Terminator: Dark Fate
He never said he’d be back, but thank God James Cameron is.
Pole position: Mackenzie Davis
James
Cameron understands the future. The future is not deep fakery, nanotechnology
or global facial recognition. All that is so today. The future is a material
world. Scientists have already developed such astonishing materials as
graphene, an allotrope of carbon that is a hundred times stronger than steel
and yet is just one atom thick. And then there is aerogel, a synthetic solid material
that is actually lighter than air, one gram of which can absorb up to 900 times
its own weight. Aerogel is also extraordinarily elastic, returning to its
original shape after being completely compressed. In his book Physics of the Future, the theoretical
physicist and futurist Michio Kaku described the Terminator T-1000 killer robot
as “the most dramatic example of programmable matter.” Adopting this
technology, the antagonist of Terminator:
Dark Fate – the so-called ‘Rev-9’ – is an indestructible, self-healing
killing machine.
James
Cameron was the creative force behind The
Terminator (1984) and Terminator 2:
Judgment Day (1991), two of the most mind-boggling sci-fi thrillers ever
projected onto a movie screen. But then he jumped ship and the franchise
dragged on with ever diminishing impact, culminating in the ludicrous, dog-tired
Terminator Genisys (2015). Cameron is
now back, producing the new film from his own story, co-tweaked by Charles
Eglee, Josh Friedman, David S. Goyer and Justin Rhodes. And it’s a ride and a
half.
Skipping the
plot diversions of the last three movies, Dark
Fate jumps in where Judgment Day left
off, complete with the monolithic presence of Arnold Schwarzenegger – just
where he belongs. In his guise as a grizzled version of T-800, he has gone from
terrifying to borderline loveable, with a neat line in deadpan delivery. Asked
what his human partner sees in him, he replies: “I'm reliable, I’m a very good
listener and I'm extremely funny.” And asked why he’s got a well-stocked armoury
in a secret room, his answer is: “This is Texas.”
But this is
really the story of a kick-ass trio, all of whom happen to be women. Linda
Hamilton returns as a weather-beaten, hard-cussing Sarah Connor, whose mission
is to protect a young Mexican woman, Dani Ramos (Natalia Reyes, from Birds of Passage). The latter is
complaining about the local car factory’s workforce being replaced by machines,
when her life is changed forever with the arrival of a cyborg from the future. Neither
Sarah nor Dani know why she is the running target of the chameleonic and unstoppable
Rev-9. It is Grace, an ‘enhanced’ human fighting machine, who fills in the
gaps, embodied by the film’s ace card, Mackenzie Davis. Davis previously played
the replicant prostitute Mariette in Denis Villeneuve's fresh, complex and intoxicating
Blade Runner 2049, almost eclipsing
memories of Daryl Hannah’s not dissimilar Pris in the original. Here, her
balletic, elongated form – criss-crossed with scars doubling as coordinates –
marks her out as a major star of the future.
The film
itself is a non-stop, pulse-pumping adrenalin rush, with laugh out-loud gags
and a surprisingly moving finale. There’s the odd lapse of credibility – such
as when Sarah chucks Dani’s phone out the car window, while her own is secured
in a silver foil protected bag – but Tim Miller’s direction drives the narrative
along so fast that one barely notices. The stunts are breath-taking and the special
effects relentlessly state-of-the-art, none less so than a computer-generated appearance
of Edward Furlong as the 13-year-old John Connor.
JAMES CAMERON-WILSON
Cast: Linda Hamilton, Arnold
Schwarzenegger, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Diego Boneta, Tristán
Ulloa, Brett Azar, Alicia Borrachero, Daniel Ortiz.
Dir Tim Miller, Pro James Cameron and David Ellison, Screenplay David S. Goyer, Justin Rhodes and Billy Ray, Ph Ken Seng, Pro Des Sonja Klaus, Ed
Julian Clarke, Music Junkie XL, Costumes Ngila Dickson.
Paramount Pictures/Skydance Media/20th Century Fox/Tencent Pictures/Lightstorm Entertainment-20th Century Fox.
128 mins. USA/China. 2019. Rel: 23 October 2019. Cert. 15.