwick and Marshall
Herskovitz, from the novel by Vince Flynn, Ph
Enrique Chediak, Pro Des Andrew
Laws,
Ed Conrad Buff IV, Music
Steven Price, Costumes Anna B.
Sheppard.
CBS Films-Lionsgate.
111 mins. USA. 2017. Rel: 14 September 2017. Cert.
18.