I'm Your Woman
A sleek, surprising and wholly absorbing crime thriller confirms Rachel Brosnahan as our
kind of woman.
Baby blues: Rachel Brosnahan with Master Charles
Jean is a
bored suburban housewife with all the trappings of material wealth. She smokes
too much and her catchphrase is “I’m a terrible cook.” She has an uneasy
liaison with eggs and her own eggs have let her down. She would love a baby.
Then, one day, her husband turns up with a baby boy, which he dumps on her with
disarming smugness. To say that Jean is unprepared for this new life change is
understating the fact. But what follows soon afterwards is as bewildering to us
as it is to Jean. Unlike so many crime thrillers before it, I’m Your Woman strides to the beat of its
own drum. There is no voice-over, no captions and barely a whisper of
exposition. Jean is alone in her world of luxurious furnishings and floats in an
anaesthetised, well-appointed vacuum. That is, until the waste matter hits the
fan…
Initially,
nothing seems to make sense. But that is the point. We are seeing events unfold
through Jean’s eyes – whoever she may be. We could be anywhere in North America
at any time. And it would be to the viewer’s advantage to know as little going
in as this critic did. The fun is catching up with the action.
Unlike so
many crime thrillers before it, I’m Your
Woman is not stylised, nor whacky, nor gratuitously violent. When Jean is
handed a baby that is not her own, one immediately thinks of Raising Arizona – but that is a
different film. Should a woman have decided to direct a crime thriller, this
may well have been the result. And so it turns out, with Julia Hart steering
the wheel from a screenplay she co-scripted with her husband, Jordan Horowitz. Horowitz
also takes a producing credit, alongside the actress Rachel Brosnahan, who
plays Jean. Initially displaying all the mortality of a waxwork, Brosnahan’s Jean
gradually evolves into something ballsier, just as the juices of motherhood start
to flow. And her co-star, the twins Jameson and Justin Charles, never miss a
trick – their comic timing is faultless.
As Cal, the male
adult on-board, an appropriately enigmatic Arinzé Kene injects surprising humanity
into his cold-blooded hitman. Cal also exhibits greater parenting skills than Jean,
which gives her a glimpse into the history of the uncommunicative man at her
side. Arinzé Kene’s own history includes playing Connor Stanley in EastEnders, before he ended up
co-scripting the spin-off soap EastEnders:
E20. He also played Sam Cooke in the Donmar Warehouse production of One Night in Miami… There are several
moments of human kindness here, too, that are shoe-horned into the proceedings
at unexpected moments, further positioning the viewer onto the back foot. Ultimately,
one brings as much to the film as it gives back, resulting in a collaborative
effort that is as rewarding as it is absorbing. And Brosnahan, who found fame on
the small screen in House of Cards
and The Marvelous Mrs. Maisel, is,
well, our kind of woman.
JAMES CAMERON-WILSON
Cast: Rachel Brosnahan, Marsha
Stephanie Blake, Arinzé Kene, James McMenamin, Marceline Hugot, Frankie Faison,
Bill Heck, Jameson Charles, Justin Charles, Da'mauri Parks, James McMenamin, Jarrod
DiGiorgi, Nathan Hollabaugh, Lynda Marnoni.
Dir Julia Hart, Pro Rachel Brosnahan and Jordan Horowitz, Screenplay Julia Hart and Jordan Horowitz, Ph Bryce Fortner, Pro Des
Gae S. Buckley, Ed Tracey
Wadmore-Smith and Shayar Bansali, Music
Aska Matsumiya, Costumes Natalie
O'Brien, Dialect coach Penny Dyer.
Original Headquarters/Big Indie Pictures/Scrap Paper Pictures-Artificial Eye.
120 mins. USA. 2020. Rel: 11 December 2020. Available on Amazon Prime. Cert. 15.